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In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern. On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid—a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.”

Murderbot wasn’t programmed to care. So, its decision to help the only human who ever showed it respect must be a system glitch, right? Having traveled the width of the galaxy to unearth details of its own murderous transgressions, as well as those of the GrayCris Corporation, Murderbot is heading home to help Dr. Mensah—its former owner (protector? friend?)—submit evidence that could prevent GrayCris from destroying more colonists in its never-ending quest for profit. But who’s going to believe a SecUnit gone rogue? And what will become of it when it’s caught?

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.

Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good.

The only life Tress has known on her island home in an emerald-green ocean has been a simple one, with the simple pleasures of collecting cups brought by sailors from faraway lands and listening to stories told by her friend Charlie. But when his father takes him on a voyage to find a bride and disaster strikes, Tress must stow away on a ship and seek the Sorceress of the deadly Midnight Sea. Amid the spore oceans where pirates abound, can Tress leave her simple life behind and make her own place sailing a sea where a single drop of water can mean instant death?

No, I didn't kill the dead human. If I had, I wouldn't dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there’s something wrong with Murderbot; it isn’t running within normal operational parameters.

Once, I was a broke college student. Now, it seems I'm destined to rule as the Lightbringer—queen of the demon realm. Except I have competition in the form of Orion, the Lord of Chaos. Like me, he has been marked as a leader. We can't keep our hands off each other, even if he swore an oath to kill me. It seems we both want the same thing—the crown. And in this battle of wills, only one of us will be left standing.

Do lobsters feel pain? Did Franz Kafka have a funny bone? What is John Updike's deal, anyway? And what happens when adult video starlets meet their fans in person? David Foster Wallace answers these questions and more in essays that are also enthralling narrative adventures.

"Happily Ever After" wasn't supposed to come with a do-over option. But when my husband of twenty years packs up and heads for greener pastures and my son leaves for college, that's exactly what my life becomes. Do-over. This time, though, I plan to do things differently. Age is just a number, after all, and at forty I'm ready to carve my own path. Eager for a fresh start, I make a somewhat unorthodox decision and move to a tiny town in the Sierra foothills. I'll be taking care of a centuries old house that called to me when I was a kid.

When the Colonial Marines set out after their deadliest prey, the Xenomorphs, it’s what Corporal Hicks calls a bug hunt—kill or be killed. Here are fifteen all-new stories of such “close encounters,” written by many of today’s most extraordinary authors. Set during the events of all four Alien films, sending the Marines to alien worlds, to derelict space settlements, and into the nests of the universe’s most dangerous monsters, these adventures are guaranteed to send the blood racing—one way or another.

A cattle ranch stalked by the ultimate predator. A heifer gutted and beheaded by razor-sharp claws. A ranch hand crushed and shredded by powerful jaws. According to legend—foretold by Sioux Chief Red Otter—the attacks are an omen of terrible things to come. When a grizzly attacks a man or his property during a blue moon, it is a sign that the bear has been sent from someone on the other side seeking revenge against the man that killed him. And that man—the avenger’s true target—is Hunter Buchanon.

World Peace turns into global civil war. In the future, the leaders of Hive nations—nations without fixed location—clandestinely committed nefarious deeds in order to maintain an outward semblance of utopian stability. But the facade could only last so long. The comforts of effortless global travel and worldwide abundance may have tempered humanity's darkest inclinations, but conflict remains deeply rooted in the human psyche. All it needed was a catalyst, in form of special little boy to ignite half a millennium of repressed chaos.

The city of the gods. Elantris once stood as the symbol of all that is beautiful. A sprawling metropolis of unrivaled grandeur, it was a symbol of power and strength, built to be as imposing as it was magnificent. The only thing more glorious than the city itself was its inhabitants, Godlike beings, with silvery skin and hair of the purest, flowing white. Able to create powerful magics with a mere wave of their hands, the Elantrians were able to heal mortal wounds and create any object they desired. To be an Elantrian was to be without sickness, without pain and without want.

I've agreed to work for a Demigod. My job? Find the spirit of his mother and release her before his vengeful father finds out and kills us all. Have I lost my mind? Thankfully, I don't have to do it alone. Kieran has brought in help: a Necromancer who loves to flirt with danger. Bria can help me find the clues to free Kieran's mom.

Abandoned by her allies, the Republic of Venice holds out as the last beacon of resistance against the hobgoblin armies. Armed with new weapons the Southern Horde drives upon the floating city by land and sea. The Northern Horde drives deep into the heart of Europa and all fall before it. The Horde is vast beyond measure. Assassin daggers lurk in every shadow. Necrotic evil seeps and infects.

The city of the gods. Elantris once stood as the symbol of all that is beautiful. A sprawling metropolis of unrivaled grandeur, it was a symbol of power and strength, built to be as imposing as it was magnificent. The only thing more glorious than the city itself was its inhabitants, Godlike beings, with silvery skin and hair of the purest flowing white. Able to create powerful magics with a mere wave of their hands, the Elantrians were able to heal mortal wounds and create any object they desired. But Elantris fell...10 years ago.

As a Knight of Crystallia, I, Bastille, swore to protect the Smedry clan from the Evil Librarians. (And believe me, screwups like them constantly need protecting.) But when Alcatraz Smedry got strapped to an altar of outdated encyclopedias to be sacrificed to the dark gods, I arrived too late—and instead his father took his place. Now Alcatraz is a blubbering mess, so it’s up to me lead the charge against his father’s killer: Biblioden, founder of the Evil Librarians—I was sure he died centuries ago—who’s back to complete his goal of world domination.

Only once did David Foster Wallace give a public talk on his views on life, during a commencement address given in 2005 at Kenyon College. This is the audio recording of David Foster Wallace delivering that very address. How does one keep from going through their comfortable, prosperous adult life unconsciously? How do we get ourselves out of the foreground of our thoughts and achieve compassion? The speech captures Wallace's electric intellect as well as his grace in attention to others.

The worst has happened: Fleet is tearing itself apart. Some of the mutineers see injustice in the unequal spread of the rejuvenation drugs that offer virtual immortality to the rich; others are simply thirsty for power, or for blood. The Loyalists, meanwhile, fight desperately to preserve the rule of law in Familias Regnant space. But when Esmay Suiza-Serrano is unceremoniously booted out of Fleet, the apparent victim of family politics, she has no idea of the whirlwind of conflict into which she is about to be drawn.