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A 30-something painter in Tokyo is abandoned by his wife and finds himself holed up in the mountain home of a famous artist. When he discovers a strange painting in the attic, he unintentionally opens a circle of mysterious circumstances. To close it, he must complete a journey that involves a ringing bell, a two-foot-high physical manifestation of an Idea, a dapper businessman who lives across the valley, a precocious 13-year-old girl, a Nazi assassination attempt during World War II in Vienna, a pit in the woods behind the artist’s home and an underworld haunted by Double Metaphors.

When he hears her favourite Beatles song, Toru Watanabe recalls his first love Naoko, the girlfriend of his best friend Kizuki. Immediately he is transported back almost 20 years to his student days in Tokyo, adrift in a world of uneasy friendships, casual sex, passion, loss and desire - to a time when an impetuous young woman called Midori marches into his life and he has to choose between the future and the past.

One late summer evening in the post-industrial town of East Gladness, Connecticut, nineteen-year-old Hai stands on the edge of a bridge in pelting rain, ready to jump, when he hears someone shout across the river. The voice belongs to Grazina, an elderly widow succumbing to dementia, who convinces him to take another path. Bereft and out of options, he quickly becomes her caretaker. Over the course of the year, the unlikely pair develops a life-altering bond, one built on empathy, spiritual reckoning, and heartbreak.

In sixteen sparkling stories, Jan Carson introduces us to worlds and characters that feel real enough to touch. All of life is here: the thrill of growing up, the grief when youth is over; first love, mature love, parenthood and loss - all shot through with profound compassion, warm wit, and boundless imagination. In 'A Certain Degree of Ownership', a distracted couple on a beach fail to notice their baby crawl perilously towards the sea. In 'Troubling the Water', a rumor spreads at a public swimming pool and chaos ensues.

Eleven recently deceased protagonists find themselves floating in the afterlife where a nameless ghost offers them one last chance to spend time with their loved ones. What if you could come back after death to watch over your loved one, installing yourself in a treasured mug, for example, or perhaps your mother's hearing aid, a diary, or even a climbing frame, to be clambered over by a younger sister you will never meet?

A decade into the Depression, Millicent Green is a 25-year-old "old maid" living with her marriage-obsessed mother and domineering older brother in the stiflingly small Jewish community of New Bern, North Carolina. Smart and prickly, she’s struggling to find her place in the world following the loss of her beloved younger brother, and with him, her dreams for the future. One humid August day, Millie is sent to run an errand and discovers a young woman unconscious on the ground. This mystery woman, mute and without identification, will upend Millie’s life.

Elizabeth Zhang is well aware of her place in the world. She’s in the tenth percentile for likability, the seventieth percentile for attractiveness, and the ninety-ninth percentile for academics. While she’s never been the most beautiful or the most liked, she knows she has the intelligence and ambition to achieve her greatest dream: Harvard Law School. But when Harvard rejects Elizabeth for not standing out enough—which she knows means she's just another boring Asian female—her carefully constructed life falls apart.

1938: Fanny Zelshinsky is a sophisticated, modern daughter of the city’s Jewish elite who wants nothing more than to be recognized as a legitimate artist by her family, her radical professor whom she idolizes, and the world at large. And all while she wonders if she is really going to go through with her wedding.

Widowed. Unemployed. Aged fifty-one. Mrs. Shim becomes a killer. In this savage and side-splitting literary thriller, an ordinary woman dives headfirst into a world of petty criminals, crooked cops, and accidental assassins. Around her orbit a washed-up fixer blackmailed by his boss's daughter, a policeman's wife undercover at a third-rate detective agency, a ghost marriage-broker with an attraction to hairdressers, and a son who unknowingly becomes her rival.

Satoshi looks like an innocent schoolboy but he is really a viciously cunning psychopath. Kimura's young son is in a coma thanks to him, and Kimura has tracked him onto the bullet train heading from Tokyo to Morioka to exact his revenge. But Kimura soon discovers that they are not the only dangerous passengers onboard.

Haruki Murakami’s highly anticipated first novel in six years follows the narrator as his enduring memory of his formative teenage relationship leads him to the mysterious City, and a disruption to the barriers between the real and shadow worlds.

A narrative particle accelerator that zooms between Wild Turkey Whiskey and Bob Dylan. Unicorn skulls and voracious librarians. John Coltrane and Lord Jim. Science fiction, detective story, post-modern manifesto. All this rolled into one rip-roaring novel, End of the World and Hard-boiled Wonderland is the tour de force that expanded Haruki Murakami’s international following.

Tucked away down a Kyoto backstreet lies the extraordinary Kamogawa Diner, run by Chef Nagare and his daughter, Koishi. The father-daughter duo have reinvented themselves as “food detectives,” offering a service that goes beyond cooking mouth-watering meals. Through their culinary sleuthing, they revive lost recipes and rekindle forgotten memories.

Watching her too is Robbie Turner who, like Cecilia, has recently come down from Cambridge. By the end of that day, the lives of all three will have been changed for ever. Robbie and Cecilia will have crossed a boundary they had not even imagined at its start. Briony will have witnessed mysteries, and committed a crime for which she will spend the rest of her life trying to atone.

In the past 50 years, the American short story has changed dramatically. New voices, forms, and mixtures of genres have brought this unique US genre a thrilling burst of energy. This rich anthology celebrates this avalanche of talent. Beginning in 1970, it culls together a half century of powerful American short stories from all genres, including - for the first time in a literary anthology - science fiction, horror, and fantasy.

Opening in the late 1980s as rave culture is born and moving into the 1990s, Men In Love reunites the Trainspotting crew for a riotous new journey. Renton, Spud, Sick Boy and Begbie leave heroin behind and seek joy, and the hope of redemption, on the dance floor. Each wants to feel alive in the closing years of Thatcher’s Britain, and they fill their days with sex and romance and trying to get ahead. Taking in Edinburgh, London, Amsterdam and Paris, the group charges towards an unexpected event: Sick Boy’s wedding day.

Portnoy's Complaint tells the tale of young Jewish lawyer Alexander Portnoy and his scandalous sexual confessions to his psychiatrist. As narrated by Portnoy, he takes the listener on a journey through his childhood to adolescence to present day while articulating his sexual desire, frustration and neurosis in shockingly candid ways.

The Republic of Gilead offers Offred only one function: to breed. If she deviates, she will, like dissenters, be hanged at the wall or sent out to die slowly of radiation sickness. But even a repressive state cannot obliterate desire - neither Offred's nor that of the two men on which her future hangs. Brilliantly conceived and executed, this powerful evocation of 21st-century America gives full rein to Margaret Atwood's devastating irony, wit and astute perception.

“Lydia is dead. But they don’t know this yet.” So begins this exquisite novel about a Chinese American family living in 1970s small-town Ohio. Lydia is the favorite child of Marilyn and James Lee, and her parents are determined that she will fulfill the dreams they were unable to pursue. But when Lydia’s body is found in the local lake, the delicate balancing act that has been keeping the Lee family together is destroyed, tumbling them into chaos.

The eight masterly stories in this new collection are all told in the first person by a classic Murakami narrator. From nostalgic memories of youth, meditations on music and an ardent love of baseball to dreamlike scenarios, an encounter with a talking monkey and invented jazz albums, together these stories challenge the boundaries between our minds and the exterior world. Occasionally, a narrator who may or may not be Murakami himself is present. Is it memoir or fiction? The listener decides.