検索キーワード： 成長

『変人作家の担当』 (著者：伊藤 テル)たいして期待された作家ではなかった。見た目、喋り方、手がける作品、すべてが「変人」そのもの。しかし、井原トアは簡単に言えば、「持って」いたのだ。

出会いの数だけ、道がひらける。退職金代わりに手に入れたキャンピングカーで、東へ西へ、人助け。小さな優しさが奇跡を起こす、人情ロードノベル！

『恐竜さん、こんにちは』 (著者：森本 凛)昼寝から目覚めたら、目の前に恐竜がいた。あまりにも不条理な状況が、ある日突然主人公の女子高生を襲う。一体なぜこんなところに恐竜が？私が何かしたの？

高校を卒業後、楽に稼ぎ、好きなことをして遊んでいたいとバイトを転々とする日々を送っていた19歳の翔馬。楽に稼げると聞いて飛び込んだ警備員バイトの仕事先は、まさかの大学の守衛室。

東京で挫折し、故郷の丹馬九重市に戻った主人公・弓沢は、市役所のアルバイトに採用され、正規職員を目指していた。

報われない努力なんてない!★プレミアムカバー限定の「特別原稿 プレミアムカバーに寄せて」付き

★喜多川泰先生デビュー20周年記念『手紙屋 愛蔵版』が愛蔵版で登場！★愛蔵版出版によせて、2万字を超える新作エッセイ「『学ぶこと・働くこと』の本当の意味」を特別収録。

From her place in the store, Klara, an Artificial Friend with outstanding observational qualities, watches carefully the behaviour of those who come in to browse and of those who pass in the street outside. She remains hopeful a customer will soon choose her, but when the possibility emerges that her circumstances may change for ever, Klara is warned not to invest too much in the promises of humans.

Directed by the skillful hand of Megan Follows (Directors Guild Award winner) and featuring the voices of Golden Globe® winner Sandra Oh, Emmy Award® Winner Catherine O’Hara, and Emmy Award® Winner Victor Garber, Anne Shirley’s (Emmy Award® winner Michela Luci) adventures come to life in a fresh adaptation of a timeless tale. Immerse yourself in the breathtaking beauty of Canada’s Prince Edward Island with the magic of an original score and immersive sound design.

何歳になっても短いスカートが似合うママは、今日も娘をそっちのけで、恋に仕事に忙しい。「幸せになりたいんやったら、誰かのせいにしたらあかん」。自由奔放なママに翻弄されるわたしは、反発しながら、それでも愛しながら、次第に大人になっていく――。

The new novel - a book that sold more than a million copies the first week it went on sale in Japan - from the internationally acclaimed author, his first since IQ84. Here he gives us the remarkable story of Tsukuru Tazaki, a young man haunted by a great loss; of dreams and nightmares that have unintended consequences for the world around us; and of a journey into the past that is necessary to mend the present. It is a story of love, friendship, and heartbreak for the ages.

When he hears her favourite Beatles song, Toru Watanabe recalls his first love Naoko, the girlfriend of his best friend Kizuki. Immediately he is transported back almost 20 years to his student days in Tokyo, adrift in a world of uneasy friendships, casual sex, passion, loss and desire - to a time when an impetuous young woman called Midori marches into his life and he has to choose between the future and the past.

Inspired as a boy by the multiple meanings to be found for a single word in the dictionary, Kohei Araki is devoted to the notion that a dictionary is a boat to carry us across the sea of words. But after thirty-seven years creating them at Gembu Books, it's time for him to retire and find his replacement. He discovers a kindred spirit in Mitsuya Majime - a young, disheveled square peg with a penchant for collecting antiquarian books and a background in linguistics - whom he swipes from his company's sales department.

『おませさん』 (著者：古島結芽)「わたし、おませさんなの。だから、もうあなたとはいられないの」ある日突然、うなちゃんがそんなことを言ってきた。

Yuki Hirano is just out of high school when his parents enroll him, against his will, in a forestry training program in the remote mountain village of Kamusari. No phone, no internet, no shopping. Just a small, inviting community where the most common expression is “take it easy.” At first, Yuki is exhausted, fumbles with the tools, asks silly questions, and feels like an outcast. Kamusari is the last place a city boy from Yokohama wants to spend a year of his life. But as resistant as he might be, the scent of the cedars and the staggering beauty of the region have a pull.

Toru, a serious young college student in Tokyo, is devoted to Naoko, a beautiful and introspective young woman, but their mutual passion is marked by the tragic death of their best friend years before. As Naoko retreats further into her own world, Toru finds himself drawn to a fiercely independent and sexually liberated young woman.

From the Booker Prize-winning author of The Remains of the Day and When We Were Orphans comes an unforgettable edge-of-your-seat mystery that is at once heartbreakingly tender and morally courageous about what it means to be human.

As a Korean student in a Japanese high school, Sugihara has had to defend himself against all kinds of bullies. But nothing could have prepared him for the heartache he feels when he falls hopelessly in love with a Japanese girl named Sakurai. Immersed in their shared love for classical music and foreign movies, the two gradually grow closer and closer. One night, after being hit by personal tragedy, Sugihara reveals to Sakurai that he is not Japanese - as his name might indicate.

Against the mythical dreamscape of America, Auster brilliantly weaves the bizarre narrative of Marco Stanley Fogg, an orphan searching for love, his father, and the key to the riddle of his origin and fate.

In the spring of 1978, a young Haruki Murakami sat down at his kitchen table and began to write. The result: two remarkable short novels—Hear the Wind Sing and Pinball, 1973—that launched the career of one of the most acclaimed authors of our time. These powerful, at times surreal, works about two young men coming of age—the unnamed narrator and his friend the Rat—are stories of loneliness, obsession, and eroticism. They bear all the hallmarks of Murakami’s later books, and form the first two-thirds, with A Wild Sheep Chase, of the trilogy of the Rat.