検索キーワード： "自己啓発" 古代・古典・中世の文学

In a world where social media, online relationships, and relentless self-absorption threaten the very idea of deep and lasting friendships, the search for true friends is more important than ever. In this short book, famous Roman politician and philosopher Cicero offers a compelling guide to finding, keeping, and appreciating friends. With wit and wisdom, Cicero teaches not only how to build friendships but also why they must be a key part of our lives. For, as Cicero says, life without friends is not worth living.

"It takes an entire lifetime to learn how to die", wrote the Roman Stoic philosopher Seneca (c. 4 BC-65 AD). He counseled readers to "study death always", and took his own advice, returning to the subject again and again in all his writings, yet he never treated it in a complete work. How to Die gathers in one volume, for the first time, Seneca's remarkable meditations on death and dying. Edited and translated by James S. Romm, How to Die reveals a provocative thinker who speaks with a startling frankness about the need to accept death or even, under certain conditions, to seek it out.

This is one of the great recordings of a great play. John Gielgud stars as Earnest and Edith Evans gives her indomitable performance as Lady Bracknell in this classic radio recording from 1951.

In the hands of Sophocles, the master dramatist, the anguished tale of a man fated to kill his father and marry his mother retains its power to shock and move beyond any Freudian reference.

In his essay On Anger, the Roman Stoic thinker Seneca argues that anger is the most destructive passion. This splendid new translation of essential selections from On Anger, presented with an enlightening introduction, offers listeners a timeless guide to avoiding and managing anger. Drawing on his great arsenal of rhetoric, including historical examples, anecdotes, quips, and soaring flights of eloquence, Seneca builds his case against anger with mounting intensity.

These three ‘Consolations', written by Seneca to his mother and two friends, have been described as ‘the crowning achievement in the canon of ‘consolation letters'. But sentimental they are not, for they emerge from the writer's deep-seated commitment to Stoicism, where individuals are exhorted to inhabit qualities of virtue, positivity, resilience, and indifference. This recording opens with Seneca's consolatory letter to Marcia, who, after three years, was still mourning the death of her son.

In Much Ado About Nothing, Shakespeare created one of the greatest verbal sparring matches in all of literature, echoes of which can be heard in the sophisticated dialogue of such late masters as George Bernard Shaw and Noel Coward. Throughout the play, would-be lovers Beatrice and Benedick circle each other warily, until their scathing witticisms and sly innuendoes reach a feverish intensity that befits the passionate longing they both vainly seek to deny.

Sir John Falstaff, the lovable rogue, is brought back from his death in Henry V to set this farce in motion. Falstaff (Anthony Quayle), finding himself in need of funds, attempts to seduce 2 wealthy young ladies, Mistress Ford (Joyce Redman) and Mistress Page (June Jago). Alas, the scoundrel's money-making scheme goes awry when he sends the ladies - who are friends - identical love letters. The 2 women retaliate by plotting his downfall - with hilarious results.

The Tempest was the last of Shakespeare's comedies, completed just before he retired to his native Stratford-upon-Avon; perhaps this delightful comedy was intended to signal the playwright's farewell to his beloved theater. The Tempest reflects Shakespeare's mature genius, with its story of innocence tempered by intrigue, hilarity bounded by melancholy. Audiences the world over still thrill to see The Tempest's dark comedy and magical fantasy.

Romeo and Juliet was Shakespeare's first great tragedy, a richly lyrical love story that has long been one of the author's most popular plays for performer and audience alike. Romeo and Juliet is a simple but dramatic cautionary tale about the blindness that both love and hate can engender. As performed by Claire Bloom and Albert Finney, this lively production captures the youthful exuberance and poetic passion that characterize all of Shakespeare's early work.

One of Shakespeare's final works, Cymbeline uses virtuoso theatrical and poetic means to dramatize a story of a marriage endangered by mistrust and painfully rebuilt, in a context of international conflict. This edition emphasizes the play's theatrical impact and pays close attention to its complex, evocative language.

He after honor hunts, I after love. He leaves his friends to dignify them more, I leave myself, my friends and all, for love....

The Comedy of Errors is likely the very first play Shakespeare ever wrote, and for that reason alone it deserves a special place in literary history. Yet, despite the author's lack of maturity, the play is unmistakably the work of a burgeoning master. A farce of a type that was wildly popular in Shakespeare's day, The Comedy of Errors transcends its genre, and is as accessible and as entertaining as any of the Bard's later comedies.

The complete play in five acts.