検索キーワード： 著者 "Le Fanu" すべてのカテゴリー

Groundbreaking for the time in which they were written, the vampire stories of the 1800s have inspired many modern writers. Enjoy the thrilling stories that originated the genre of vampire fiction.

Joseph Thomas Sheridan Le Fanu (1814-1873) was an Irish writer of Gothic tales and mystery novels. He was the leading ghost-story writer of the 19th century and was central to the development of the genre in the Victorian era. 'Narrative of a Ghost of a Hand' is a strange story about a haunted house in Ireland. The only part of the sinister apparition which is visible is a white hand which becomes increasingly threatening as the tale goes on.

Rats and mice, and beetles and creaky doors, and loose slates, and broken panes, and stiff drawer handles, that stay out when you pull them and then fall down in the middle of the night...Rats is bogeys, I tell you, and bogeys is rats, and don't you get to think anything else! Ghosts, vampires, werewolves and even rats, all make an appearance in this collection of frighteningly good classic stories from Bram Stoker, Charles Dickens, Rudyard Kipling and more! 

These five 19th-century ghost stories from both sides of the Atlantic provide some of the best chills in the genre. Ambrose Bierce is well-known, but "To Let" by B. M. Croker and "The Upper Berth" provide moments to tingle the spine, as does "An Account of Some Strange Disturbances" by Le Fanu.

This is a story from The Moonlit Road collection. These five 19th-century ghost stories from both sides of the Atlantic provide some of the best chills in the genre. Ambrose Bierce is well-known, but "To Let" by B. M. Croker and "The Upper Berth" also provide moments to tingle the spine, as does "An Account of Some Strange Disturbances" by Le Fanu. This collection, which is further enhanced by suitably chilling music, was originally released under the title Classic Chilling Tales 3.

L'anziano pittore olandese Gerard Douw era il tutore della nipote Rose Veldrkaust che amava l'apprendista Godfrey Schalken all'insaputa dello zio. Un giorno si presentà alla bottega di Douw il misterioso Mynheer Valderhausen, un attempato gentiluomo che disse di aver incontrato Rose in una chiesa di Rotterdam e chiese la sua mano offrendo un'ingente somma in lingotti d'oro. Nonostante le proprie perplessità e l'istintiva avversione che provava per lo strano pretendente dai modi imperiosi e dall'aspetto orribile, Douw finì per acconsetire alle nozze.

"Carmilla" è un romanzo del 1872 di Sheridan Le Fanu. Questo autore è stato tra i primi a riportare il mito del vampiro nel suo luogo d'origine, quella vasta zona dell'Europa che dall'Austria giunge fino alla Russia estendendosi a tutta l'area balcanica. Carmilla, racchiude in sè molte caratteristiche letterari che vanno da Coleridge, a Polidori, anticipando decisamente Bram Stoker e il suo "Dracula". Il fascino, la capacità di seduzione, l'apparente fragilità nascondono l'astuzia e la malvagità del vampiro.

Carmilla, published in 1872, was one of the first vampire novels and is certainly among the most sensuous with its strong lesbian overtones. It is a classic Gothic novella set deep in the enchanted forests of Styria, a land still haunted by superstition and of course vampires. Carmilla predates fellow Irishman Bram Stoker's Dracula by 25 years, and listening to both, you will see the influence of Carmilla on Dracula.

Maud Ruthyn, the young, naive heroine, has a governess who is an enigmatic older woman, a liar, bully, and spy, who takes a dark secret with her when she leaves. Maud is then orphaned and moves in with her Uncle Silas, her father's mysterious brother and a man with a scandalous - even murderous - past. She is horrified to find her former governess appears in her life again, in this Gothic Victorian psychological thriller, with a touch of the occult.

While on holiday in France, a young Englishman becomes obsessed with aiding a young countess to escape from her jealous, elderly husband. Ingenious and entertaining, Le Fanu combines Gothic horror with Victorian style in his elegant tale of passion, intrigue, and murder.

Traumatised by dreams and visions about the unassuming chest under the window in her bedroom, Catherine Lestrange demands it be opened; but what is found inside has the power to change her future as well as her reveal her past. 'Catherine’s Quest' is taken from the second volume of the Victorian Anthologies Horror series, featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known.

As they ride along in their carriage, beyond them on the road they see a man hailing them to stop. It is a tall man in a cape and wide brimmed hat, and he tells Heir Gerard Dahl that he has been waiting for him to return from Rotterdam. Dahl is the uncle and guardian of Rose Falderkaust, and the caped man tells him that he will visit him tonight at seven o’clock at his studio on an urgent matter.

Due to an unfortunate series of events, a teenage girl named Carmilla is left in the care of a wealthy widower and his daughter, Laura. Laura, upon meeting the poor girl, comes to realize that she knows her face. Years prior when she was but a child, Laura was haunted by a presence in her room with the likeness of the young girl. Convinced it was just a nightmare, Laura and Carmilla become fast friends. But as Carmilla's stay continues, strange things begin to happen to the townspeople nearby.

This eerie collection includes: "The Doll's Ghost", "Thrawn Janet", "The Watcher", "The Old Nurse's Story", and "The Canterville Ghost".

A masterful collection of horror fiction by widely acclaimed authors whose contributions to the genre have been lost in the shadow of Poe. Edgar Allan Poe did not invent the tale of terror. There were American, English, and continental writers who preceded Poe and influenced his work. Similarly, there were many who were in turn influenced by Poe's genius and produced their own popular tales of supernatural literature.

"I heard, with an unpleasant surprise, close to me, a voice that was drawling, and, I fancied, sneering, repeat the words: 'Food for worms, dead and rotten; God over all.' There was a small window in the wall, here very thick, which had been built up, and in the dark recess of this, deep in the shadow, I now saw a sharp-featured man, sitting with his feet dangling. His keen eyes were fixed on me, and he was smiling cynically...."

The four stories in this compilation, not by James, are meant to serve as prime illustrations of the best work of a few of his contemporaries and immediate antecedents.

Embark on a captivating journey through the realms of fantasy with this enchanting collection featuring three legendary authors Edgar Allan Poe, George MacDonald, and Joseph Sheridan Le Fanu. Experience the magic of fairyland and its mysterious borders as they guide you through whimsical tales filled with charming and sinister encounters. Meet a host of unforgettable characters, from mischievous fairies to haunting spirits, and even the Devil himself. This collection includes stories such as “Cross Purposes,” “The Carasoyn,” “Bon-Bon,” “The Child That Went With The Fairies,” ...

Carmilla, el clásico vampírico de Joseph Sheridan Le Fanu, se anticipó en un cuarto de siglo al Drácula de Bram Stoker, pero su valor va mucho más allá que el de ser el antecedente femenino del famoso conde de Transilvania. La escabrosa y atrevida relación entre sus protagonistas, Laura y Carmilla, aún hoy resulta sorprendente. La temática de la femme fatale alcanza aquí su máximo exponente, y los ecos de esta magnífica novela gótica la convierten en uno de los principales referentes del terror que se escribe en la actualidad.

Step into the misty forests of Styria, where young Laura’s tranquil world is forever changed by the arrival of the enchanting and mysterious Carmilla. As you listen, you’ll sense the tension rise—the beauty of friendship twisting into something hauntingly deeper, the innocence of trust tainted by secrets that whisper in the night. You’ll feel every heartbeat, every shiver, every breath caught between fascination and terror.