検索キーワード： ナレーター "David Foster" すべてのカテゴリー

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern. On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid—a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.”

Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good.

From #1 New York Times bestselling author Brandon Sanderson comes a rollicking, riveting tale set in the Cosmere universe–a standalone adventure perfect for fans of The Princess Bride. The only life Tress has known on her island home in an emerald-green ocean has been a simple one, with the...

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.

I've agreed to work for a Demigod. My job? Find the spirit of his mother and release her before his vengeful father finds out and kills us all. Have I lost my mind? Thankfully, I don't have to do it alone. Kieran has brought in help: a Necromancer who loves to flirt with danger. Bria can help me find the clues to free Kieran's mom.

Smoke Jensen has met some down-and-dirty, murdering prairie scum over the years. But this time it’s personal and it’s bloody—and going to get bloodier. First, they stole fifty of the hundred horses Smoke delivered to his old friend Big Ben Conyers in Tarrant County, Texas. Then they stole two thousand cattle from Big Ben...and killed him just for the fun of it. Now they’re going to pay.

Murderbot wasn’t programmed to care. So, its decision to help the only human who ever showed it respect must be a system glitch, right? Having traveled the width of the galaxy to unearth details of its own murderous transgressions, as well as those of the GrayCris Corporation, Murderbot is heading home to help Dr. Mensah—its former owner (protector? friend?)—submit evidence that could prevent GrayCris from destroying more colonists in its never-ending quest for profit. But who’s going to believe a SecUnit gone rogue? And what will become of it when it’s caught?

"From #1 New York Times bestselling author Brandon Sanderson—creator of the smash-hit science fiction and fantasy series Skyward, The Stormlight Archive, and Mistborn—comes a new science fiction adventure. A man awakens in a clearing in what appears to be medieval England with no memory of...

The bear seems harmless—at first. Just a lost and confused grizzly poking around Big Rock. Then the killings begin. A horse wrangler is mangled. A rancher mauled. Then a bartender in the heart of town is found clawed to a bloody pulp. Now every man in Big Rock is taking up arms to hunt down the beast before it strikes again—which worries the local sheriff. He’s afraid this amateur hunting party could turn into a mass funeral real fast. So he asks Smoke Jensen to help keep everyone calm and contain the panic. Unfortunately, it’s too late. The panic is out of control. And the hunt is on.

"Happily Ever After" wasn't supposed to come with a do-over option. But when my husband of twenty years packs up and heads for greener pastures and my son leaves for college, that's exactly what my life becomes. Do-over. This time, though, I plan to do things differently. Age is just a number, after all, and at forty I'm ready to carve my own path. Eager for a fresh start, I make a somewhat unorthodox decision and move to a tiny town in the Sierra foothills. I'll be taking care of a centuries old house that called to me when I was a kid.

Building a ranch takes heart and grit. Smoke and Sally Jensen are more than capable of meeting the challenges of shaping the land, raising the livestock, and establishing their brand. But Smoke wasn’t always an entrepreneur. He’s more apt to settle accounts with a fast draw than a checkbook. And when he learns his old friend Preacher has been ambushed by outlaws, he wastes no time saddling up and hitting the vengeance trail with his fellow mountain men Audie and Nighthawk.

The city of the gods. Elantris once stood as the symbol of all that is beautiful. A sprawling metropolis of unrivaled grandeur, it was a symbol of power and strength, built to be as imposing as it was magnificent. The only thing more glorious than the city itself was its inhabitants, Godlike...

No, I didn't kill the dead human. If I had, I wouldn't dump the body in the station mall. When Murderbot discovers a dead body on Preservation Station, it knows it is going to have to assist station security to determine who the body is (was), how they were killed (that should be relatively straightforward, at least), and why (because apparently that matters to a lot of people—who knew?) Yes, the unthinkable is about to happen: Murderbot must voluntarily speak to humans! Again!

Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there’s something wrong with Murderbot; it isn’t running within normal operational parameters.

One warm night in Chicago's Resurrection Cemetery, paranormal investigators Vaughn and Tommy accidentally summon a beautiful, transparent woman. Their search for her true identity uncovers a dark, hidden history of the city and a deadly alliance between political corruption and demonic science!

For more than a year Royce Melborn has tried to forget Gwen DeLancy, the woman who saved him and his partner Hadrian Blackwater from certain death. Unable to get her out of his mind, Royce returns to Medford with Hadrian but the two receive a very different reception—Gwen refuses to see them. The victim of abuse by a powerful noble, she suspects that Royce will ignore any danger in his desire for revenge. By turning the thieves away, Gwen hopes to once more protect them. What she doesn't realize is what the two are capable of—but she's about to find out.

The city of the gods. Elantris once stood as the symbol of all that is beautiful. A sprawling metropolis of unrivaled grandeur, it was a symbol of power and strength, built to be as imposing as it was magnificent. The only thing more glorious than the city itself was its inhabitants, Godlike...

"From #1 New York Times bestselling authors Brandon Sanderson and Janci Patterson comes Bastille vs. the Evil Librarians, the thrilling conclusion to the Alcatraz vs. the Evil Librarians saga. As a Knight of Crystallia, I, Bastille, swore to protect the Smedry clan from the Evil Librarians. (And...

Where do you begin with a writer as original and brilliant as David Foster Wallace? Here -- with a carefully considered selection of his extraordinary body of work, chosen by a range of great writers, critics, and those who worked with him most closely. This volume presents his most dazzling...

Pygmalion is a play by George Bernard Shaw, named after the Greek mythological figure. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era British playwrights. Shaw's play has been adapted numerous times, most notably as the 1938 film Pygmalion, the 1956 musical My Fair Lady and its 1964 film version.