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Michael Kingman thought he was going to die by the executioner’s axe, forever labeled as a traitor. Still alive, and under the protection of the Orbis Mercenary company, Michael and his family and friends are deeply involved in the seemingly rival conspiracies that are tearing The Hollows apart. With the death of the King, both the Corrupt Prince and his sister Serena are vying for the throne, while the Rebel Emperor is spreading lies amongst the people, and all of them want Michael dead.

In these nine essays, Richard Russo provides insight into his life as a writer, teacher, friend, and reader. From a commencement speech he gave at Colby College, to the story of how an oddly placed toilet made him reevaluate the purpose of humor in art and life, to a comprehensive analysis of Mark Twain's value, to his harrowing journey accompanying a dear friend as she pursued gender-reassignment surgery, The Destiny Thief reflects the broad interests and experiences of one of America's most beloved authors.

Anyone familiar with Richard Russo's acclaimed novels will recognize Gloversville, once famous for producing that eponymous product and anything else made of leather. This is where the author grew up, the only son of an aspirant mother and a charming, feckless father who were born into this close-knit community. But by the time of his childhood in the 1950s, prosperity was inexorably being replaced by poverty and illness (often tannery-related), with everyone barely scraping by under a very low horizon.

One of the most valuable spaces for an artist is the inner life—the sacred place where, outside of the constraints of time and space, meaning is extracted from raw experience and fashioned into art. In this timely new essay, Pulitzer Prize-winning author Richard Russo discusses the work writers do as they sift through experience and work to cultivate rich interior lives. For authors, this often involves performing triage, a constant assessment of events that helps determine what’s useful for a story and potentially enduring.