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Spring arrives with a rush of words, and Ralph Waldo Emerson stands at the threshold, pen in hand. May-Day and Other Pieces is not just a collection of poems—it is an invitation to witness the shifting tides of nature, thought, and destiny through the eyes of one of America's sharpest philosophical minds. From the awakening landscapes of May-Day to the untamed wilderness of The Adirondacs, Emerson moves effortlessly between the grandeur of the world and the depths of the soul.

A world in perfect balance—so claims Emerson in Compensation, an essay that pulses with quiet defiance and deep assurance. No gain without loss, no misstep without lesson, no fortune without its hidden tax. It is neither fate nor blind justice but a living rhythm, an invisible hand that rights every scale, even when human eyes fail to see. Emerson does not preach; he unfolds. The idea seeps in, settles, challenges. His words are not doctrine but a lens—through which prosperity and misfortune reveal themselves as two faces of the same coin.

En Ramón López Velarde. La lumbre inmóvil —selección y epílogo de Marco Antonio Campos−, José Emilio Pacheco realiza una lectura de la obra del autor de La suave Patria, una disección única de su quehacer poético. Con apenas treinta y tres años, Ramón López Velarde (1888-1921) murió de neumonía luego de una caminata nocturna por las calles de la Ciudad de México. Con él se cierra una etapa de la poesía mexicana que encuentra su esplendor en los cruentos años revolucionarios. No es posible saber si en el futuro se le seguirá leyendo.

"Сборник эссе, статей и художественных произведений под общим названием "Ленинградский панк" не является объективным и полноценным исследованием этого многогранного субкультурного феномена 80-х годов прошлого столетия, зародившегося и преставившегося в культурной столице тоталитарного СССР.

या पुस्तकात जगातील स मोठी लोकशाही अस्तित्वात कशी आली या घटनेचा मानवी पैलू सांगण्याचा प्रयत्न लेखकाने केला आहे. चमकदार उदाहरणं आणि सखोल संशोधनानं समृद्ध अशा या पुस्तकासोबत बीबीसी रेडिओ सीरिज4 या मालिकेच्या माध्यमातून लेखकाने अध्यात्म क्षेत्रातील भगवान बुद्धांपासून ते भांडवलशहा धीरूभाई अंबानींपर्यंत 50 भारतीय जीवनांचा आढावा घेतला आहे.

A moving and insightful anthology of personal essays by Irish autistic adults. Wired Our Own Way: An Anthology of Irish Autistic Voices is the first collection of personal essays written by autistic Irish adults.

Pathemata, Or, The Story of My Mouth is an experiment in interiority written in the pandemic studio. Something of a companion piece to 2009’s Bluets, Pathemata merges a pain diary chronicling a decade of jaw pain with dreams and dailies, eventually blurring the lines between embodied, unconscious, and everyday life.

Emerson's Nature is not just an essay—it's a rebellion against confinement, an argument against secondhand wisdom. He strips away artifice, forcing us to confront the raw, untamed presence of the world. To walk through the woods, he suggests, is to be undressed of civilization, to shed the weight of customs, history, and ego. Nature demands no commentary, no theory—it simply is. This is not the sentimental nature of poets, nor the docile landscape of painters. Emerson's nature is unsettling, absolute.

La traducción al latín de la obra de Maimónides "Moreh Nevukhim" (Guía para Perplejos) es considerada la obra judía más influyente de los últimos milenios. Marcó el inicio de la escolástica, un movimiento nutrido por pensadores judíos. Impresa por la primera imprenta mecánica de Gutenberg, su influencia se extendió hasta el Quinto Concilio de Letrán (1512-1517), donde se instó a los eruditos a reconciliar la teología y la filosofía. La Guía revolucionó el currículo escolar al reintegrar las leyes del pensamiento en el ámbito de la fe, influyendo en el principio de razón suficiente de Leibniz.

