検索キーワード： ドラマ化・音声舞台

When H. G. Wells first published The War of The Worlds in 1898, the novel quickly became a sci-fi classic. The story of extraterrestrials from Mars invading Earth captured the public’s imagination, inspiring a famed 1938 radio broadcast with Orson Welles, several feature films, countless video games, and a best-selling musical concept album by Jeff Wayne in 1978, among others.

There's a serial killer targeting the streets of Newcastle, seemingly picking his victims at random but subjecting them all to the same torturous end. When the Chief Inspector on the case goes missing, it falls on DCI Ryan to track down the man who is brutally murdering women and goading the police to 'catch me if you can'. As everyone becomes a suspect, Ryan and his team get drawn further and further into the case, but for Ryan the nightmare gets closer to home than he could ever have imagined.

We've all seen that lone shopping cart sitting on the edge of a parking lot. Who goes and gets it and brings it home? The cart wrangler, of course.

Brimming with easy humor, fantasy, and wisdom, David Ossman - of Firesign Theatre fame - gives the performance of a lifetime in this theatrical full-length monologue backed by a crack Kansas City jazz trio and recorded before a live audience at the Brick in downtown Kansas City, Missouri, on June 6, 2018.

Mixing voice, eclectic jazz, and sound effects, this performance breaks sound-art boundaries and may even break your heart.

Jeremiah Bourne is a boy with a remarkable gift. He can travel in time. Not by using a time machine, or stepping through a dimensional portal. It just happens to him, as though by accident. One minute he’s in the present day, the next, he’s 100 years in the past, standing in the London of 1910. Jeremiah has two questions: how did he get there - and how can he get back? On his quest for the answers, he enlists the help of Phyllis Stokes of The Society for Theosophical Research and her equally eccentric brother, Roger Allcot Standish, magistrate, spiritualist and dedicated nudist.

Die Tischordnung beim Diner, der verschwiegene Wink einer Gräfin, die Art, in der ein Minister sein Monokel einklemmt oder eine Herzogin ihren heimlichen Liebhaber vorstellt, die Charaktereigenschaften der Kutscher - all diesen Vorgängen widmete Marcel Proust seine Aufmerksamkeit. In diesem Schlüsselwerk erzählt Proust von einer schockierenden Entdeckung: Der Baron von Charlus, sein guter Bekannter, ist homosexuell. Und nicht nur er: In der lasterhaften Welt der besseren Gesellschaft gibt es kaum einen braven Familienvater, der nicht verstohlene Blicke auf hübsche Jünglinge wirft.

Football has come to the ancient city of Ankh-Morpork - not the old fashioned, grubby pushing and shoving but the new, fast football with pointy hats for goalposts and balls that go gloing when you drop them. And now, the wizards of Unseen University must win a football match, without using magic, so they're in the mood for trying everything else. The prospect of the Big Match draws in a street urchin with a wonderful talent for kicking a tin can, a maker of jolly good pies, a dim but beautiful young woman who might just turn out to be the greatest fashion model there has ever been, and the mysterious Mr Nutt.

A BBC Radio 4 full-cast production of one of the earliest plays by Alan Bennett. The 1970s are a time of change, but Labour MP George Oliver feels stuck in one place: distrusting the ‘mawkish mentality’ of the young and fearing the encroaching life of the middle-aged, with little to look forward to but the imminent end of a not-very-interesting road.

A deliciously black satirical comedy about the dinner party from hell. The fastidious host, Paige, decides to throw a dinner party in honour of her husband, Lars, who is celebrating the success of his pop psychology book, Beyond Belief. She carefully plans a surprise menu that will mark the occasion and anxiously checks with the waiter she has employed to make sure that everything is perfectly prepared. Her lucky guests include a postfeminist vegetarian artist, a distinguished microbiologist, a TV journalist and an uninvited guest who ends up staying for dinner.

Set 300 years after the events of Alien: Out of the Shadows and Alien: River of Pain, Alien: Sea of Sorrows deals with the rediscovery of dormant Xenomorphs (Aliens) in the abandoned mines of LV-178, the planetoid from Alien: Out of the Shadows, which has now been terraformed and renamed New Galveston. The Weyland-Yutani Corporation, reformed after the collapse of the United Systems Military, continue their unceasing efforts to weaponise the creatures.

Quand Ellen Ripley retourne enfin sur Terre, c'est pour découvrir que LV-426, la planète sur laquelle l'équipage du Nostromo est pour la première fois entré en contact avec les terribles/monstrueux Xenomorphes, a été rebaptisée Acheron. Protégés par un régiment de Marines coloniaux, les colons essaient de terraformer la planète balayée par les tempêtes. Au-delà des conditions de vie extrêmes et des combats journaliers imposés par ce nouveau monde, l'espoir et l'humanité demeurent.

Quand Ellen Ripley retourne enfin sur Terre, c'est pour découvrir que LV-426, la planète sur laquelle l'équipage du Nostromo est pour la première fois entré en contact avec les terribles/monstrueux Xenomorphes, a été rebaptisée Acheron. Protégés par un régiment de Marines coloniaux, les colons essaient de terraformer la planète balayée par les tempêtes. Au-delà des conditions de vie extrêmes et des combats journaliers imposés par ce nouveau monde, l'espoir et l'humanité demeurent.

[Contains explicit content] Copulating with conifers and barely tolerating office chit chat.

[Contains explicit content] Realizing that you live in the city chocolate built.

[Contains explicit content] Analyzing the president, the things he says on Twitter...and otherwise.

[Contains explicit content] Using electricity to get you out of bed and being too hard on yourself.

[Contains explicit content] Despising America's most well-known marshmallow candy, while celebrating all types of spuds.

SF Sketchfest is an annual comedy festival where titans of humor descend upon the quaint township of San Francisco to mercilessly pummel audiences with all forms of live comedic performance. As far live storytelling goes, the King Kong of questions and comments is indisputably Eugene Mirman, and he brought three monsters of comedy onstage to split sides and take names in a special live Hold On at SF Sketchfest 2018.

[Contains explicit content] Discussing side effects of immunizations and discovering royal lineage.

Mo Willems is a household name to any parents who have had to endure innumerable readings and re-readings of Don't Let the Pigeon Drive the Bus, Knuffle Bunny, or any of his other colorful kids books.

Railing against fermented cucumbers and comparing presidential "locker room" talk to actual talk in a locker room.