検索キーワード： 制作 "Audible Studios" 女性学

身体性に結び付けられた「女らしさ」ゆえにケアを担わされてきた女性たちは、自身の経験を語る言葉を奪われ、言葉を発したとしても傾聴に値しないお喋りとして扱われてきた。

ハーバード大学医学部准教授による現代社会への処方箋　恐れず変化の種をまくために。

Neste estudo de dez anos, Diana Greene Foster e uma equipe de pesquisadores acompanharam cerca de mil mulheres americanas que procuraram clínicas de aborto decididas a interromper a gravidez. Muitas, por razões diversas, não conseguiram. Este audiolivro investiga o que aconteceu com todas elas – a partir de entrevistas periódicas que avaliaram diferentes esferas da vida das mulheres: saúde física e mental, carreira, relacionamentos românticos e cuidados com outros filhos, quando já eram mães.

This is the little book that started a revolution, making women's voices heard, in their own right and with their own integrity, for virtually the first time in social scientific theorizing about women. Its impact was immediate and continues to this day, in the academic world and beyond. Translated into 16 languages, with more than 700,000 copies sold around the world, In a Different Voice has inspired new research, new educational initiatives, and political debate.

In Mein Kampf, Hitler wrote that "We must also do away with the conception that the treatment of the body is the affair of every individual." It was a direct slap at the feminist movement of Germany in the late 19th and early 20th century, an influential force for, among other things, divorce, contraception, and abortion; in short, for a woman's right to control her own body.

"It's a truism, for instance, that a few clothes are more shocking than none. But for women especially, bras, panties, bathing suits, and other stereotypical gear are visual reminders of a commercial, idealized feminine image that our real and diverse female bodies can't possibly fit. Without those visual references, however, each individual woman's body can be accepted on its own terms. We stop being comparatives. We begin to be unique."

Run a Google search for “black girls” - what will you find? “Big Booty” and other sexually explicit terms are likely to come up as top search terms. But, if you type in “white girls”, the results are radically different. The suggested porn sites and un-moderated discussions about “why black women are so sassy” or “why black women are so angry” presents a disturbing portrait of black womanhood in modern society. In Algorithms of Oppression, Safiya Umoja Noble challenges the idea that search engines like Google offer an equal playing field for all forms of ideas, identities, and activities.

In Men Explain Things to Me, Rebecca Solnit takes on the conversations between men who wrongly assume they know things and wrongly assume women don't. The ultimate problem, she shows in her comic, scathing essay, is female self-doubt and the silencing of women. Rebecca Solnit is the author of fourteen books about civil society, popular power, uprisings, art, environment, place, pleasure, politics, hope, and memory, most recently The Faraway Nearby, a book on empathy and storytelling.

When Ada Calhoun found herself in the throes of a midlife crisis, she thought that she had no right to complain. She was married with children and a good career. So why did she feel miserable? And why did it seem that other Generation X women were miserable, too? Calhoun decided to find some answers. She looked into housing costs, HR trends, credit card debt averages, and divorce data. At every turn, she saw a pattern: sandwiched between the Boomers and Millennials, Gen X women were facing new problems as they entered middle age, problems that were being largely overlooked.

In The Problem with Work, Kathi Weeks boldly challenges the presupposition that work, or waged labor, is inherently a social and political good. Taking up Marxist and feminist critiques, Weeks proposes a postwork society that would allow people to be productive and creative rather than relentlessly bound to the employment relation.

Holding the Line, Barbara Kingsolver's first nonfiction book, is the story of women's lives transformed by an a signal event. Set in the small mining towns of Arizona, it is part oral history and part social criticism, exploring the process of empowerment that occurs when people work together as a community. Like Kingsolver's award-winning novels, Holding the Line is a beautifully written book grounded on the strength of its characters.

