検索キーワード： ナレーター "David Thorpe" すべてのカテゴリー

It’s Christmas in the Chandler household, and as the party gather around the fire, their host Everard recalls a ghostly tale from the previous Christmas in the misty forests of Scotland. 

Despite the all-pervading influence of television an astonishing 90 percent of people in Britain still listen to the radio, clocking up over a billion hours of listening between us every week. In Last Train to Hilversum Charlie Connelly explores the place of radio in our world, taking stock of the history of the medium and celebrating its role as one of the very few genuinely shared national experiences. 

1096. The Pope has called for a crusade to free Jerusalem, and half the warriors of Europe have responded. Among them is the Norman, Count Bohemund, one-time enemy of Byzantium. In company with his warrior nephew, Tancred of Lecce, Bohemund must once more cross the Adriatic to the lands of the Byzantine Empire. His first task, pushing back the infidel Turks, calls for an uneasy alliance with old enemy Emperor Alexius. But can the Crusaders trust the wily Emperor?

Rome has lost its greatest warrior; Aulus Cornelius is dead. Although he is hailed as a hero, the betrayal by cowardly governor Flaminus is not forgotten. Aulus' death has left his sons with grave responsibilities. While Titus swears vengeance against Flaminus, and to become as great a general as his father, Quintus chooses to pursue politics - under the guidance of Lucius Falerius, now the most powerful senator in Rome. Despite his fortune, Lucius is haunted by the prophecy that binds his fate to Aulus'. As he trains his son, Marcellus, he manipulates the Cornelius family to his own ends.

Lucius Falerius is dead, and Rome in its entirety mourns the passing of its most powerful senator. It falls to his son Marcellus to carry out his father's legacy and restore the rights promised to the defeated Sicilian slaves, yet there are those who will not see the honour of Rome compromised and the slaves assuaged. On the Roman border provinces there is trouble, and the legions move north to neutralise the threat posed by the Celts.

Two boys appeal to the famed Roman oracle for a glimpse into their future, and the Sybil draws an omen of death. As they flee from the cave in fear, Aulus and Lucius make an oath of loyalty until death - one that will be tested in the years to come. Thirty years on and Aulus, now Rome's most successful general, faces his toughest battle. Barbarian rebels have captured his wife and are demanding the withdrawal of Roman legions from their land. It is unthinkable for Aulus to agree, and he fears she must be forfeit for Rome.

Thanks to the stratagems of Bohemund de Hauteville, leader of the Apulian Normans, the Crusade has taken the city of Antioch, and just in time. Once the besiegers, Bohemund and his men are about to become the besieged - a huge Turkish-led army, commanded by the fearsome General Kerbogha, is fast approaching. Provisions are desperately needed, but the surrounding countryside is near barren and the storerooms of Antioch much depleted. The Crusaders will not hold out for long without falling prey to starvation.

11th century Italy. The domination of the Normans is causing trouble. At their head is the feared Robert de Hauteville, the 'Guiscard', who has colonised much of Italy and commands the triple Dukedom of the extended Norman family. But Robert has made many enemies, including the ever-powerful papacy in Rome. The newly elected Pope Gregory exercises his vendetta against the Normans by encouraging them to sail to Byzantium and fight the Turks. But first he must deal with the Guiscard.

It is the juiciest piece of gossip the citizens of Norwich have heard for a long time. The ruthless Richard de Fontenel is himself the victim of robbery. In addition to two priceless golden elephants that he was using to lure the beautiful lady Adelaide into marriage, his steward Hermer is also missing. Onto the scene arrive soldier Ralph Delchard and lawyer Gervase Bret who are meant to adjudicate on a land dispute, but they also become involved in the hunt for the thief. But is Hermer the steward really missing or has something altogether more sinister happened?

The story of Albertus is one of displacement (designer Berthold Wolpe was a German Jewish refugee who went on to design the masthead for The Times), but also one of permanence, for it has proved a fresh, vibrant and indestructible face for almost a century. In this unique celebration, the designer's children reveal the history of its creation and erratic brilliance of their father, while the book grapples with one of the fundamental artistic questions: what makes great art not only survive but flourish in each new age and medium?

