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Hamlet and Macbeth are two of Shakespeare's best-known plays and contain some of the most famous speeches in world literature. These one-act versions of the plays, which were edited by J. P. Crabb (the details of whose life and other works have disappeared into obscurity) retain the significant monologues and dialogues while presenting a streamlined view of the action.

Shakespeare’s history plays fall into two categories: political dramas and propagandistic pageants. The second category is comprised of the two plays in this presentation, Henry V and Henry VIII.

The dead do not sleep in Denmark. Thrice the vision of the suddenly departed king has haunted the night watchmen. Upon seeing his own son, prince Hamlet, the ghost calls him away to divulge most nefarious secret. This most noble king was murdered by his own brother, Hamlet's uncle, who now wears his crown and beds his bride. To the prince he charges with the unholy quest to avenge his death and kill his murderer. Young Hamlet, shocked and amazed, swears to do the bloody deed. Thus begins one of the greatest works by the greatest English author - William Shakespeare.

Never done Shakespeare before? Wondering what's in store? This brief guide gives an overview of acting in Shakespeare's plays. It covers traditions, the use, or non-use, of accents, hints on characterization, learning to speak in iambic pentameter, and so forth. This audiobook includes a bonus chapter of Shakespearean content not found in the e-book.

Pride, justice, and vengeance. Aristocracy and democracy vie for ultimate power over Rome, and each faction violently erupts when Coriolanus takes the political stage. After receiving glorious accolades for taking an enemy city when the plebian soldiers cowered without the gates, the common people find his arrogance and pride offensive. Now, banished from the very city for which he was prepared to lay down his life, he strikes up an unholy alliance with his country's enemies.

In this fascinating study, Anthony J. Lewis argues that it is the hero himself, rejecting a woman he apprehends as a threat, who is love's own worst enemy. Drawing upon classical and Renaissance drama, iconography, and a wide range of traditional and feminist criticism, Lewis demonstrates that in Shakespeare the actions and reactions of hero and heroine are contingent upon social setting - father-son relations, patriarchal restrictions on women, and cultural assumptions about gender-appropriate behavior.

This collection contains the following works: Medea by Sophocles Antigone by Sophocles Agamemnon by Aeschylus Eumenides by Aeschylus The Choephori by Aeschylus The Tragedy of Othello, the Moor of Venice by William Shakespeare The Tragedy of Romeo And Juliet by William Shakespeare The Tragedy of Hamlet, Prince of Denmark by William Shakespeare The Tragedy of Macbeth by William Shakespeare A Midsummer Night's Dream by William Shakespeare The Tragedy of King Lear by William Shakespeare The Tragedy of Antony and Cleopatra by William Shakespeare.

The Tragedy of Julius Caesar is a historical play and tragedy by William Shakespeare, believed to have been written in 1599. It is one of several plays, including Coriolanus and Antony and Cleopatra, that were written by Shakespeare based on true events from Roman history.

Tales From Shakespeare was originally written in 1807 by Charles Lamb and his sister, Mary, as more comprehensible (and enjoyable) versions of the original Shakespearian texts, specifically but not exclusively for children.

The Life and Death of King John was probably written in the 1590s but not published until the First Folio in 1623. Of Shakespeare's 11 history plays, King John is the one which deals with the story of a monarch most removed from Shakespeare's time. The historical remoteness of this ruler, and also the fact that he had no genealogical links with the Tudor dynasty, enabled Shakespeare to present him in a warts and allà fashion.