Since beginning The Everyday Sexism project as a website in 2012, Bates has begun what some are calling 'the fourth-wave feminism'. By gathering instances of sexism experienced on a day-to-day basis, Bates has proved to the world that, not only does sexism exist, but that it is a problem faced by women every day. Bates has authored best-selling books, and now works closely with politicians, schools, police forces and organisations to tackle gender inequality. Bates was awarded a British Empire Medal for services to gender equality in 2015.

It was the 1960s - a time of economic boom and social strife. Young women poured into the workplace, but the “Help Wanted” ads were segregated by gender and the “Mad Men” office culture was rife with sexual stereotyping and discrimination. Lynn Povich was one of the lucky ones, landing a job at Newsweek, renowned for its cutting-edge coverage of civil rights and the “Swinging Sixties.” Nora Ephron, Jane Bryant Quinn, Ellen Goodman, and Susan Brownmiller all started there as well. It was a top-notch job - for a girl - at an exciting place. But it was a dead end.

Meet the Female Chauvinist Pig - the new brand of "empowered woman" who wears the Playboy bunny as a talisman, bares all for Girls Gone Wild, pursues casual sex as if it were a sport, and embraces "raunch culture". If male chauvinist pigs of years past thought of women as pieces of meat, Female Chauvinist Pigs of today are doing them one better. They think they're being brave, they think they're being funny, but in Female Chauvinist Pigs, Ariel Levy asks if the joke is on them.

Nancy Friday's taboo-shattering best seller My Secret Garden is the most popular and controversial book of women's sexual fantasies ever published. Women who feared their erotic fantasies called it scandalous. Women who recognized their own fantasies in its pages, rejoiced. Outspoken, graphic, vulnerable and shameless, My Secret Garden is a classic study of female sexuality. Friday interviewed hundreds of women from every part of the country to learn their sexual private thoughts, and she listened like no one else.

An essential resource for any working woman, What Works for Women at Work is a comprehensive and insightful guide for mastering office politics as a woman. Authored by Joan C. Williams, one of the nation's most-cited experts on women and work, and her daughter, writer Rachel Dempsey, this unique audiobook offers a multigenerational perspective into the realities of today's workplace.

This is perhaps one of the best-loved of all journals. William Wordsworth's sister, Dorothy, began it in May 1800 and resolved to keep it for a short time. She continued it for nearly three years. In it, she brought the Dove Cottage years to vivid and intimate life. She noted the walks and weather, the friends, country neighbours, and travellers on the roads. She set down accounts of the garden, of Wordsworth's marriage, their concern for Coleridge, and the composition of Wordsworth's poetry.

Publicado em 1910, A Luta é uma coletânea de crônicas e ensaios da escritora e jornalista Carmen Dolores, uma das vozes mais marcantes do feminismo e da crítica social no Brasil do início do século XX. Em seus textos, Dolores denuncia as desigualdades de gênero, a opressão feminina, o conservadorismo da sociedade patriarcal e o papel limitado da mulher na estrutura familiar e social da época.

Che cosa significa essere uomo, oggi? E come si può costruire un maschile diverso, che non si lasci imprigionare dai modelli tradizionali? Irene Facheris intreccia decine di testimonianze di uomini che hanno deciso di raccontare il rapporto con se stessi, con gli altri uomini, con le donne. Si parla di padri e modelli, reticenze e complicità, consenso e desiderio, potere e paure; di tutto ciò che troppo spesso resta senza nome ma li attraversa ogni giorno. Questo libro è un invito a creare uno spazio di dialogo, per smettere di difendersi e iniziare a trasformarsi.

Attraverso una lente decoloniale e di genere, le autrici rivendicano l'esigenza di un femminismo terrone: una rivoluzione culturale che sfida le convinzioni radicate sull'identità meridionale e sovverte l'asse Nord-Sud su cui si fonda la narrazione egemonica non solo italiana. Un viaggio di emancipazione e scoperta di identità altre, di lotte e di esperienze, uno spunto prezioso per chiunque voglia comprendere e combattere le ingiustizie che ancora oggi colpiscono il Sud e i sud.