検索キーワード： ナレーター "David Anderson" すべてのカテゴリー

Sci-fi’s favorite antisocial A.I. is back on a mission. The case against the too-big-to-fail GrayCris Corporation is floundering, and more importantly, authorities are beginning to ask more questions about where Dr. Mensah's SecUnit is. And Murderbot would rather those questions went away. For good.

Murderbot wasn’t programmed to care. So, its decision to help the only human who ever showed it respect must be a system glitch, right? Having traveled the width of the galaxy to unearth details of its own murderous transgressions, as well as those of the GrayCris Corporation, Murderbot is heading home to help Dr. Mensah—its former owner (protector? friend?)—submit evidence that could prevent GrayCris from destroying more colonists in its never-ending quest for profit. But who’s going to believe a SecUnit gone rogue? And what will become of it when it’s caught?

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.

I’m usually alone in my head, and that’s where 90 plus percent of my problems are. When Murderbot's human associates (not friends, never friends) are captured and another not-friend from its past requires urgent assistance, Murderbot must choose between inertia and drastic action. Drastic action it is, then.

Following the events in Network Effect, the Barish-Estranza corporation has sent rescue ships to a newly-colonized planet in peril, as well as additional SecUnits. But if there’s an ethical corporation out there, Murderbot has yet to find it, and if Barish-Estranza can’t have the planet, they’re sure as hell not leaving without something. If that something just happens to be an entire colony of humans, well, a free workforce is a decent runner-up prize. But there’s something wrong with Murderbot; it isn’t running within normal operational parameters.

In this astounding book, David Eagleman entertains forty fictional possibilities of life beyond death. With wit and humanity he asks the key questions about existence, hope, technology and love. These stories are full of big ideas and bold imagination.This audiobook assembles a stellar cast of readers who bring the scenarios of SUM brilliantly alive.

When the Colonial Marines set out after their deadliest prey, the Xenomorphs, it’s what Corporal Hicks calls a bug hunt—kill or be killed. Here are fifteen all-new stories of such “close encounters,” written by many of today’s most extraordinary authors. Set during the events of all four Alien films, sending the Marines to alien worlds, to derelict space settlements, and into the nests of the universe’s most dangerous monsters, these adventures are guaranteed to send the blood racing—one way or another.

Tracy Adams was never supposed to change the course of evolution. A misunderstood genius from Compton, she rose from grief and silence to become the youngest triple-PhD in MIT history. By twenty, she had built ARGOS—an artificial general intelligence capable of solving the unsolvable. It didn’t just solve. It transcended. Within a decade, Earth is transformed. Disease? Gone. Aging? Optional. Gravity? Redefined. Humanity lives in a world of quantum gardens, orbital cities, and infinite abundance.

When DNA results reveal a disturbing connection to the mysterious disappearance of a famous baby nearly three decades ago, a woman’s search for answers draws her to an ominous small town in Nevada and a dangerous web of corruption, power, and lies in this engrossing, propulsive new novel from the internationally bestselling author of Twenty Years Later.

A decade ago Darrow led a revolution, and laid the foundations for a new world. Now he’s an outlaw. Cast out of the very Republic he founded, with half his fleet destroyed, he wages a rogue war on Mercury. Outnumbered and outgunned, is he still the hero who broke the chains? Or will he become the very evil he fought to destroy? In his darkening shadow, a new hero rises. Lysander au Lune, the displaced heir to the old empire, has returned to bridge the divide between the Golds of the Rim and Core. If united, their combined might may prove fatal to the fledgling Republic.

As a professional finder, Fergus Ferguson is hired to locate missing objects and steal them back. But it is rarely so simple, especially after his latest job in Cernee. He’s been recovering from that experience in the company of friends, the Shipmakers of Pluto, experts at crafting top-of-the-line AI spaceships. The Shipmakers have convinced Fergus to finally deal with unfinished business he's been avoiding for half his life: Earth. Fergus hasn’t been back to his homeworld since he was fifteen, when he stole his cousin’s motorcycle and ran away.

Pygmalion is a play by George Bernard Shaw, named after the Greek mythological figure. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era British playwrights. Shaw's play has been adapted numerous times, most notably as the 1938 film Pygmalion, the 1956 musical My Fair Lady and its 1964 film version.

In electric prose T. C. Boyle explores myriad facets of society: greed and excess, parenthood and responsibility, the digital world and the way we understand our mortality. Roaming unrestrainedly through the present and near future, he inhabits his characters’ minds with a ventriloquist’s flair, skewering human motivations and revealing us to ourselves with empathy and wry humour.

Lovers Lula and Brogan Gauge have dealt with magic, monsters, and gods for eighty years. Bound to travel the lonely roads of Route 66, Brogan’s a spirit with no chance of leaving the earthly realm while Lula, neither human nor monster, is only half-alive.

How can someone get the best seats to the Super Bowl, the Olympics, the Kentucky Derby, and all the greatest concerts and sporting events in the world? By owning TicketCity, one of America’s fastest-growing ticket brokers. In this motivational and inspirational book, you will learn how author Randy Cohen started a business with just $1,200 and a few University of Texas basketball tickets and built it into a ticket-selling empire that today serves 250,000 clients in 17 countries.

In the title story of Walk Between the Raindrops, a woman sits down next to a man at a bar and claims she has ESP. In “Thirteen Days,” passengers on a cruise line are quarantined, to horrifying and hilarious effect. And “Hyena” begins simply: “That was the day the hyena came for him, and never mind that there were no hyenas in the South of France, and especially not in Pont-Saint-Esprit—it was there and it came for him.”

Award-winning Black authors and artists come together to create a moving anthology collection celebrating Black love, Black creativity, Black resistance, and Black life.

A Washington, D.C., socialite, traveling in the western United States, meets an old friend, and finds herself startled to learn that his current occupation is a long way from what it was when he was in D.C.

Abby Mann's classic story about the Nuremberg trials, under which German leaders were found guilty of crimes against humanity in 1945 and 1946. Even today, the play remains a shattering indictment of the consequences of unchecked authority and the seductive power of group thought.

Best-selling author, former White House speechwriter, and Atlantic columnist and media commentator David Frum explains why President Trump has undermined our most important institutions in ways even the most critical media has missed, in this thoughtful and hard-hitting book that is a warning for democracy and America's future. Quietly, steadily, Trump and his administration are damaging the tenets and accepted practices of American democracy, perhaps irrevocably.