検索キーワード： ナレーター "Eva Wilhelm" すべてのカテゴリー

I've been offered a job at the Night Firm. To work for four of the hottest men I've ever met. Correction. Four of the hottest vampires I've ever met. They don't tell me what I'll be doing. They don't tell me where I'll be working. Simply that I am their only candidate. If I take the job, I'll gain financial freedom, a new home, and answers to questions better left unasked. But at what cost?

Journalists today are inundated with data about which stories attract the most clicks, likes, comments, and shares. These metrics influence what stories are written, how news is promoted, and even which journalists get hired and fired. Do metrics make journalists more accountable to the public? Or are these data tools the contemporary equivalent of a stopwatch wielded by a factory boss, worsening newsroom working conditions and journalism quality?

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

In Prague researching the legend of the Golem, a fantastical "living" creature made of clay, archaeologist Annja Creed is faced with an even bigger mystery on her hands when someone begins murdering the homeless. And every day there's a fresh corpse. As the suspicion that Golem is behind the deaths circulates quietly on the streets of the city, Annja cannot resist unraveling the thread that binds science to superstition. According to Czech history, these aren't new attacks.

During one of the hottest summers the city has ever seen, someone is murdering mages with fires that burn when they shouldn't, that don't stop when they should. Necromancer Eric Carter is being framed for the killings and hunted by his own people. To Carter, everything points to the god Quetzalcoatl coming after him, after he defied the mad wind god in the Aztec land of the dead. But too many things aren't adding up, and Carter knows there's more going on.

Necromancer Eric Carter's problems keep getting bigger. Bad enough he's the unwilling husband to the patron saint of death, Santa Muerte, but now her ex, the Aztec King of the dead, Mictlantecuhtli, has come back - and it turns out that Carter and he are swapping places. As Mictlantecuhtli breaks loose of his prison of jade, Carter is slowly turning to stone. To make matters worse, both gods are trying to get Carter to assassinate the other. But only one of them can be telling him the truth and he can't trust either one. Carter's solution? Kill them both.

Sister murdered, best friend dead, married to the patron saint of death, Necromancer Eric Carter's return to Los Angeles hasn't gone well, and it's about to get even worse. His link to the death goddess is changing his powers, changing him. While searching for a way to break Santa Muerte's hold over him, Carter finds himself the target of a psychopath who can steal anyone's form, powers, and memories. He can be anyone. He can be anywhere.

Necromancer is such an ugly word, but it's a title Eric Carter is stuck with. He sees ghosts, talks to the dead. He's turned it into a lucrative career, putting troublesome spirits to rest, sometimes taking on even more dangerous things. For a fee, of course. When he left LA 15 years ago, he thought he'd never go back. Too many bad memories. Too many people trying to kill him.

J.B. Dix takes several arrows before his team manages to extricate themselves, and, while the wounds themselves are not fatal, Dr. Mildred Wyeth worries with good reason that the arrows may have been tainted. J.B. soon shows symptoms of a deadly infection. Their best chance is a journey of several days to where there had once been a hospital when Mildred trained there a century earlier, in the desperate hope of finding the drugs that J.B. needs to survive.

Pulling sec duty aboard a steamboat on the mighty Sippi is a welcome reprieve for Ryan and his friends…until armored warships reduce their vessel to a burning husk. Abruptly stranded in a nightmarish, poisonous swamp, fighting off crocodiles and muties, the companions and their crew of allies get to work building rafts. Their escape route, however, is swiftly intercepted, and they learn they've sailed into the middle of a fierce conflict between two villes fighting over the iron trade. The companions don't seem to stand a chance against the fleets of ironclad gunboats.

Bizarre murders are taking place in a fertile farming community, and the locals are quick to point fingers at Ryan and his companions. But they know another culprit is responsible. A colony of mutants has been driven from its underground home, forced to find sustenance in the light of day. And only human flesh will satisfy their hunger. Caught between a rock and a horde of hungry cannibals, Ryan and the companions face an ultimatum — help the cannies reclaim their territory, or risk becoming the next meal.

For years, companies have been implementing programs that promote social responsibility and improve employee health, both of which benefit the financial bottom line. Now it's time to focus on positive social interactions and relationships in the workplace. Why? Research shows that authentic, trust-based relationships increase job satisfaction, engagement, productivity, and retention - and even decreased healthcare costs.

The eighth and final book in the epic fantasy House War series closes this chapter in a beloved world of magic and political intrigue, where new threats are stirring.

Jewel ATerafin has never wanted to be a power, but to protect what she built, to protect what she values above all else, she has accepted that power is necessary. But with power comes responsibility. Jewel has forced herself to do what would have once been unthinkable: She has surrendered her den-kin, Carver, to the wilderness, because she must if she is to have any hope of saving the rest of her family, and the city in which they dwell. But she cannot leave him with nothing. Into his hands, she has placed the single, blue leaf that came from the wilderness and the dreaming combined.

The weather is getting cold, but the frog population in New York is on the rise thanks to a magical mafia that has a unique method for getting their enemies out of the way. When wizard Owen Palmer at Magic, Spells, and Illusions, Inc., gets a cryptic threat that the secretive organization called the Collegium is gunning for them, Katie Chandler puts their wedding on hold and goes undercover as a compromised magical immune to infiltrate the enemy.

Beneath the streets of Averalaan, capital city of the Essalieyan Empire, lie the three Princes of the firstborn, doomed to sleep until the end of days. When gods walked the world, they feared the Sleepers. They fear them even now. If the Sleepers wake, the city will not survive - and the Sleepers are waking.

Constance Hale, the best-selling author of Sin and Syntax, zooms in on the colorful world of verbs. Synthesizing the pedagogical and the popular, the scholarly and the scandalous, Hale combines the wit of Bill Bryson with the practical wisdom of William Zinsser. She marches through linguistic history to paint a layered picture of our language - from before it really existed to the quirky usages we see online today. She warns about habits to avoid and inspires with samples of brilliant writing.

To-do: Stop the bad guys. Rescue the wizard. Find the perfect outfit for New Year's Eve. At last, Owen Palmer, the dreamboat wizard at Magic, Spells, and Illusions, Inc., has conjured up the courage to get Katie Chandler under the mistletoe at the office holiday party. But just when it looks like Katie has found her prince, in pops her inept fairy godmother, Ethelinda, to throw a wand into the works. Ethelinda's timing couldn’t be worse. A plot hatched by MSI's rogue ex-employees, Idris and his evil fairy gal pal Ari, threatens to expose the company's secrets - and the very existence of magic itself.

Orphaned and left to fend for herself in the slums of Averalaan, Jewel Markess - Jay to her friends - meets an unlikely savior in Rath, a man who prowls the ruins of the undercity in search of artifacts and treasure. Nursing Jay back to health is an unusual act for a man who renounced his own family long ago, and the situation becomes stranger still when Jay begins to form a den of other rescued children in Rath’s home. But worse perils lurk beneath the slums....