検索キーワード： ナレーター "David Smith" すべてのカテゴリー

Volume Six is a tight thriller, with our young Christian hero fighting sinister underworld sports betting mob guys. Can he expose the rigging of a varsity championship basketball game without getting himself killed?

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern. On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid—a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.”

Murderbot wasn’t programmed to care. So, its decision to help the only human who ever showed it respect must be a system glitch, right? Having traveled the width of the galaxy to unearth details of its own murderous transgressions, as well as those of the GrayCris Corporation, Murderbot is heading home to help Dr. Mensah—its former owner (protector? friend?)—submit evidence that could prevent GrayCris from destroying more colonists in its never-ending quest for profit. But who’s going to believe a SecUnit gone rogue? And what will become of it when it’s caught?

Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good.

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.

No, I didn't kill the dead human. If I had, I wouldn't dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

When children go missing, and the Humans have no leads, I’m the one they call. I am their last hope in bringing home the lost ones. I salvage what they cannot. Underestimating demons is a bad idea, and it’s a mistake that may cost me not only my own life but the life of a missing child. If I can swallow my pride, and allow Agent O’Shea to help me find a way to deal with the demon, we might be able to save the child.

When children go missing, and the Humans have no leads, I'm the one they call. I am their last hope in bringing home the lost ones. I salvage what they cannot. Crossing into Ogre country is dangerous when you're a polite, respectful gal. Which means we all know I'm in for a wild ride, despite the new backup I've brought along. Even when things start to go sideways, and enemies close on us from every side, I still believe we have the upper hand. How very blind can one person be when it comes to a salvage for a missing child? I'm about to find out.

Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there’s something wrong with Murderbot; it isn’t running within normal operational parameters.

The only life Tress has known on her island home in an emerald-green ocean has been a simple one, with the simple pleasures of collecting cups brought by sailors from faraway lands and listening to stories told by her friend Charlie. But when his father takes him on a voyage to find a bride and disaster strikes, Tress must stow away on a ship and seek the Sorceress of the deadly Midnight Sea. Amid the spore oceans where pirates abound, can Tress leave her simple life behind and make her own place sailing a sea where a single drop of water can mean instant death?

Includes the story “The Monkey”—now a major motion picture! The #1 New York Times bestseller—a mesmerizing treasury of short stories by Stephen King. An eerie-looking child’s toy harbors an unimaginable evil. A supermarket is unexpectedly the place where humanity makes its last stand...

There is more in our world than you know. Deep in the darkness of a government building, one man needs to find the perfect solution to a vampire’s request that the government satisfy the debt of honor owed him. If he falls short, the failure will be paid in the blood of the military. He needs three uniquely qualified individuals. He can find only one. One woman, dying, might be the ace-in-the-hole he needs to appease the Vampire. But then, she might also be the one person needed to save humanity. If she is accepted, will she willingly change?

The UnknownWorld is reeling from change. Bethany Anne has started to make a difference in the first week of being awake. Now, America has been losing good men since their teams don't have a vampire to help them. Frank is hoping Bethany Anne can, and will, help. Further, the American Pack Council is having internal problems with their own young and dumb weres who want to ignore Michael's strictures. With no one seeing Michael, the fear of the Boogeyman is starting to recede.

On his 13th birthday, foster child Alcatraz Smedry gets a bag of sand in the mail - his only inheritance from his father and mother. He soon learns that this is no ordinary bag of sand. It is quickly stolen by the cult of evil Librarians who are taking over the world by spreading misinformation and suppressing truth. Alcatraz must stop them, using the only weapon he has: an incredible talent for breaking things.

"Happily Ever After" wasn't supposed to come with a do-over option. But when my husband of twenty years packs up and heads for greener pastures and my son leaves for college, that's exactly what my life becomes. Do-over. This time, though, I plan to do things differently. Age is just a number, after all, and at forty I'm ready to carve my own path. Eager for a fresh start, I make a somewhat unorthodox decision and move to a tiny town in the Sierra foothills. I'll be taking care of a centuries old house that called to me when I was a kid.

In her third audio outing, Hilda has been newly initiated into the Sparrow Scouts and now she's ready to earn some badges, and perhaps even make some human friends. Yet a dark, menacing creature is threatening Trolberg, and only our blue-haired heroine can get to the bottom of what it wants.

There is no ancient evil to defeat, no orphan destined for greatness, just two guys in the wrong place at the wrong time. Royce Melborn, a skilled thief, and his mercenary partner, Hadrian Blackwater, make a profitable living carrying out dangerous assignments for conspiring nobles until they become the unwitting scapegoats in a plot to murder the king. Sentenced to death, they have only one way out...and so begins this tale of treachery and adventure, sword fighting and magic, myth and legend. Avempartha is the second of a six book series entitled the Riyria Revelations.

Joseph Campbell, arguably the greatest mythologist of the twentieth century, was certainly one of our greatest storytellers. This masterfully crafted book interweaves conversations between Campbell and some of the people he inspired, including poet Robert Bly, anthropologist Angeles Arrien, filmmaker David Kennard, Doors drummer John Densmore, psychiatric pioneer Stanislov Grof, Nobel laureate Roger Guillemen, and others. Campbell reflects on subjects ranging from the origins and functions of myth, the role of the artist, and the need for ritual to the ordeals of love and romance.

Andrew Dare is a werewolf. He’s the enforcer for the Roanoke pack, and responsible for capturing or killing any Were intruders in Roanoke’s territory. But the lone Were he’s tracking doesn’t smell or act like anyone he’s ever encountered. And when he catches her, it doesn’t get any better. She’s beautiful, she’s crazy, and someone has tortured her by injecting silver into her veins. She says her name is Silver, and that she’s lost her wild self and can’t shift any more.

Chicago, 1932. Mick Oberon may look like just another private detective, but beneath the fedora and the overcoat, he's got pointy ears and he's packing a wand.