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“A bruised, breathtaking love letter never meant to be sent. A powerful testimony to magic and loss. A marvel.” (Marlon James, author of Black Leopard, Red Wolf)

On Earth We're Briefly Gorgeous will be described - rightly - as luminous, shattering, urgent, necessary. But the word I keep circling back to is raw: that's how powerful the emotions here are, and how you'll feel after reading it - scoured down to bone. With a poet's precision, Ocean Vuong examines whether putting words to one's experience can bridge wounds that span generations, and whether it's ever possible to be truly heard by those we love most.” (Celeste Ng, author of Everything I Never Told You and Little Fires Everywhere

“This book - gorgeous is right there in the title - finds incredible, aching beauty in the deep observation of love in many forms. Ocean Vuong's debut novel contains all the power of his poetry, and I finished the book knowing that we are seeing only the very beginning of his truly magnificent talent.” (Emma Straub, author of Modern Lovers and The Vacationers

あらすじ・解説

An instant New York Times Best Seller! 

Longlisted for the 2019 National Book Award for Fiction, the Carnegie Medal in Fiction, the 2019 Aspen Words Literacy Prize, and the PEN/Hemingway Debut Novel Award

Shortlisted for the 2019 Center for Fiction First Novel Prize Winner of the 2019 New England Book Award for Fiction! 

Named one of the most anticipated books of 2019 by Vulture, Entertainment Weekly, Buzzfeed, Los Angeles Times, Boston Globe, Oprah.com, Huffington Post, The A.V. Club, Nylon, The Week, The Rumpus, The Millions, The Guardian, Publishers Weekly, and more.

“A lyrical work of self-discovery that’s shockingly intimate and insistently universal…Not so much briefly gorgeous as permanently stunning.” (Ron Charles, The Washington Post

Poet Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling.

On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family’s history that began before he was born - a history whose epicenter is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. 

At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard. 

With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years. 

Named a Best Book of the Year by: GQ, Kirkus Reviews, Booklist, Library Journal, Time, Esquire, The Washington Post, Apple, Good Housekeeping, The New Yorker, The New York Public Library, Elle.com, The Guardian, The A.V. Club, NPR, Lithub, Entertainment Weekly, Vogue.com, The San Francisco Chronicle, Mother Jones, Vanity Fair, The Wall Street Journal Magazine, and more!

©2019 Ocean Vuong (P)2019 Penguin Audio

同じ著者・ナレーターの作品

On Earth We're Briefly Gorgeousに寄せられたリスナーの声

総合評価
  • 5 out of 5 stars
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ナレーション
  • 5 out of 5 stars
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ストーリー
  • 5 out of 5 stars
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絞り込み:
  • 総合評価
    3 out of 5 stars
  • ナレーション
    2 out of 5 stars
  • ストーリー
    3 out of 5 stars
  • susan marlatt
  • 2019/12/06

Clearly a poet

As a poet, his writing is luminous. As a storyteller, he is more muddled. Individual parts are heartbreakingly beautiful but the arc of story is continuously interrupted and confusing. His narration is clear but flat almost monotone.

  • 総合評価
    3 out of 5 stars
  • ナレーション
    1 out of 5 stars
  • ストーリー
    3 out of 5 stars
  • Lucas Sweeney
  • 2019/11/15

Didn't Finish - Couldn't Take the Audio

Just because the author wants to narrate their own book on audio doesn't mean you should let them. I found it maudlin, faint, cloying, and ultimately book-ruining. Basically the opposite of other great author-narrated books like Florida (Lauren Groff) and Angela's Ashes (Frank McCourt). I'll read it instead.

  • 総合評価
    5 out of 5 stars
  • ナレーション
    5 out of 5 stars
  • ストーリー
    5 out of 5 stars
  • David
  • 2019/06/13

I never write reviews

I never (and I mean never) write reviews, but Vuong's new memoir is so remarkable that I couldn't help myself. This book is as moving and profound as his earlier collections, yet he's managed to blend poetic form and traditional narrative in a way so original and beautiful that you can't help but be held so still by his words.

  • 総合評価
    1 out of 5 stars
  • ナレーション
    1 out of 5 stars
  • ストーリー
    5 out of 5 stars
  • Hope Cohn
  • 2019/09/26

Ocean Vuong Should Not Narrate His Books

The author should not narrate his books. He writes beautifully and while his voice maybe suitable for reading poetry, he speaks in such a monotone, with no variation or inflection, that I found it impossible to listen to the book. What a shame!

