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By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.

A dark tale of hubris, lust, and self-destruction… as told by a man who famously fell prey to those same impulses in his own life. Oscar Wilde wrote his original interpretation of the Biblical story of Salomé in French, and the play was so controversial that no theatre in England would produce it for nearly four decades. Includes a conversation with director Michael Hackett and Wilde scholar David Rodes. An L.A. Theatre Works full-cast production.

This widely studied play is one of the "best sellers" of the Shakespeare canon. This production is the sixth Shakespeare play in the series undertaken by Naxos AudioBooks in conjunction with Cambridge University Press.

Twelfth Night, nowadays one of Shakespeare's best-loved and most-admired comedies, was not always so regarded: Samuel Pepys saw the play three times in the 1660s and judged it 'silly'. Modern audiences, critics, and directors seem better attuned to its delicate counter pointing of romance and realism....

Hamlet, which dates from 1600-1601, is the first in Shakespeare's great series of four tragedies. In writing this extraordinary play, Shakespeare effectively re-invented tragedy after an interval of roughly 2,000 years - you would have to go back to the Greek dramatists of fifth century Athens to find anything of comparable depth and maturity. This production features the voice of Anton Lesser as Hamlet along with a full cast.

Falstaff is both a comic and tragic central protagonist in Shakespeare's three Henry plays. He is companion to Prince Hal (the future Henry V), who loves him, goads him, teases him, indulges his vast appetites, and commits all sorts of mischief with him. Award-winning author and esteemed professor Harold Bloom examines Falstaff with the deepest compassion and sympathy and also with unerring wisdom. He uses the relationship between Falstaff and Hal to explore the devastation of severed bonds and the heartbreak of betrayal.

Blackstone Audio presents An American Family Shakespeare Entertainment: Based on Charles & Mary Lamb's 20 Tales From Shakespeare, augmented by miscellaneous scenes and soliloquies from Shakespeare's plays, featuring Elizabethan songs and dances in new arrangements for stringed instruments.

A splash of the sea and the salt in the ocean air signals the beginning of the greatest whaling adventure of all time. This is literature's great voyage. The challenge of a man against the wonders of nature's ocean, of a man against his own weakness and strengths, and of a man against a demon, or perhaps his God, as he searches for his nemesis, the great white whale.

Jane Austen's classic romantic comedy is the sparkling tale of the Bennets, a family blessed with five daughters and a mother desperate to marry them off. The tempestuous pairing of the witty, independent Elizabeth and her arrogant but honorable suitor Mr. Darcy sets the standard for all great couples of stage and screen. Although many have tried, few literary romances have matched the wit and gentile satire of Austen's Pride and Prejudice.

Adapted by David Mamet from a translation by Vlada Chernornirdik. In this classic of Chekhov’s canon, an overbearing professor pays a visit to his country estate, where Sonya and Vanya, his daughter and former brother-in-law, have slaved to maintain his wealth. But Vanya is enchanted by the professor’s new wife, while Sonya has fallen for the town’s melancholy doctor. Includes a conversation with Rosamund Bartlett, author of Chekhov: Scenes from a Life.

This final play from the pen of Oscar Wilde is a stylish send-up of Victorian courtship and manners, complete with assumed names, mistaken lovers, and a lost handbag. Jack and Algernon are best friends, both wooing ladies who think their names are Ernest, "that name which inspires absolute confidence". Wilde's effervescent wit, scathing social satire, and high farce make this one of the most cherished plays in the English language.

Uncle Vanya spends years of drudgery managing his brother-in-law's estate to enable Serebryakov the chance to pursue his career as a great professor. When Serebryakov is proven to be a fraud and wants to sell the estate, Vanya becomes enraged.

Goethe’s two-part dramatic work, Faust, based on a traditional theme, and finally completed in 1831, is an exploration of that restless intellectual and emotional urge which found its fullest expression in the European Romantic movement, to which Goethe was an early and major contributor. Part I of the work outlines a pact Faust makes with the devil, Mephistopheles, and encompasses the tragedy of Gretchen, whom Faust seduces.

Written by an anonymous storyteller in the 13th Century, and describing events between 960 and 1020, Njáls saga is one of the great works of medieval literature. The longest and most celebrated of the Icelandic sagas, it deals with family honour, vengeance and a vicious blood feud spanning almost 50 years. Based on the classic translation by Magnus Magnusson and Hermann Pálsson, this gripping dramatisation centres around two friends.

The Importance of Being Earnest: A Trivial Comedy for Serious People is a play by Oscar Wilde. First performed on February 14, 1895, at the St James' Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious persona to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage and the resulting satire of Victorian ways.

This multicast dramatisation of Arabian Nights: Volume 1 is an Audible Original reenvisioning of three iconic tales - with a twist. Adapted by the great Marty Ross, whose previous audio dramas include Romeo and Jude, Dark Shadows, Doctor Who and Blood and Stone, listeners can expect to hear Sheherezade, Ali Baba & 40 Thieves and Julnar the Sea Born as they've never done before.

Julius Caesar is one of Shakespeare’s most compelling Roman plays. The plot against Caesar and the infamous assassination scene make for unforgettable listening. Brutus, the true protagonist of the play, is mesmerizing in his psychological state of anguish, forced to choose between the bonds of friendship and his desire for patriotic justice.

Step into a world where wit is sharp, glances speak volumes, and the dance of manners conceals deeper truths. Pride and Prejudice isn't just a novel—it's a perfectly tuned social symphony composed by one of literature's most insightful observers, Jane Austen. This timeless classic captures the tension between pride and vulnerability, societal expectation and personal desire, all through language as elegant as the world it critiques. In its pages—and now in your ears—you'll encounter unforgettable characters whose joys, flaws, and revelations still echo today.

Wenn Goethe im ersten Teil des Faust noch zwischen Gelehrten- und Gretchendrama unterteilt, so ist im zweiten Teil ganz klar Faust und seine Entwicklung Hauptthema. Nachdem er mit Mephistopheles am Ende des ersten Teils die Flucht ergriff, entwickelt er sich im zweiten Teil stetig weiter, wird Künstler, Zeitreisender, Gatte der schönen Helena, Herrscher - es ist ein wahres Füllhorn der menschlichen Entwicklung, das Goethe hier ausschüttet! Ein großartiger Reigen überschäumender Kreativität, das ist der Tragödie zweiter Teil.

Pygmalion remains one of the most popular stories, but mainly in the medium of the musical; the evergreen My Fair Lady. But much of the charm and wit comes from the words and timing in Shaw's original play. Here are the characters of Professor Higgins, his friend Colonel Pickering, and their charge, Eliza Doolittle.