検索キーワード： 制作 "Blackstone Publishing" 選集・短編小説

Listeners will discover lost and forgotten women who wrote horror every bit as effectively as their male contemporaries. They will learn about their lives and careers, the challenges they faced as women working in a male-dominated field, the way they overcame those challenges, and the way they approached the genre - which was often subtler, more psychological, and more disturbing.

This stunning anthology of classic colonial suspense fiction plunges deep into the native soil from which American horror literature first sprang. While European writers of the Gothic and bizarre evoked ruined castles and crumbling abbeys, their American counterparts looked back to the colonial era’s stifling religion, and its dark and threatening woods.

Best known for his masterpiece of horror, Dracula, Bram Stoker wrote a number of other novels and many short stories, all with supernatural themes or filled with a physical terror reminiscent of Poe. The title story, "Dracula's Guest", was originally part of the great novel but was excised and published separately. The accompanying stories, such as "The Squaw", "The Judge's House", and "The Burial of the Rats", are classic tales of the macabre in their own right.

At first blush, Widdershins is a conventional haunted house story involving an unsuccessful writer who moves into an empty house in hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend, and his sanity are all destroyed in the process. It can be interpreted as narrating the gradual possession of the protagonist by a mysterious, possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the psychotic subject’s view.

Gathering ten modern masters of the strange and unsettling, Unquiet Guests sets fire to the blueprints and reimagines the haunted house from the foundations up. From dreamlike visions of an abandoned future mansion to a sentient building grown tired of its owners, these rooms echo with whispers of the disenfranchised and the lost.

The nine narrative episodes of Volume Four of the Emmy® Award-winning Netflix Original series Love, Death + Robots. Featuring bestselling authors and screenwriters from all over the globe, curated by filmmakers Tim Miller and David Fincher, and Supervising Director Jennifer Yuh Nelson. Introduction by John Scalzi, with stories by John Scalzi, Stant Litore, Siobhan Carroll, Bruce Sterling, John McNichol, Dave Hutchinson, Marc Laidlaw, and Robert Bisi & Andy Lyon.

A man gets into a car that can take him anywhere he can imagine—including the past, into the worst mistake of his life, a memory he does not want to relive, cannot escape, and is even more afraid to alter. A seemingly harmless, forgettable film about “alien hand syndrome” inspires a wave of self-harm among viewers—and even stranger things among those who become obsessed with it.

Perfect for fans of Carmen Maria Machado and Kelly Link, Jo Paquette’s Stories I Told My Dead Lover contains eight searing tales of psychological horror that probe the darkest and most deeply buried parts of the human psyche. A child is forced to grow up too soon. A woman trusts her doctor too much. An abandoned woman isn’t as alone as she thinks. An idyllic holiday masks an unspeakable act of violence. Driven, desperate, fighting for the power to choose their own fate, Paquette’s characters dare to push back at the walls that hold them in.

Assemble Artifacts: A short story magazine that assembles a thrilling new mix of stories from genres including horror, science-fiction, comedy, and suspense. Buried at the heart of every story in the magazine is a unique artifact, an object that has inspired our storytellers to create a big idea, an irresistible question, a new immersive world, or a sense of wonder. Unearth your next great listen with Assemble Artifacts.

Weird Tales magazine is known for launching a number of sub-genres of fiction—cosmic horror, swords & sorcery, dark fantasy, and others. It has also greatly added to existing genres like science fiction, horror, and—a personal favorite of editor Jonathan Maberry—weird mystery stories. Or, as they became known—occult detective tales.

New research has uncovered deeply buried military secrets—both the Allied and Axis special operations during WWII included monsters. Did the Soviets use a dragon to win the Battle of Kursk? Did a vampire fight for the Canadians in Holland? Did the US drop the second atomic bomb on a kaiju? This collection takes real events from World War II and injects them with fantastical creatures that mirror the “unreality” of war itself. Each story—and two poems—feature mythical, mystical, and otherwise unexplainable beings that change the course of history.

Welcome to a very special issue of Weird Tales. This issue celebrates the Bram Stoker Awards, the “Oscars” of the horror trade. They are presented every year by the Horror Writers Association (horror.org), a group founded in 1985 (and incorporated in 1987) by a collective of masters of that genre, including Joe R. Lansdale, Karen Lansdale, Robert McCammon, and Dean Koontz. This issue is packed with short stories, flash fiction, poems, and an essay—all written by past winners of the Bram Stoker Award.

You can’t have a good tale of monster hunting without monsters. And sometimes the monsters don’t need to be hunted. Sometimes it’s fun sitting back at minimum safe distance and watching the mayhem.