検索キーワード： 制作 "--Tyson Hanks" ドメスティックスリラー

Nach der Hochzeit mit einem reichen Unternehmer ist der Kontakt zwischen Mia und ihren Uni-Freunden sporadisch geworden. Das ändert sich erst, als sie ein Schädel-Hirn-Trauma erleidet. Die Umstände sind unklar, Mia liegt tagelang im Koma. Als sie aufwacht, kann sie sich nur noch an Filme erinnern. Die alte Clique bietet Unterstützung an und reist geschlossen zu Mias abgelegenem Wochenendhaus.

Ruby Cooper and her sister, Erin, live an idyllic life in their close-knit church community in Boston, attending Bible Camp and following the teachings of their pastor father. But when Ruby is sixteen, she is involved in an incident that will cause her family's world to implode. Across decades, the consequences leave a wake of destruction behind her, pulling her to Dublin and even more unexpected places.

Natalie's in tears in her bedroom. She's had a huge argument with her husband. Because Natalie has an awful secret. Sometimes, on her worst nights, she blacks out. She loses control. What do you do when there's a killer in your house, and you think it might be you?

When tragedy strikes and their beloved mother passes away, brothers Dominic and Dylan find themselves drowning in a tidal wave of sorrow. One suffers in silence. The other rages against the world. Together, they unravel at the seams.

They forgot her. Ignored her. Buried her alive in silence. She smiled, stayed quiet—and dug their graves instead. Widow Maker: Some women don’t forgive. They KILL. "Buried in silence. Resurrected for revenge."

When Sarah unexpectedly inherits a secluded estate in North Tahoe from an uncle she never knew, it feels like fate. A fresh start. A lifeline. Her husband, Logan, isn’t convinced. Something about the house—about the deal—feels off. Then there’s Phil. A stranger, yet always nearby. Too interested. Too familiar. He lingers at the edges of their new life, watching. And when the strange occurrences begin—doors left open, objects disappearing, eerie phone calls—Logan knows it’s not just paranoia.

Two years ago, Hayley Stone lost everything. First, her parents died in a devastating fire. Then, her sister overdosed, leaving Hayley alone and hounded by a media circus that turned her family’s tragedy into tabloid fodder. When her new husband suggests a fresh start in the Adirondacks, the promise of anonymity in an isolated mountain town feels like salvation. But the mountains hold darker secrets than she ever imagined.

When her husband goes missing, Marissa Creighton fears the worst. Tell me you trust me was the last thing Ethan said to her, and she’d shrugged it off. Now she can’t get those words out of her head. Marissa’s family has always been her rock. But when they come to help her with eighteen-month-old Logan, their overprotectiveness borders on oppression—occupational hazard of the family’s surveillance business, or is it? Seeking comfort in the playlist she and Ethan share, Marissa is shocked to find a new song there: “Trust Me.” She’s certain it’s a message.

Mack and Hailey Evans are on the cusp of living the American Dream. But modern life is expensive, so the anonymous checks they start to receive are spent before they know it. Then they discover that this mysterious benefactor expects a return on their investment. Debt is like fire, and someone wants to burn Mack and Hailey's lives down to the ground.

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Watch what happens when 17-year-old Hannah disappears without a trace. See how the family rallies when a ransom note demands half a million pounds for Hannah's safe return. Now observe what happens to a family when they lose their house, their status, all their wealth. Note how they disintegrate under the pressures of guilt and poverty and are forced to confront their true selves.

After losing her husband, Sarah is doing everything she can to hold herself—and her young son Theo—together. When Elena appears, calm, capable, and eager to help, she seems like the answer to Sarah's prayers. Theo adores her, and for the first time in months, Sarah feels like she can finally breathe. But soon, little things start to feel… off. Lullabies Sarah has never sung filling the house. Documents moved. Unfamiliar items appearing in Theo's room. And the way Elena looks at her son—as if he belongs to her.

