検索キーワード： ナレーター "Elena" すべてのカテゴリー

Una favola high-tech convincente in modo spaventoso, Moxyland. O giochi o muori segue quattro narratori che vivono in un futuro prossimo distopico così vicino a noi da sembrare realtà.

È una bellissima giornata a Newport, Rhode Island, quando Phoebe Stone arriva, da sola, al grand hotel Cornwall Inn sfoggiando un elegante vestito verde e scarpe dorate col tacco. Subito, nella hall, tutti la scambiano per una degli invitati che si sono raccolti nell'albergo per i festeggiamenti del matrimonio che sta per celebrarsi, ma in effetti lei è l'unica ospite dell'hotel estranea a quell'evento. Phoebe è lì perché sognava di soggiornarvi da anni, anzi sognava di farlo col marito, e adesso che lui l'ha lasciata Phoebe è arrivata al Cornwall con uno scopo ben preciso.

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.

They call him father, liberator, warlord, Slave King, Reaper. But he feels a boy as he falls toward the war-torn planet, his armor red, his army vast, his heart heavy. It is the tenth year of war and the thirty-third of his life. A decade ago Darrow was the hero of the revolution he believed would break the chains of the Society. But the Rising has shattered everything: Instead of peace and freedom, it has brought endless war. Now he must risk all he has fought for on one last desperate mission. Darrow still believes he can save everyone, but can he save himself?

I’m usually alone in my head, and that’s where 90 plus percent of my problems are. When Murderbot's human associates (not friends, never friends) are captured and another not-friend from its past requires urgent assistance, Murderbot must choose between inertia and drastic action. Drastic action it is, then.

Trauma nurse Aly Cappellucci doesn't need any more kinks. She likes the one she's landed on just fine. To her, nothing could top the masked men she follows online. Unless one of those men was shirtless, heavily tattooed, and waiting for her in her bedroom. She dreams about being hunted by one in particular, of him chasing her down and doing deliciously dark things to her willing body. She never could have guessed that by sending one drunken text, those dreams would become her new reality.

Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good.

Murderbot wasn’t programmed to care. So, its decision to help the only human who ever showed it respect must be a system glitch, right? Having traveled the width of the galaxy to unearth details of its own murderous transgressions, as well as those of the GrayCris Corporation, Murderbot is heading home to help Dr. Mensah—its former owner (protector? friend?)—submit evidence that could prevent GrayCris from destroying more colonists in its never-ending quest for profit. But who’s going to believe a SecUnit gone rogue? And what will become of it when it’s caught?

There are many rules a priest can't break. A priest cannot marry. A priest cannot abandon his flock. A priest cannot forsake his God. I've always been good at following rules. Until she came. Then I learned new rules.

A volte l'unico modo per voltare pagina è andare via. Ha appena chiesto il trasferimento, che al commissariato di Cagliari si presenta Elisa, nove anni e una richiesta che raggela: ritrovare la mamma scomparsa. Giulia non può tirarsi indietro, anche se Virginia Piras era una moglie e una madre serena, e dunque per sparire così probabilmente è stata uccisa.

Some fantasies are better left unsaid. Besides, I don’t need to act on my dirty dreams, not when my fiancé and I have the kind of after dark adventures others dream of — wild, daring and oh so frequent. I can’t risk losing him by voicing my deepest, dirtiest desire. But the hotter our role playing gets, the closer I come to telling him what I want most — him and his best friend at the same time. Until the night I do…

They call him father, liberator, warlord, Slave King, Reaper. But he feels a boy as he falls toward the war-torn planet, his armor red, his army vast, his heart heavy. It is the tenth year of war and the thirty-third of his life. A decade ago Darrow was the hero of the revolution he believed would break the chains of the Society. But the Rising has shattered everything: Instead of peace and freedom, it has brought endless war. Now he must risk all he has fought for on one last desperate mission. Darrow still believes he can save everyone, but can he save himself?

Maud Demille is a daughter of Innkeepers—a special group who provide ‘lodging’ to other-planetary visitors—so she knows that a simple life isn't in the cards. But even Maud could never have anticipated what Fate would throw at her. Once a wife to a powerful vampire knight, Maud and her young daughter, Helen, were exiled with him for his treachery to the desolate, savage planet of Karhari.

Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there’s something wrong with Murderbot; it isn’t running within normal operational parameters.

Hatoko ha venticinque anni ed eccola a Kamakura, nella piccola cartoleria che le ha lasciato in eredità la nonna che le ha trasmesso la difficile arte di scrivere per gli altri.

Quando Rosie Hart, giovane conduttrice radiofonica di Los Angeles, scopre di poter intervistare gli Scarlet Luck, la boyband più cool del momento, le sembra un sogno. Del resto, li segue fin dagli esordi e le loro canzoni l'hanno aiutata a superare il periodo più difficile della sua vita. Il solo pensiero di poterli finalmente incontrare la manda in fibrillazione, anche se sa bene di dover rispettare una serie di regole ferree. La più importante di queste è non toccare nessuno dei suoi membri e Rosie crede di conoscerne il motivo.

When I met Donovan Kincaid, I knew he was rich. I didn't know he was filthy. Truth be told, I was only trying to get his best friend to notice me. I knew poor scholarship girls like me didn't stand a chance against guys like Weston King and Donovan Kincaid, but I was in love with his world, their world, of parties and sex and power. I knew what I wanted—I knew who I wanted—until one night, their world tried to bite me back and Donovan saved me. He saved me, and then Weston finally noticed me, and I finally learned what it was to be in their world.

I’ve discovered Donovan Kincaid’s secret. It’s dirty and filthy and rich–as dirty and filthy and rich as he is–and it haunts me as much as he ever did. Even after knowing what I know now, I still want to talk to him, to touch him. But there’s an ocean between us, and I’m not sure it can be crossed with something as easy as a phone call or a plane ride. Yet I’m willing to try.

Trauma nurse Aly escapes her hard-working days by thirsting after masked men online. To her, nothing could top the fantasy of her favorite tattooed and masked man hunting her down. But she never could have guessed that one drunken text would turn those dreams into reality . . .Josh has spent his life avoiding the limelight, but his online persona is another story. At night, he posts masked thirst traps for his millions of fans, until one follower catches his eye: Aly.

At the elite West Archer Academy, all the students are gifted, but four are exceptional. Though the Evers look twelve, they're actually centuries old, possessing knowledge and talents that make them extraordinary. And boarding school is the perfect cover for their brilliance—and their secret.