  • 総合評価
    5 out of 5 stars
  • ナレーション
    5 out of 5 stars
  • ストーリー
    5 out of 5 stars
  • LJ
  • 2019/06/23

Transforming Shrapnel into Art

Ocean Vuong, a Vietnamese-American writer, has made “art out of the shrapnel” of the Vietnam War. Originally, the author spoke little English in the American city of Hartford. A “yellow” little boy, he tells us, he pieces together a humble life reflecting on how his different appearance matches a different sexual desire. This wanting and longing informs a large portion of the middle section of the book. His writing has a fragile tenacity: the slightest observation is rendered palpable and visceral by his poetic skill which comes at you from so many angles that it is like a gentle assault. An assault that slaps your senses into the power of language to create beauty and reflect on the essential nature of our brief lives. This epistolary novel, a letter to his mother, reflects on his early insecurities, inchoate understanding of his wanting another, the loss of his protective but schizophrenic maternal grandmother, and his mother’s PTSD whose main symptom is her violence against him. There are so many metaphors that provoke reverie, but one moment of the novel revolves around the words, “I’m sorry, “ and I almost wept for the powerless among us. Those who are sold prescription pain killers which are addictive only to be blamed for this or those who work too many hours for too little pay. But when one considers death, then powerlessness would include us all. The glorious resolution of this sorrow is to be seen for one brief moment (a life). This gorgeous prose from a brilliant writer affirms dignity in the power of language to transform shrapnel into art. Bravo!

  • 総合評価
    5 out of 5 stars
  • ナレーション
    5 out of 5 stars
  • ストーリー
    5 out of 5 stars
  • Lauren
  • 2019/06/09

beautiful

will read again and again. language like a tide, cradles and crashes against you. great perspective for writers as well.

  • 総合評価
    5 out of 5 stars
  • ナレーション
    3 out of 5 stars
  • ストーリー
    5 out of 5 stars
  • chris
  • 2019/09/17

Important, crushing and beautifully poetic book

This isn’t an easy story. If you want to feel good, you probably should look elsewhere. If the exploration of intersectionality and the often painful ways that gender, sexuality, race and nationality might impact one’s experience of life is interesting to you, this is well worth the read. Mental illness, trauma and drug abuse are all present in this story. It is difficult to read and it is a crushing and beautifully poetic book. i found the first third required patience and the narration performance wasn’t my favorite. I would probably prefer to read this than listen to it.

  • 総合評価
    3 out of 5 stars
  • ナレーション
    1 out of 5 stars
  • ストーリー
    4 out of 5 stars
  • Joanne
  • 2019/08/18

Only Slightly Gorgeous

Thought what's wrong with me that I didn't love this novel and was relieved when it was finished. But after reading the Audible reviews see that I'm not alone. First the narration is so monotone and whispery. Definitely poetic in form and not typical fiction. Loved a previous reviewers comment that "sometimes a bloody nose is a bloody nose and a glass of milk is just a glass of milk". Also the novel keeps skipping around in time and I wasn't always quite sure where we were. Obviously this is not a feel good novel but that is not the purpose of all literature. War, prejudice, poverty, drug addiction etc., etc. are real and can and should be artfully portrayed. Real life can be heart breaking. Getting a pedicure or eating veal will never be the same.

  • 総合評価
    4 out of 5 stars
  • ナレーション
    4 out of 5 stars
  • ストーリー
    4 out of 5 stars
  • HeyJude
  • 2019/10/15

Deeply introspective...

Poetic in style, disturbing at times, extremely graphic in a necessary way that has its own beauty, effortless prose nearly dreamlike. Definitely complicated. This is an introspective’s telling and as a highly introspective empath, I found myself getting caught up in the emotions that Little Dog expounds on throughout the telling. So dark and haunting, possessing only rarely any joyful experiences... and they’re still draped in a sort of suffering. You ache for these people. You want to rescue them, hold them, tell them to hang on. But in the end what you witness is a sort of insistent strength and resilience. Those who pick this book up will be taken on quite the ride.

  • 総合評価
    4 out of 5 stars
  • ナレーション
    3 out of 5 stars
  • ストーリー
    3 out of 5 stars
  • Andrew
  • 2019/07/15

A strong debut novel

Ocean Vuong's history is in poetry and that certainly shows. The prose is incredibly poetic and emotional, with strong use of imagery and metaphor. Vuong's performance is based in deeply felt emotion, but is one note of generic emotional vulnerability through the entire novel, which can be repetitive and boring. The story is interesting- a long letter from a son to his mother detailing their lives of poverty, abuse, and pain. As a queer Asian American, I relate to the story on a much deeper level than most, but I don't think enjoyment of the story hinges on your sexuality and race. Basically, even if you're straight and white, this is gonna pull at your heart. It's a great first try and I'm looking forward to hearing more from him.