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Vanity Fair is a satirical novel of manners which takes place during, and in the decade after, the battle of Waterloo in 1815. The various scenes in the novel range across Europe and England. It was first published in serial form beginning in 1847. The work is by turns witty, scintillating, brutally realistic, tragic, humorous, and always fascinating. The title of the book stems from Bunyan’s “Pilgrim’s Progress”, where Vanity is a town along the pilgrim’s route, and which holds an eternal fair of the vanities. It is a place where people are ensnared by worldly things.

In volume two, we encounter the further adventures of Don Quixote and Sancho Panza, but without the long, rambling diversions contained in the earlier volume. Each chapter in part two is focused solely on the meandering travels of the famous pair as they make their way through one ridiculous situation after another.  

Volume Two of Dio Cassius brings to a close his sweeping historical work, Roman History. This volume begins with book 50 and the struggle between Octavian and Mark Antony. Octavian's victory is the beginning of the Principate and a new direction in Roman history. Dio takes a prolonged look at the reign of Augustus.

Dio Cassius was a Roman statesman and historian of Greek origin. He published 80 volumes of history on ancient Rome, beginning with the arrival of Aeneas in Italy. The volumes documented the subsequent founding of Rome (753 BC), the formation of the republic (509 BC), and the creation of the empire (31 BC). The history continues until AD 229.

If you had been a court poet during the reign of the Roman emperor Nero, irritating the megalomaniac ruler would not have been wise. And one of the things which would have really angered Nero would have been the effort to write an epic poem about the struggle between Pompey and Caesar in which the noble hero (portrayed by Pompey) was the man who fought to preserve the Republic, and the selfish villain (portrayed by Caesar), the man who destroyed it. Yet Lucan wrote just such a poem.

Book 5 of Mommsen's history of the Roman Republic brings to a conclusion this most magnificent of historical narratives. It begins with the death of Sulla and ends with the accession to power of the greatest and most fascinating Roman of them all, Gaius Julius Caesar.

By the middle of the second century BC, the city of Rome was spiraling toward bankruptcy and moral decay. The generation which had defeated Hannibal and brought the Mediterranean under Roman control had now passed away, even as gold poured in. Hardly a Roman name of any note appears for half a century. The noble Roman has disappeared. The once feared Roman army has become a mere shadow of its former self, and the public have come to accustom themselves to news of shattering defeats.

Book three of Mommsen's history covers the 118 years from 264 to 146 BC, the period in which Rome became the undisputed master of the Mediterranean Basin. How did this happen, and why? Carthage was instrumental in this transformation. With the defeat and expulsion of Pyrrhus in 275 BC, Rome had moved to consolidate its hold over the Italian peninsula, a position it had acquired in a century of almost continuous warfare with Italian tribes.

Book two of Theodore Mommsen's history begins in 509 BC, when the last Roman king was expelled and a republican form of government was formed. Starting here, we trace Rome's political and cultural development under an aristocracy whose puritan fanaticism is legendary. But security from surrounding hostile tribes was of uppermost concern, and the city was constantly at war with one tribe or another. During the fifth century BC, the Republic's energies were directed toward uniting or subduing her neighbors.

The legend of Robin Hood was based on the career of a real outlaw who lived in the forests near Nottingham, England, in the last half of the 12th century. His character has become world famous and is the subject of hundreds of plays, novels, stories, and films. As a man of the people who was a partisan for the lower classes, he also became strongly associated with an anticlerical yet pious Christian attitude, an animosity toward the sheriff of Nottingham, and a special regard toward women, children, and the infirm.

The 19th century witnessed some of the most far-reaching social and political changes in English history. In volume 4, we trace the arc of England's march to worldwide imperial dominance along with the nation's reckoning with her poorest citizens. It is a story of contrast and courage. The contrast is between those with titles, money, and power...and those lacking any or all of these.

Although best known as a lyrical poet, Mörike's brilliant novella about Mozart is one of the most penetrating and revealing studies of the great composer's personality ever written. The story is a work of fiction based on Mozart's actual journey in the fall of 1787 from Vienna to Prague, where he was to stage his new opera Don Giovanni. Mörike takes this historic event and has Mozart and his wife, Konstanze, spend some time during their journey in the company of the fictional family of a certain Count von Schinzberg.

Gregory of Tours was a Gallo-Roman aristocrat and Catholic prelate born in 538. He died 56 years later, in 591, a period in which the brutal Merovingian rulers of the Frankish nation consolidated their power over most of Gaul. Gregory experienced the transition from the dying world of Roman antiquity to the new culture of early medieval Europe. He lived on the border between the Frankish culture of the Merovingians to the north and the Gallo-Roman culture of the south of Gaul. He struggled through personal relations with four Frankish kings.

The Goths are the most enigmatic of all the ancient German tribes. Their name today is still widely in use for a variety of cultural and artistic movements. But unlike other famous German tribes whose names are still descriptive of nations they founded - the Franks, the Lombards, the Angles, the Saxons and the Alemanni - the Goths simply disappeared. The subject of Henry Bradley's splendid short history is tracing the rise, the migrations, and the impact of the Goths on European history along with their spectacular fall.

The Rider on the White Horse is one of the most beautiful stories to emerge from 19th century Germany, as well as being one of the most romantic and most tragic. In this short masterpiece, set in the middle of the 18th century in North Friesland, Theodor Storm exhibits a man's will in conflict with unintelligent conservatism among his fellow men on one side, and with the forces of nature on the other. The figure of dikemaster Hauke Haien emerges from this struggle in starkly outlined character.

Author Margaret Coit's Pulitzer Prize winning biography of John C. Calhoun is a towering accomplishment in the writing of American history, powerful in the fullest sense of the word. This is no bland recital of dates and events. It is a searing, blinding, cascading roller coaster of emotional, spiritual, intellectual, and above all, human, history.

Conrad’s Lord Jim is the iconic story of a romantic young man and his struggle with guilt and self-loathing. The novel begins with Jim’s earlier life as a ship’s officer. He and the other crew members abandon an imperiled vessel and its passengers after a mysterious collision reveals a dangerous bulge below the water line. But the ship does not sink and Jim survives to face an official inquiry. He is stripped of his license and faces universal scorn and the reality of his own guilt.

Ferdinand Lot (1866-1952) was one of the great historians of his generation, and the transition from Roman to Medieval civilization was a process that fascinated him most of his life. Rather than placing the emphasis for Rome’s fall on purely political or military reasons, Lot put forth multiple explanations for the birth of the Middle Ages which embrace not only politics and war, but linguistic, geographic, cultural, social and economic factors.

Widely considered the greatest of Conan Doyle’s Sherlock Holmes stories, The Hound of the Baskervilles was originally serialized in The Strand Magazine from August 1901 to April 1902. It is the third of only four short novels Doyle wrote about his super sleuth. Set largely on Dartmoor in Devon in England's West Country, it is the gloom-enshrouded story of murder inspired by the family legend of a gigantic, demonic hound of supernatural origin.

In Volume Three, Gibbon picks up his story with the chaotic events following the retreat of the Eastern Roman Empire from the Italian peninsula in the seventh century. As the German conquerors settle into the new territories they took from the old Roman Empire, Islam suddenly emerges on the Arabian peninsula and sweeps across North Africa and into Spain. Muslim forces move north and threaten Constantinople itself.