検索キーワード： 著者 "Colm Tóibín" すべてのカテゴリー

In a small town in 1950s Ireland Eilis Lacey is one among many women of her generation who cannot find work at home. So, when a job is offered in America, she knows she must leave. Arriving, alone, at a noisy boarding house in Brooklyn, Eilis can only be reminded of what she has left behind. She is far from home - and homesick. And just as she begins to find a new way of living, and the possibility of companionship, Eilis receives tragic news which sends her back to Ireland.

1960s Ireland. Nora Webster, a widow from a small town, is trying to piece her life back together while caring for her four children after the death of her husband. In a close community where everyone knows your business, Nora is trying to emerge from her own sorrow in private whilst blind to the suffering of her young sons. And yet there are moments when hope might emerge again. Through music and friendship she might find a path to reinvention.

In Colm Tóibín's masterful new novel, we are reunited with Eilis Lacey, the heroine of Brooklyn, twenty years on, in the 1970s, living with her husband, Tony Fiorello, and her children in a house in Long Island, rather too close to her Fiorello in-laws. A shocking piece of news propels Eilis back to Ireland, to a world she thought she had long left behind and to ways of living, and loving, she thought she had lost.

During the winter solstice, on the shortest day and longest night of the year, the ancient burial chamber at Newgrange is empowered. Its mystifying source is a haunting tale told by locals. Professor O’Kelly believes an archaeologist’s job is to make known only what can be proved. He is undeterred by ghost stories, idle speculation, and caution. Much to the chagrin of the living souls in County Meath. As well as those entombed in the sacred darkness of Newgrange itself. They’re determined to protect the secret of the light, guarded for more than 5,000 years.

“One of the most unforgettable characters in contemporary literature” (Pittsburgh Post-Gazette), Eilis Lacey has come of age in small-town Ireland in the hard years following World War Two. When an Irish priest from Brooklyn offers to sponsor Eilis in America, she decides she must go, leaving her fragile mother and her charismatic sister behind. Eilis finds work in a department store on Fulton Street, and when she least expects it, finds love. Tony, who loves the Dodgers and his big Italian family, slowly wins her over with patient charm.

En un nou exercici de narrativa magistral de Colm Tóibín, ens reunim amb Eilis Lacey, l’heroïna dels seu gran èxit de vendes Brooklyn. Vint anys després dels fets, als anys setanta, Eilis està vivint amb el seu marit, Tony Fiorello, i els seus fills en una casa a Long Island, massa a prop dels seus sogres. Una notícia impactant impulsa Eilis de tornada a Irlanda, a un món que ella creia que feia molt de temps que havia deixat enrere i maneres de viure, i estimar, que creia haver perdut per sempre.

A woman in Galway hears of the death of her son in the First World War. An Irishman is living an anonymous existence in Barcelona, under the shadows of crimes he has committed. A man goes to Dublin from Enniscorthy to implore the Minister for Health for a special favor. A young woman is pregnant during the Spanish Civil War. An undocumented worker finds himself living an illegal life and must leave San Francisco, and his child, after thirty years in America. Three sisters who have been living in Argentina decide to return to Catalonia.

The Magician opens in a provincial German city at the turn of the 20th century, where the boy, Thomas Mann, grows up with a conservative father, bound by propriety, and a Brazilian mother, alluring and unpredictable. Young Mann hides his artistic aspirations from his father and his homosexual desires from everyone. He is infatuated with one of the richest, most cultured Jewish families in Munich, and marries the daughter Katia. They have six children. On a holiday in Italy, he longs for a boy he sees on a beach and writes the story Death in Venice.

Tout bascule lorsqu'un inconnu frappe à la porte d'Eilis Lacey. Mariés depuis vingt ans, Tony et elle vivent le rêve américain des années 1970, une vie confortable à Long Island où ils élèvent leurs deux enfants. Sans promesse de retour, elle part chez sa mère en Irlande, à Enniscorthy. Alors qu'il a repris le pub familial, même Jim Farrell est resté tel qu'il était vingt ans auparavant, déchiré entre son sens du devoir et son incapacité à exprimer ses sentiments.

Celebrated as “his generation’s most gifted writer of love’s complicated, contradictory power” (Los Angeles Times), Colm Tóibín is a master of short fiction as well as the novel, able to summon an extraordinary intensity of emotion in a brief tale. The eleven stories transport readers across continents and eras.

