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Over 50 years, Charles M. Schulz created a comic strip that is one of the indisputable glories of American popular culture. Some 20 years after the last strip appeared, the characters Schulz brought to life in Peanuts continue to resonate with millions of fans, their beguiling four-panel adventures and television escapades offering lessons about happiness, friendship, disappointment, childhood, and life itself. Here, 33 writers and artists reflect on the deeper truths of Schulz’s deceptively simple comic, its impact on their lives and art and on the broader culture.

When the magic is up, rogue mages cast their spells and monsters appear, while guns refuse to fire and cars fail to start. But then technology returns, and the magic recedes as unpredictably as it arose, leaving all kinds of paranormal problems in its wake. Kate Daniels is a down-on-her-luck mercenary who makes her living cleaning up these magical problems. But when Kate’s guardian is murdered, her quest for justice draws her into a power struggle between two strong factions within Atlanta’s magic circles.

They rode into town like the Four Horsemen of the Apocalypse. Four armed outlaws bringing their own brand of hell to Paris, Texas. First they rob the First National Bank. Then they take a woman hostage as insurance. When Perley Gates learns that local waitress Becky Morris is in the hands of these tough customers, with only his friend Possum he rides to get her back. Problem is, the outlaws are heading toward the Red River--straight into Indian Territory. That's where the ranch hands draw the line. But Perley won't give up.

Some people are born boring. Some live boring. Some even die boring. Fred managed to do all three, and when he woke up as a vampire, he did so as a boring one. Timid, socially awkward, and plagued by self-esteem issues, Fred has never been the adventurous sort. One fateful night, Fred reconnects with an old friend at his high school reunion. This rekindled relationship sets off a chain of events thrusting him right into the chaos that is the parahuman world.

Two years after Wild Bill Hickok made his mark on Deadwood, Scratch Morton and Bo Creel make theirs. Their job is guarding gold shipments from the mining camps — shipments that keep getting hijacked by a gang called the Devils of Deadwood who plunge pitchforks into their victims’ bodies. With Thanksgiving approaching, Scratch just wants to carve a turkey with a handsome widow woman at his side. Course, when the US Army comes to the rescue, all hell breaks loose. The widow gets taken hostage. So do a bunch of soldiers. Now, Scratch and Bo are going after missing gold.

Perley’s elder brother, Rubin, who manages the Triple-G Ranch decides to try breeding some Hereford cattle with the ranch’s longhorns. He asks Perley to deliver the contract for the Herefords, a simple task. But nothing ever remains simple when Perley is involved. And for the reluctant fast gun, it means a nightmare journey through hell itself . . .

Many years before AMC's Mad Men was a hit, Daws Butler (Yogi Bear) wrote The Ad Game. Adam is the top copywriter at his firm when he finds himself in a career crisis that baffles his wife, Melissa, and his father-in-law, Ed, who is his boss.

When a wealthy cattle baroness, Pamela Danvers, hires gunslinger Joe Buckhorn to track down her son, it sounds like easy money. But when he learns that the boy has run off with a girl — whose father is the leader of the cattle-rustling Riley gang — Buckhorn’s only hope is to infiltrate the gang.

Mankind has ceded the night to the corelings, demons that rise up out of the ground each day at dusk, killing and destroying at will until dawn, when the sun banishes them back to the Core. As darkness falls, the world’s few surviving humans hide behind magical wards, praying the magic can see them through another night. As years pass, the distances between each tiny village seem longer and longer. It seems nothing can harm the corelings, or bring humanity back together.

At Midnight's local pawnshop, weapons are flying off the shelves—only to be used in sudden and dramatic suicides right at the main crossroads in town. Who better to figure out why blood is being spilled than the vampire Lemuel, who, while translating mysterious texts, discovers what makes Midnight the town it is? There's a reason why witches and werewolves, killers and psychics, have been drawn to this place. And now they must come together to stop the bloodshed in the heart of Midnight.

