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Goethe’s two-part dramatic work, Faust, based on a traditional theme, and finally completed in 1831, is an exploration of that restless intellectual and emotional urge which found its fullest expression in the European Romantic movement, to which Goethe was an early and major contributor. Part I of the work outlines a pact Faust makes with the devil, Mephistopheles, and encompasses the tragedy of Gretchen, whom Faust seduces.

Composed around 1294 in Italian, the Vita Nuova tells the story of Dante's encounters with and love for Beatrice, culminating in her early death and its effect upon him. Utilizing and developing the conventions of courtly love, in a mixture of prose and verse, Dante deepens the emotional content of the genre, while pointing the way towards the intellectual and spiritual journey of the Divine Comedy.

In 'The Deep Things of God', Norman Grubb continues his quest to answer the questions that have burned in him throughout his life: 'What is the Gospel in its fullness? Do I know it? Do I live it? Can I transmit it?' Norman hopes that in delving into 'the deep things of God' and exploring the mysteries of the Spirit, this book will 'open windows to some into heavenly things.'

In The Liberating Secret, Norman Grubb explores the spiritual foundations or our union with Christ. Since the time of his conversion at eighteen, Norman experienced "an exhaustless inner compulsion to seek and find the fullness of Him that filleth all in all." It was his hope that "as these truths have brought light and liberty to my own heart and life, may they meet the needs of some of you who read these chapters."

Jungian analysts Vlado Solc and George J. Didier set out to explore the psychological dynamics and causes of religious fundamentalism and fanaticism. The book offers an in-depth psychological analysis of what happens when a person becomes possessed by the unconscious energies of the self.

The Canterbury Tales is a collection of stories, written in the Middle English vernacular, supposedly told among a group of pilgrims traveling from London to Canterbury. Chaucer uses the form, possibly based on knowledge of Boccaccio’s Decameron gained on a visit to Italy in 1373, to provide a highly varied portrait of his society, both secular and religious. The journey of the pilgrims, unlike that of, say, Homer’s Odysseus or of Dante in the Divine Comedy, is relatively unimportant compared to the tales themselves, where Chaucer’s true interest lies.

Grant Hastings was once the leader of an elite special ops team known as The Sebs. Now he’s retired, living alone in a bedsit over a pub, and haunted by the ghosts of the mistakes he’s made in the past. Then a mysterious woman turns up to entice Hastings and The Sebs back for one last mission, to rescue an anthropologist, son of an esteemed professor.

In the ancient Roman town of Liternum stood one of the bloodiest gladiator arenas in the land; Brutal matches between gladiators frequently graced it’s golden sands, though out of the view of the bloodthirsty crowds, there is so much more happening than simply gladiators fighting for the adoration of the people.

In the tumultuous summer of 1808, Spain and England are close to war and four young lovers are close to ecstasy. To carve out an independent life with the woman she loves, Anna knows she must leave her quiet Spanish convent to become a courtesan. To gain experience, she sets her sights on Sebastian, whose powerful, aristocratic confidence suits Anna’s mercenary goals. But his arrogance masks a craving for submission that Anna instinctively satisfies. Sebastian soon begs for her hand in marriage, even if it means sharing her with Pia, who trusts Anna with her body and her future.

In God Unlimited, Norman Grubb delves into ultimate reality—"the extreme, the absolute, the revelation...that there is only one person in the universe, and that is God himself". From this startling conclusion Norman proceeds to the true nature of man and his sole function, God's twofold redemption to rescue and restore his fallen creation, spontaneous living in the fourth dimension, and the privilege of membership in priesthood of the redeemed through whom God continues his intercessory work on behalf of his creation.

In an age of wizards and walled cities, Raffalon is a journeyman member of the ancient and honorable guild of Purloiners and Purveyors—in other words, a thief. His skills allow him to scale walls, tickle locks, defeat magical wards. He lifts treasures and trinkets, and spends the proceeds on ale and sausages in taverns where a wise thief sits with his back to the wall. But somehow things often go the way they shouldn’t, and then Raffalon has to rely upon his wits and a well-calibrated sense of daring.

Cradle of Islam: How Islam Began is a concise, easy-to-listen, and accurate account of how Islam began. It investigates the initial beginning of Islam including its religious and historical background, main historical figures, and subsequent expansion. The book also presents the story of how the Quran was compiled and transmitted. While it is based on the latest and most accurate historical research on early Islam, it is intended to be listened to and enjoyed by listeners who are less familiar with Islam.

For more than three decades, Yugoslavia's history played out in the life of one man. That man was Josip Broz Tito. The fictional autobiography of a regime insider, K. Balej's thoroughly researched novel provides a revealing insight into the emergence and functioning of the Yugoslav socialist system from the time of the Vienna Congress in 1815 to Tito's own death in 1980. It is an immersive exploration of the changing nature of Tito's power and the fascinating symbiosis of man and state that Tito represents.

First published in 1971, Gazetteer of British Ghosts was the result of a quarter of a century of study and on-the-spot investigations by one of the leading authorities on haunted houses. The first comprehensive guide to the ghost population of the British Isles, it covers a subject that still fascinates and, at the same time, still terrifies. The ghosts of Britain are numerous, and in this book (catalogued and placed in alphabetical order) are well over 200 accounts of ghostly happenings, ranging from the legendary to the factually presented and the scientifically investigated.

Who Am I? is one of Norman Grubb's textbooks for what he came to call Total Truth, a full satisfaction, a rational meaning to all life, a foolproof workable key to daily living, a road map that I could unfold to a fellow traveler and say, "This is the way". Standing on the Scriptures as his final authority, Mr. Grubb explores in a clear and practical way who we are, why we are, how we can be ourselves, and what our destiny is, which is "Christ in you, the hope of glory".

William Hanna recounts history under an intellectual light backed by both scientific and historical data to call out the injustices being done to Palestinian people under the guise of a religious movement.

Norman Grubb's life demonstrated that he knew "how to walk the broad road of faith, how to save and maintain that touch with God, that living fruitful union with Him which in infinite grace and condescension He has given us as our inheritance in Christ." In The Law of Faith, Norman felt that he was "passing on to others the most precious secrets that God has taught [him]."

When his father dies and his older brother inherits the family’s homestead in Stogumber, England, William becomes an easy target for recruiters of skilled workers for the newly chartered Massachusetts Bay Colony in America. A devout Puritan (and political outcast in 1640) of marriageable age but landless, he faces conscription for a looming civil war.

George Gershwin thinks he could do better, better than Broadway. Ira Gershwin disagrees, why get funny ideas about writing po-faced piano concertos that no one hears, when you’re already getting much respect and much money (and much female attention) from writing hit shows? But what George wants George gets, and soon the brothers are travelling to Europe to meet French maestro Maurice Ravel - you know, a real composer.

David Hume (1711-1776) was the most important philosopher ever to write in English as well as a master stylist. This volume contains his major philosophical works. A Treatise of Human Nature (1739–1740), published while Hume was still in his twenties, consists of three books on the understanding, the passions, and morals.