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James Elroy Flecker, linguist, scholar, critic, poet, and diplomat, like his illustrious poetic peers, Wilfred Owen and Rupert Brooke, did not survive the First World War. All three died young: Owen and Brooke in the line of battle, and Flecker, who never fought due to a long-standing respiratory illness, in a sanatorium in Switzerland in 1915. Flecker's poems are generally short: none of his original verse works exceeds 1200 words in length. Flecker revised his poems regularly, refining their spare but telling verbiage and achieving simplicity and directness.

Much of Tennyson's poetry is elegiac in nature, featuring characters who have been disempowered by isolation, age, or lack of opportunity. One of the most famous examples of this is the dramatic soliloquy, "Ulysses". "Columbus", written many years later, is also a dramatic narrative. In both cases, the narrators are elderly mariners, who have a long history of daring forays into remote regions, and who are eager to venture forth again but are hampered by lack of opportunity and the effects of aging.

My poetry covers a wide variety of topics. In this book, I go deeply into my quest for the meaning of life and connection to the source. I take you on an exciting and enchanting journey into magical worlds, some fantasy, and others very real. You will encounter mystical realms of angels, wizards, mermaids, fairies, elves, gnomes, giants, and dragons, as well as discover your own inner light that may have remained dormant for a while. My wish is to assure listeners that beyond the veil they are shown a passage to the eternal kingdom of peace, love, and joy.

Written when Vita became homesick for her beautiful home in Kent, it had six print runs within three years of its publication in 1926. Vita has always been popular for her gardening, her lifestyle, and bohemian companions like Virginia Woolf and the Bloomsbury group. Her nostalgia for farming and the beauty of the seasons is described with an artist’s eye for detail.

Bitter Lips, Sweet Heart is a unique collection of romantic poetry first assembled by a group of young male college students who got together to read poetry and drink tea every week, thinking themselves spurned romantics and talented poets. Most of the original selections have been forgotten, and the collection has been updated for this simple release with a sense of irony and sheepishness in mature adulthood. May its angst, irony, lust, and innocent affection amuse and entertain you today, just as it did the four nerdy boys who assembled it to communicate.

Astrid is returning home from art school on Mars, looking for inspiration. Darling is fleeing a life that never fit, searching for somewhere to hide. They meet on Deep Wheel Orcadia, a distant space station struggling for survival as the pace of change threatens to leave the community behind.

"Sir Gawain and the Green Knight" is a late 14th-century chivalric romance in Middle English. The author is unknown; the title was given centuries later. It is one of the best-known Arthurian stories, with its plot combining two types of folk motifs: the beheading game, and the exchange of winnings. Written in stanzas of alliterative verse, each of which ends in a rhyming bob and wheel; it draws on Welsh, Irish, and English stories, as well as the French chivalric tradition.

Known as the 'Irish Chekhov', Brian Friel was one of the most renowned dramatists of his generation, producing over 30 plays in a career spanning six decades. Included here are some of his best-known works, as well as mesmerising radio documentaries featuring the author himself, in his own words.

Sir Terence Rattigan was one of Britain's greatest playwrights, renowned for his well-crafted dramas of upper-class manners and repressed sexuality. He was hugely popular throughout the 1940s and early '50s, and had the rare distinction of having plays running in three West End theatres simultaneously. Having fallen out of fashion in the '60s, his work is now enjoying a huge revival. Included here are some of his most esteemed plays, adapted for radio and brought together in chronological order in one statement collection.

In this audiobook, C. R. Wiley shows that Tom is not an afterthought but Tolkien’s way of making a profoundly important point. Tolkien once wrote, “[Tom Bombadil] represents something that I feel important, though I would not be prepared to analyze the feeling precisely. I would not, however, have left him in, if he did not have some kind of function.” Tom Bombadil and his wife Goldberry are a small glimpse of the perfect beauty, harmony, and happy ending that we all yearn for in our hearts.

Translating as 'initiation', kumukanda is the name given to the rites a young boy from the Luvale tribe must pass through before he is considered a man. The poems of Kayo Chingonyi's remarkable debut explore this passage: between two worlds, ancestral and contemporary, between the living and the dead, between the gulf of who he is and how he is perceived. Underpinned by a love of music, language and literature, here is a powerful exploration of race, identity and masculinity, celebrating what it means to be British and not British, all at once.

Kayo Chingonyi's remarkable second collection follows the course of a 'blood condition' as it finds its way to deeply personal grounds. From the banks of the Zambezi river to London and Leeds, these poems speak to how distance and time, nations and history can collapse within a body. With astonishing lyricism and musicality, this is a story of multiple inheritances—of grief and survival, renewal and the painful process of letting go—and a hymn to the people and places that run in our blood.

The majority of Vernon Lee’s work was essays and studies on art and history, but this little-known essay’s sense of places lends itself more to poetry than nonfiction. As Lee guides us through an enchanted wood, it gives us an insight into the inspiration behind Lee’s supernatural stories.

In this beautiful collection, 20 outstanding writers set out with old memories and new adventures. ‘I’ve always hated walking,’ Harland Miller offers as his precis, while Ingrid Persaud and Agnes Poirier consider the rituals of pilgrimage and protest march. ‘It isn’t a walking city,’ Kamila Shamsie writes of Karachi, though she strides across it regardless. On the shores of Foulness Island, Will Self hopes to avoid landmines. In a forest north of Berlin, Jessica J. Lee gets soaked, then lost.

A collection of poems and songs by Robert Burns in an award-winning audio production by Almost Tangible. Set within modern and vivid soundscapes, this audio collection gives Burns' texts new resonance. From the soullessness of a call center through the simple joy of a baby's nursery to the horror of the battlefields and all the way into space, this is a visceral roller-coaster through the poems and songs of Scotland's national bard. Robert Burns like you've never heard him before! Produced with immersive 3D sound, we recommend listening on headphones.

Like his great contemporaries, John Keats and Lord Byron, Shelley suffered an untimely death, but still managed to stun the world with a wide-ranging body of work, including poetry, drama, and criticism. His poetry is that of a young man, a lover of nature and fiercely critical of institutionalized corruption, and virtuosic in his use of language and imagery.

According to biographer D. J. Taylor, the young Orwell displayed ‘an enthusiasm for poetry that in [his] formative years seems to have been as least as strong as any desire to write fiction’. Orwell’s poetry is not among his best known - or most highly praised - work but nonetheless shares similar concerns to (and displays the dry sense of humour present in) his prose. Mere foothills in the range of Orwell’s work perhaps - but building up to the summits later scaled.

This lyrical ballad is one of Tennyson's most famous poems. The subject, the tragic passing of a reclusive noblewoman, was suggested by a 13th-century Italian romance, the Donna di Scalotta.

John Keats died in Rome in February 1821, at the age of 25. Shelley, who was to follow him to the grave the following year, was inspired to compose this pastoral lament, which consists of 55 Spenserian stanzas

This evocative poem was first published in 1832 but republished in 1842 with extensive alterations.