検索キーワード： ナレーター "Louise Brealey" すべてのカテゴリー

New York City goes by many names - Gotham, Empire City, the City That Never Sleeps - and once served as the capital of America. It came together as we know it in 1898 and has become one of the world's most powerful, most important megacities, shaping art, culture, finance, and media across the globe. This iconic collection of 30 letters smartly explores the history of life in the five boroughs. You'll need more than a New York minute to enjoy it all. 

In Letters of Note: Sex, Shaun Usher collects together some of the most noteworthy missives ever written on the subject, from euphemism-laden, flirtatious exchanges and desire-driven expressions of passion to sincere and thoughtful meditations on the meaning of sex. 

Shaun Usher brings together fascinating correspondence about the universe beyond our planet, containing hopeful thoughts about the future of space travel, awestruck messages penned about the world beyond our own, and celebrations of the human ingenuity that has facilitated our understanding of the cosmos. 

A fascinating new volume of messages about fatherhood, from the author of the best-selling Letters of Note collections. In Letters of Note: Fathers, Shaun Usher collects together remarkable correspondence by and about fathers, including proud parental words of love, advice from experienced dads to new ones, as well as letters from both frustrated and adoring offspring.

Vincent Van Gogh curses the stare of the blank canvas. Salvador Dali contemplates mailing a piece of his "lobster-colored pajamas" to Federico Lorca. Hollis Frampton, to the MoMA, demands that artists be paid. The dean of students at San Francisco Art Institute argues to Alicia McCarthy, in very stern words, that graffiti is not art but, rather, a "pain in the ass". In a letter to the editor, Martin Scorsese defends and celebrates Fellini's filmmaking.

Defeated Cossacks taunt the pompous sultan of the Ottoman Empire. A black corporal beseeches Abraham Lincoln to ensure that his regiment receives proper payment for performing their duties. Mohandas Gandhi urges Adolf Hitler to turn back the tide of war. A suicide bomber in Iraq explains his simple motivation to his family. This poignant collection offers a nuanced and moving look at the act of armed conflict. Each of these 30 remarkable letters sheds light on what it means for us to take up arms against one another and record a piece of that terrible deed.

Verdi writes to his publisher about a man who hated Aida so much that he wants his money back. Keith Richards tells his aunt about bumping into a former schoolmate named Mick Jagger, who also loves Chuck Berry. Yo-Yo Ma wonders whether Leonard Bernstein remembers introducing him onstage as a young boy. A Harvard psychiatrist begs CVS to change their on-hold music. Riffing on their passions and surroundings, the artists and entertainers in this volume candidly reveal the sources of their inspiration, what music means to them, why they create it, and so much more. 

Louise wakes up. Her head aches, her mouth is dry, her memory is fuzzy - but she suspects she’s done something bad. She rolls over toward her husband, Niall. The man who, until recently, made her feel loved. But it’s not Niall lying beside her. In fact, she’s never seen this man before. And he’s not breathing. As Louise desperately struggles to piece her memories back together, it’s clear to Jonah Sheens and his team that she is their prime suspect - though they soon find she’s not the only one with something to hide.

Max and Pip are the strongest couple you know. They're best friends, lovers - unshakable. But then their son gets sick and the doctors put the question of his survival into their hands. For the first time, Max and Pip can't agree. They each want a different future for their son. What if they could have both? A gripping and propulsive exploration of love, marriage, parenthood, and the road not taken, After the End brings one unforgettable family from unimaginable loss to a surprising, satisfying, and redemptive ending and the life they are fated to find.

When her family becomes impoverished after a disastrous financial speculation, Agnes Grey determines to find work as a governess in order to contribute to their meagre income and assert her independence. But Agnes' enthusiasm is swiftly extinguished as she struggles first with the unmanageable Bloomfield children and then with the painful disdain of the haughty Murray family; the only kindness she receives comes from Mr Weston, the sober young curate. 