"Auch der Mutigste von uns hat nur selten den Mut zu dem, was er eigentlich weiß ..."(Friedrich Nietzsche: Götzendämmerung)Eine heitere Psychologie bedarf des unverstellten Blickes, der "fröhlichen Wissenschaft", der offenen phänomenologischen Schau. Auch wenn man bei einigem in diesem Buch, wie z.B. den Ausführungen über das Bild des Sokrates, zurückschrecken mag, die Einforderung Nietzsches des unbedingt freien Blicks steht - bis heute - spannungsvoll im Raum."Ich mißtraue allen Systematikern und gehe ihnen aus dem Weg. Der Wille zum System ist ein Mangel an Rechtschaffenheit.

What is art? A mere imitation of life or something far greater—an act of creation that reveals the soul of the universe? Ralph Waldo Emerson, the philosopher-poet of American transcendentalism, elevates art beyond the canvas, beyond words, beyond form itself. In this essay, he explores the divine spark within creativity, arguing that true art is not bound by technique or tradition but flows from the spirit of the artist, a force both mysterious and essential.

Ralph Waldo Emerson was a master of distilling vast ideas into sharp, unforgettable truths. Elements and Mottos is a collection of his intellectual essence—bold, electrifying, and timeless. Here, Emerson does not merely write; he declares, urging readers to abandon conformity, embrace their own genius, and live with unshakable purpose. Each passage is a spark, igniting thought and action. He speaks of nature, the soul, self-reliance, and the boundless strength of individual will. His words resonate across centuries, inspiring rebels, dreamers, and seekers of wisdom.

In 1837, Ralph Waldo Emerson took the stage at Harvard and delivered what would become one of the most influential speeches in American intellectual history. The American Scholar was not just a lecture—it was a manifesto, a call to arms for a young nation searching for its own cultural identity. Emerson challenged his audience to break free from European intellectual traditions, urging them to think for themselves, to create, and to embrace the vast potential of the American mind.

Silvia Pareschi è per i lettori italiani la ‘voce’ di autori come Jonathan Franzen ed Ernest Hemingway. Da molti anni racconta in incontri pubblici e in corsi professionali le regole e le pratiche della traduzione e, da ultimo, si è fatta portavoce delle istanze dei traduttori letterari nel dibattito sull’uso dell’intelligenza artificiale nei mestieri creativi.

By 1617, Donne had done it all. After being an MP, lawyer, womaniser, soldier, diplomat, father to twelve children by a secret wife, and the greatest poet of his age, he settled into the priesthood. Shortly thereafter, his wife died, prompting him to write a defence of suicide in God's eyes. She was soon followed by his 18 year old daughter died. Then Donne fell gravely ill. Physicians were called, but none could agree on what to do. It seemed certain that he would die.

A collection of insightful and uproariously funny non-fiction by the bestselling author of INFINITE JEST—one of the most acclaimed and adventurous writers of our time. A SUPPOSEDLY FUN THING... brings together Wallace's musings on a wide range of topics, from his early days as a nationally ranked tennis player to his trip on a commercial cruiseliner. In each of these essays, Wallace's observations are as keen as they are funny.

薬に頼らず１０００人の心の病を寛解させた精神科医が語る、「自分を好きになるために」まずやってみてほしいこと◎３か月先まで予約が埋まる精神科医、初の著書◎

Jonathan Paul is a 26-year-old Trinbagonian author currently living in San Francisco, California. Born and raised on the twin-island Republic of Trinidad and Tobago, he grew up thoroughly enjoying the creative and performing arts: writing essays, performing poetry, acting, and playing the alto saxophone. He left Trinidad and Tobago with an Open Scholarship for his performance in the Caribbean Advanced Proficiency Examinations and attended Amherst College where he double majored in Mathematics and Psychology.

Henry David Thoreau’s Walking is a profound meditation on nature, freedom, and self-discovery. Originally published in 1862, this classic essay explores the philosophy of walking as both a physical and spiritual act, emphasizing the importance of immersing oneself in the wild, untamed beauty of the natural world. Thoreau argues that walking is not merely a pastime but a way to achieve a deeper connection with the land, free from societal constraints and distractions.

In this engaging and erudite essay, critically acclaimed writer Julian Barnes explores what is involved when we change our minds: about words, about politics, about books; about memories, age and time.