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Hamlet, which dates from 1600-1601, is the first in Shakespeare's great series of four tragedies. In writing this extraordinary play, Shakespeare effectively re-invented tragedy after an interval of roughly 2,000 years - you would have to go back to the Greek dramatists of fifth century Athens to find anything of comparable depth and maturity. This production features the voice of Anton Lesser as Hamlet along with a full cast.

By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.

Jane Austen's classic romantic comedy is the sparkling tale of the Bennets, a family blessed with five daughters and a mother desperate to marry them off. The tempestuous pairing of the witty, independent Elizabeth and her arrogant but honorable suitor Mr. Darcy sets the standard for all great couples of stage and screen. Although many have tried, few literary romances have matched the wit and gentile satire of Austen's Pride and Prejudice.

Twelfth Night, nowadays one of Shakespeare's best-loved and most-admired comedies, was not always so regarded: Samuel Pepys saw the play three times in the 1660s and judged it 'silly'. Modern audiences, critics, and directors seem better attuned to its delicate counter pointing of romance and realism....

Inferno follows Dante through hell, with only an roman poet named Virgil to guide him. Dante loses his way in a forest and stumbles across Hell; but Virgil tells him that if he ventures through hell he can reach Heaven where his beloved awaits....

This widely studied play is one of the "best sellers" of the Shakespeare canon. This production is the sixth Shakespeare play in the series undertaken by Naxos AudioBooks in conjunction with Cambridge University Press.

The St. Charles Players present a unique telling of Henry James' classic tale of relationships and their imperfections, in a new multi-cast dramatization performed in exciting Radio Theatre style.

Pygmalion remains one of the most popular stories, but mainly in the medium of the musical; the evergreen My Fair Lady. But much of the charm and wit comes from the words and timing in Shaw's original play. Here are the characters of Professor Higgins, his friend Colonel Pickering, and their charge, Eliza Doolittle.

This classic Shakespearean comedy is presented here in a colorful full-cast dramatization, drawn from the complete text and starring Warren Mitchell, Michael Maloney, and Sarah Woodward.

Infamously known as the cursed Scottish play, Macbeth is perhaps Shakespeare’s darkest tragedy. When General Macbeth is foretold by three witches that he will one day be King of Scotland, Lady Macbeth convinces him to get rid of anyone who could stand in his way – including committing regicide. As Macbeth ascends to the throne through bloody murder, he becomes a tyrant consumed by fear and paranoia.

Stacy Keach and Jane Kaczmarek star in this 1949 masterpiece by Arthur Miller, a searing portrait of the physical, emotional, and psychological costs of the American dream. Willy Loman (Keach) is the play's iconic traveling salesman, whose family is torn apart by his desperate obsession with greatness and social acceptance. As his two sons cast about aimlessly for their station in life, Willy begins to come unraveled when the reality of his life threatens his long-cherished illusions.

A splash of the sea and the salt in the ocean air signals the beginning of the greatest whaling adventure of all time. This is literature's great voyage. The challenge of a man against the wonders of nature's ocean, of a man against his own weakness and strengths, and of a man against a demon, or perhaps his God, as he searches for his nemesis, the great white whale.

This Greek tragedy is based on the myth of Prometheus, a Titan who, in defiance of the gods, gives fire to mankind, an act for which he is subjected to perpetual punishment.The play consists almost entirely of speeches since the protagonist is chained throughout.

Barbara is a major in the Salvation Army - but she's also the daughter of Andrew Undershaft, a man who's made millions from the sale of weapons of war. The real battle, however, rages between between the devilish father and his idealistic daughter as they answer the question: does salvation come through faith or finance? This sparkling comedy traverses family relations, religion, ethics and politics - as only Shaw, the master dramatist, can!

Julius Caesar is one of Shakespeare’s most compelling Roman plays. The plot against Caesar and the infamous assassination scene make for unforgettable listening. Brutus, the true protagonist of the play, is mesmerizing in his psychological state of anguish, forced to choose between the bonds of friendship and his desire for patriotic justice.

Insecure siblings fighting for their parents' attention; bickering spouses who can't stand to be together or apart; adultery and sexual experimentation; even the struggle to balance work and family: These are themes as much at home in our time as they were in the twelfth century. In James Goldman's classic play The Lion in Winter, domestic turmoil rises to an art form.

The Lower Depths, also titled At the Bottom, is a 1902 play by the Russian author and playwright Maxim Gorky (1868-1936). This work portrays a group of wretched, impoverished outcasts living in a shelter near the Volga River. They play cards and tell stories, and are briefly uplifted by a new resident called Luca who gives them hope. When he goes off, the illusion of hope collapses, and the result is murder and suicide.

David Weir explores the conflicting attitudes towards modernity present in decadent culture by examining the difference between aesthetic decadence - the excess of artifice - and social decadence, which involves excess in a variety of forms, whether perversely pleasurable or gratuitously cruel. Such contrariness between aesthetic and social decadence led some of its practitioners to substitute art for life and to stress the importance of taste over morality, a maneuver with far-reaching consequences. 

The major texts of Western culture are a gateway to wisdom that can widen your views on self and society in enduring ways. And now you can examine its most important works - whether drama, poetry, or narrative - in this series of 64 penetrating lectures that reveal astonishing common ground.

A dark tale of hubris, lust, and self-destruction… as told by a man who famously fell prey to those same impulses in his own life. Oscar Wilde wrote his original interpretation of the Biblical story of Salomé in French, and the play was so controversial that no theatre in England would produce it for nearly four decades. Includes a conversation with director Michael Hackett and Wilde scholar David Rodes. An L.A. Theatre Works full-cast production.