Jeston Nash knew horses—he'd stolen enough of them in his time. But the lookalike cousin of Jesse James was going respectable, almost. Then, in a New Orleans teeming with drunks and blue uniforms, he sold a horse to a well-bred lady. It was the biggest mistake of his careers.

Chaiyal ""the Heretic"" North, former intergalactic heavyweight champ, flees the wrath of crimelord Gredok the Splithead by going to a place Gredok can't reach—the Reef. A frontier planetoid where citizens try to scratch a living from the rock, the Reef is a lawless land ruled by the strong and the vicious. For Chai, it's a hardscrabble life vastly removed from his former super-stardom. No more media, no more octagon, no more bright lights, and no more mods. When he hits rock bottom, he must carve out a new existence free from the weight of his past.

Aspiring painter Alden Oakes is invited to join a mysterious art commune in Arkham: the New Colony. When celebrated Spanish surrealist Juan Hugo Balthazarr visits the colony, Alden and the other artists quickly fall under his charismatic spell. Balthazarr throws a string of decadent parties for Arkham’s social elite, conjuring arcane illusions which blur the boundaries between nightmare and reality. Only slowly does Alden come to suspect that Balthazarr’s mock rituals are intended to break through those walls and free what lies beyond. Alden must act, but it might be too late.

For archaeologist and TV show host Annja Creed, a restful vacation in Costa Rica is as elusive as a rare artifact. Days into her sojourn, Annja's peace is interrupted by a woman with a mysterious — and enticing — tale. Weeks earlier, her husband led an expedition into the rain forest, in search of the lost treasure of Lima, and hadn't returned. The priceless hoard was smuggled out of Peru during the country's 19th-century revolt against Spain. But it disappeared when a ship captain went mad with greed.

When a mat-trans malfunction strands Ryan Cawdor and his friends in a gutted redoubt in the West Indies, the crystal waters offer them a tantalizing glimpse of untouched splendor. But the oasis is abruptly shattered by violent and ruthless pirates, and Ryan has to barter with a young guide, a teenage boy on a blood quest against a sadistic local warlord, to navigate a land teeming with predators-mutie, human and animal. The race is on to find a second redoubt, buried deep in the inhospitable heart of Monster Island.

Baron Crabbe is dangerously high on legends of the Trader and rumors of a secret cache. He occupies a redoubt but the old tech remains unfathomable. His ace in the hole is Ryan Cawdor and his band. Prisoners at blasterpoint, they’ re ordered to use the matter-transfer units to secure the whereabouts of the imagined weapons stockpile. Ryan knows the truth — and it won’t help Crabbe.

A perfect next listen for fans of Abbi Waxman and Katherine Center, Can't Take It Back is a fast-paced and relatable debut telling the interconnected stories of four women over the course of a kindergarten school year. Huddled on their favorite park bench in a quiet Seattle suburb, Holly, Avery, Zoe, and Sasha might look like they've got it all figured out - but there’s more to their stories than meets the eye.

Crowned ‘the greatest imaginative novelist of our generation’ by EM Forster, DH Lawrence has an undisputed place in England's canon of great authors. In this wide-ranging collection, dramatisations and readings of some of his major works are brought together, exploring themes such as romantic love and sexual desire, individual freedom, class division, war, the beauty of nature and the ugliness of industrialisation.

In this second thrilling installment of the Gunnie Rose series, Lizbeth Rose is hired onto a new crew for a seemingly easy protection job, transporting a crate into Dixie, just about the last part of the former United States of America she wants to visit. But what seemed like a straightforward job turns into a massacre as the crate is stolen. Up against a wall in Dixie, where social norms have stepped back into the last century, Lizbeth has to go undercover with an old friend to retrieve the crate, as what’s inside can spark a rebellion, if she can get it back in time.

From his arrival at Nekropolis, Matt has found himself embroiled in disputes with the city's vampire lords, shapeshifters, golems, and other monstrosities. Nothing has prepared him for the Dark War.