In an unnamed British city, the virus is spreading, and like everyone else, the celebrated sculptor Edith Harkness retreats inside. She isolates herself in her immense studio, Burntcoat, with Halit, the lover she barely knows. As life outside changes irreparably, inside Burntcoat, Edith and Halit find themselves changed as well: by the histories and responsibilities each carries and bears, by the fears and dangers of the world outside, and by the progressions of their new relationship. 

For 15 years, Lexi and Jake have played the same six numbers with their friends, the Pearsons and the Heathcotes. Over dinner parties, fish & chip suppers and summer barbecues, they’ve discussed the important stuff – the kids, marriages, jobs and houses – and they’ve laughed off their disappointment when they failed to win anything more than a tenner. But then, one Saturday night, the unthinkable happens. There’s a rift in the group. Someone doesn’t tell the truth. And soon after, six numbers come up which change everything forever.

Descriptive copy is not yet available from the publisher.  

Summer is swelling around the village. Heat is surging, people are whispering about a great hungry wave, and in the garden, Anna is kicking her dying dog on the grass. But someone is watching her. The girl. Ava. Outside, the brutal summer blisters on. Inside, over the course of one claustrophobic week, Anna and Ava become caught up in their own world. Become swallowed by each-otherness. But what does Ava really want? As faces fray and secrets splinter, the past casts the present anew, and Anna and Ava are forced to reckon with who they truly are.

1759, Ipswich. Sisters Peggy and Molly Gainsborough are the best of friends and do everything together. They spy on their father as he paints, they rankle their mother as she manages the books, they tear barefoot through the muddy fields that surround their home. But there is another reason they are inseparable: from a young age, Molly has had a tendency to forget who she is, to fall into mental confusion, and Peggy knows instinctively that no one must find out.

Peggy and Molly Gainsborough—the daughters of one of England’s most famous portrait artists of the 1700s and the frequent subject of his work—are best friends. They spy on their father as he paints, rankle their mother as she manages the household, and run barefoot through the muddy fields that surround their home. But there is another reason they are inseparable: from a young age, Molly periodically experiences bouts of mental confusion, even forgetting who she is, and Peggy instinctively knows she must help cover up her sister’s condition.

When a young nanny is found dead in mysterious circumstances, new mom, Tash, is intrigued. She has been searching for a story to launch her career as a freelance journalist. But she has also been searching for something else—new friends to help her navigate motherhood. She sees them at her son’s new playgroup. The other mothers. A group of sleek, sophisticated women who live in a neighborhood of tree-lined avenues and stunning houses. The sort of mothers Tash herself would like to be. When the mothers welcome her into their circle, Tash discovers the kind of life she has always dreamt of.

On a farmstead, a 70-year-old woman falls down outside and, unable to move, is consumed overnight by two of her pigs. It seems like a tragic accident, except the woman was well-known photographer Sophia Bertilak - and inside her house, someone has removed all her photos from their frames, seemingly erasing her past. The first photo Sophia ever took remains her most infamous: a missing girl who was never seen again. Forensic veterinarian Cooper Allen is drafted in for the post-mortem - and slowly becomes obsessed with the victim, her family, and the crimes she brought to light decades ago.

Julia Worthing is a mechanic, working in the Fiction Department at the Ministry of Truth. It’s 1984, and Britain (now called Airstrip One) has long been absorbed into the larger trans-Atlantic nation of Oceania. Oceania has been at war for as long as anyone can remember, and is ruled by an ultra-totalitarian Party, whose leader is a quasi-mythical figure called Big Brother. In short, everything about this world is as it is in Orwell’s 1984.

It is 1685 and England is on the brink of a renewed civil war. King Charles II has died without an heir and his brother James is to take the throne. But the people are bitterly divided, and many do not welcome the new king or his young queen. Ned Ferryman cannot persuade his sister, Alinor, that he is right to return from America with his Pokanoket servant, Rowan, to join the rebel army. Instead, Alinor and her daughter Alys, have been coaxed by the manipulative Livia to save the queen from the coming siege. The rewards are life-changing.