An Liebe denkt Sophie nicht, als sie einen Job als Dozentin an der Universität in Sizilien annimmt. Bis sie dem charismatischen Professor Emilio Ferrante begegnet. Nie hätte sie gedacht, dass sie sich nach ihrer Vergangenheit noch einmal auf jemanden einlassen könnte. In seiner Nähe scheint sie endlich ihr Glück gefunden zu haben. Doch je tiefer sie sich in die Beziehung mit Emilio begibt, desto mehr spürt sie, dass etwas nicht stimmt. Als sie erfährt, dass er verheiratet und seine Frau seit Monaten spurlos verschwunden ist, beginnt ein gefährliches Spiel aus Wahrheit und Täuschung.

Trots att Märta råkat ut för flera bakslag i jakt på kärleken ger hon sig ändå ut i Tinder-karusellen. Där möter hon sin drömman Calle, som dessvärre har en svartsjuk exfru i bagaget. Samtidigt kämpar Agatha för att rädda sin älskade AI-Sherlotta, som verkar gå sönder bit för bit. När Calles exfru Lilly hittas död dras de tre kvinnorna in i en katt-och-råtta-lek mot en fiende som verkar ligga steget före dem. Vad de inte vet är att de bara är brickor i ett större spel som kretsar kring Sherlotta – ett AI-verktyg med potential att förbättra världen. Eller förstöra den.

Julie on kovia kokenut sosiaalitoimen asiakas ja nuoren pojan äiti. Hänen perheneuvojansa Henrik osoittautuu puoleensavetäväksi ja hyödylliseksi tuttavuudeksi, joka tarjoaa auliisti tukeaan. Eräänä yönä mies kuitenkin ilmestyy yökerhoon, jossa Julie työskentelee. Mies alkaa vaatia vastapalveluksia avustaan ja Julien on pakko totella häntä, jottei menettäisi poikaansa. Celine on huoltajuuskiistan uuvuttama ja epätoivoinen. David on siirtynyt Kööpenhaminan murharyhmästä Amagerin paikallistutkintaosastolle. Linda on menettänyt työnsä henkivartijana.

Fay Roper is a divorced single mom and a globally famous actress. She’s also unlucky in love. Maybe because the last thing Fay wants in a man is yet another superfan. But somehow, every time she has a boyfriend who isn’t a stalker, he abruptly disappears from her life. With the help of her best friend and right-hand woman, Poppy, Fay decides to change the game and join an exclusive new dating app under a false identity. A subscriber named Oliver takes the bait. But Oliver likes to play games too. And only one of them can win.

Paul Nelms's quiet life is thrown into turmoil when his wife, Katherine, returns home late one night shattered and barely able to speak. What she reveals will test the limits of Paul's love, his faith in justice, and his belief in what it means to be a protector. When Katherine refuses to involve the police, Paul is left to navigate a world of unanswered questions and unbearable rage. As he begins to dig deeper, his search for the truth spirals into obsession—and a dangerous confrontation that could cost him everything.

My father was a serial killer—or so I thought. My dad, Dennis Kempmen, had his quirks but was respected in our small town. That was until children began disappearing and he became the main suspect. I started to believe what others were saying: My father was a killer.

Shae Halston wears her lies like a second skin. The dutiful daughter. The perfect wife. The loving caregiver. After a lifetime of betrayal, abandonment, and unspeakable abuse, Shae has learned one truth—revenge is the only way to heal. When she takes a job caring for Kelly, a once-renowned therapist left helpless and disfigured after a tragic accident, Shae sees it as the perfect opportunity.

Aidan Collins has his very first large case when his client, Marina Vasiliev, a drop-dead gorgeous mental patient, is accused of killing her wealthy husband. Marina insists that she didn't do it, but Aidan can't trust her. After all, he met Marina in the mental hospital–he originally obtained her as a client when she was involuntarily committed, and he assisted her with getting out. Diagnosed with borderline personality disorder, Marina's view of reality shifts from day to day. Marina has no memory of what happened the night that her husband died.