L'America vista dagli occhi di una giovane irlandese che emigra in cerca del suo posto nel mondo. 1952. Trovare lavoro a Enniscorthy, nel Sud-Est del-l'Irlanda, semina solo frustrazione e desiderio di un benessere che non c'è. La giovane Eilis Lacey, prigioniera del confronto quotidiano con la madre e la sorella Rose, non ha davanti a sé alcuna prospettiva, finché la visita di un prete emigrato, padre Flood, le fa intravedere l'opportunità di un'esistenza migliore, al di là dell'oceano, a New York.

Une œuvre couronnée par le prix Nobel de littérature, une vie familiale mouvementée et souvent dramatique, et la traversée de toutes les tragédies politiques de la première moitié du siècle - voilà comment on pourrait résumer la vie de Thomas Mann. Colm Tóibín a choisi de nous la raconter de l'intérieur et dans toute sa dimension romanesque. Cette existence est peuplée d'autres figures inoubliables. Au tout premier plan, son épouse, la fascinante Katia Pringsheim.

“IT ALL STARTED WITH MY BALLS.” So begins Colm Tóibín’s fabulously compelling essay, laced with humor, about his diagnosis and treatment for cancer. Tóibín survives, but he has entered, as he says, “the age of one ball.” Tóibín describes his education by priests, several of whom were condemned years later for abuse. He writes about Irish history and literature, and about the long, tragic journey toward legal and social acceptance of homosexuality. A Guest at the Feast is both an intimate encounter with a creative artist and a glorious celebration of writing.

In his essay about the life of Irish writer John McGahern, Tóibín reveals the tones of melancholy and amusement within both art and the artist. In his extraordinary essay on his cancer diagnosis, Tóibín unpicks the word 'battle', and illuminates the distress, horror and blankness of his experiences. From the shades of light and dark in a Venice without tourists, to the streets of Buenos Aires riddled with disappearances and tied up with dictators and politics, we find ourselves considering law and religion in Ireland as well as in Marilynne Robinson's fiction.

Vinegar Hill explores the liminal space between private experiences and public events as Tóibín examines a wide range of subjects—politics, queer love, reflections on literary and artistic greats, living through COVID, memory and a fading past, and facing mortality. The poems reflect a life well-travelled and well-lived; from growing up in the town of Enniscorthy, wandering the streets of Dublin and Barcelona, and crossing the bridges of Venice to visiting the White House, listeners will travel through familiar locations and new destinations through Tóibín's unique lens.

Fans of Colm Tóibín’s novels, including The Magician, The Master, and Nora Webster, will relish the opportunity to re-encounter Tóibín in verse. Vinegar Hill explores the liminal space between private experiences and public events as Tóibín examines a wide range of subjects—politics, queer love, reflections on literary and artistic greats, living through COVID, and facing mortality.

In the captivating stories that make up The Empty Family, Colm Tibn delineates with a tender and unique sensibility, lives of unspoken or unconscious longing, of individuals often willingly cast adrift from their history. From the young Pakistani immigrant who seeks some kind of permanence in a strange town, to the Irish woman reluctantly returning to Dublin and discovering a city that refuses to acknowledge her long absence, each of Tibn's stories manage to contain whole worlds.

Beautiful and profoundly moving, The Master tells the story of Henry James, a man born into one of America’s first intellectual families who leaves his country in the late 19th century to live in Paris, Rome, Venice, and London among privileged artists and writers. With stunningly resonant prose, “The Master is unquestionably the work of a first-rate novelist: artful, moving, and very beautiful” (The New York Times Book Review). The emotional intensity of this portrait is riveting.

In a brilliant, nuanced, and wholly original collection of essays, the best-selling and award-winning author of Brooklyn and The Empty Family offers a fascinating exploration of famous writers’ relationships to their families and their work.From Jane Austen’s aunts to Tennessee Williams’s mentally ill sister, the impact of intimate family dynamics can be seen in many of literature’s greatest works. In New Ways to Kill Your Mother, Colm Tóibín traces and interprets those family ties.

The Magician tells the story of Thomas Mann, whose life was filled with great acclaim and contradiction. He would find himself on the wrong side of history in the First World War, cheerleading the German army, but have a clear vision of the future in the second, anticipating the horrors of Nazism. He would have six children and keep his homosexuality hidden; he was a man forever connected to his family and yet bore witness to the ravages of suicide.