This quirky and unique book examines how the computer transformed type into something that anyone could use and have an opinion on; how a typeface, correctly used, may sell us almost anything; and how new types with names such as Sunday Flicker, Pinky Stone and Irongate (to name but three out of the hundreds issued this year) each attempt to keep the alphabet exciting and new.

When an inmate is found unresponsive in his high security cell at Belmarsh prison, he's rushed to hospital for treatment. The prisoner is human trafficker and international fixer Tristan Huxley, a man a lot of people have good reason to want dead. But Huxley mysteriously never makes it to the hospital. He may have plenty of enemies but it seems he has some very powerful friends too.

It all began with sheep-stealing. A hateful act among the shepherds of the fells, and yet not a matter of life and death. Then came arson and with the leaping of the flames, death and disorder reached the peaceful moors. Holidaying with his friends the Hoggetts in High Gimmerdale while on a trip to find some farmland for his retirement, Robert Macdonald agrees to help in investigating the identity of the sheep-stealers, before being dragged into a case requiring his full experience as Chief Inspector of Scotland Yard.

When fire destroys their London theatre, Lord Westfield’s players must seek out humbler venues in the countryside. But company manager Nicholas Bracewell is distracted by a shocking tragedy: a mysterious messenger from his native Devon is murdered by poison. Though the messenger is silenced, Nicholas understands what he must do: return to his birthplace and reconcile some unfinished business of the past.

When Nicholas Bracewell finds himself once again in the parlour of his lost love, Anne Hendrik, he was not expecting her entreaties to embroil him in the murder of a beloved choir master. Between tales of cruelty, forgotten maps of London and a butcher determined to rescue his son, it is yet another mystery for the book keeper to untangle. But will his quest endanger Lord Westfield’s Men?

After a calamitous performance and the death of one of their own, Lord Westfield’s Men are more than despondent. So when the mysterious Simon Chaloner follows Nicholas Bracewell home with an offer of a new play, anonymously penned, his offer seems too good to refuse. It is a story of a simple death used to conceal a greater treachery, perhaps even treason. But they could never have known how dangerous one play could be. Or how telling the tale of a murdered mathematician might put them all in jeopardy.

In the tenth installment of this dramatic Elizabethan series, Westfield’s Men are flying high after a celebrated performance of The Insatiate Duke at the Queen’s Head. However, victory is bittersweet as the company is soon faced with dissolution and the loss of their theatre; were it not for one of the company’s rising stars. After acquiring a new benefactor, the company plan to build their own theatre. However, before they have the chance to find out who this guardian angel is, one of the group is found brutally murdered.

Theatre troupe Westfield’s Men take on a new actor, Francis Quilter, after reaching new heights of success. But with the new member brings new trouble. Quilter’s father, Gerard, is on trial for the murder of an enemy, but he denies the charge and Nicholas Bracewell sets about proving his innocence. However, Bracewell’s loyalty to Francis drives a wedge between the players. Who will clear the Quilter family name? On their quest for the truth, they stumble across an unlikely ally, who may just hold the answers they’re looking for.

Winter, Witchcraft and Devilish Deceit. Faced with the austerities of a bitterly cold English winter, the theatre is deserted and Westfield’s Men find themselves out of work. Fortuitously, the company is invited to perform at a country home in Essex; welcome news to the disgruntled players. The company decide it’s the perfect opportunity to trial their new play, The Witch of Colchester. However, when the group’s leading actor begins to fall mysteriously ill, the company fear witchcraft might be involved.

Insurance mathematician Henri Koskinen has just restored order in his life, as well as in the adventure park he now owns, when a man from the past appears—and turns everything upside down again. More problems arise when the park's equipment supplier is taken over by a shady trio: Why won't Suomen Leikki Ltd sell the new Moose Jump to Henri when he needs it for the park's main attraction? At the same time, Henri's relationship with the artist Laura Helanto is reaching a breaking point.