検索キーワード： ナレーター "Annie Q" すべてのカテゴリー

Aria Tang West thought she'd be spending one last summer on Martha's Vineyard with her friends before starting MIT in the fall, where she intends to study astronomy, like her late grandfather. But after topless photos of her are posted online, she's abruptly uninvited from her friends' summer homes. Aria's parents, a writer and opera singer with plans of their own, send Aria to stay with her artist grandmother, Joan West, in Northern California. Although Aria has never been attracted to girls before, she finds herself drawn to Joan's gardener, Steph Nichols.

Aria Tang West was looking forward to a summer on Martha’s Vineyard with her best friends—one last round of sand and sun before college. But after a graduation party goes wrong, Aria’s parents exile her to California to stay with her grandmother, artist Joan West....

Vampires and merpeople, angels and demons—the stories in this anthology imagine worlds where the only thing more powerful than the supernatural, is love. A girl in a graveyard goes on an unexpected date, a shipwrecked sailor makes a connection on a forbidden island, a piano melody summons a soul mate. Creatures of folktales and legend, of land and sea, of centuries past and life after life, all wrapped into one spellbinding compendium. Once you sink into its story, it’ll never let you go. 

Newly minted professional matchmaker Sophie Go has returned to Toronto, her hometown, after spending three years in Shanghai. Her job is made quite difficult, however, when she is revealed as a fraud—she never actually graduated from matchmaking school. In a competitive market like Toronto, no one wants to take a chance on an inexperienced and unaccredited matchmaker, and soon Sophie becomes an outcast.

From the National Book Award “5 Under 35” honoree and author of Bestiary comes startling stories that center the bodies, memories, myths, and relationships of Asian American women. In “Auntland,” a steady stream of aunts adjust to American life by sneaking surreptitious kisses from women at temple, buying tubs of vanilla ice cream to prepare for citizenship tests, and hatching plans to name their daughters “Dog.” In “The Chorus of Dead Cousins,” ghost-cousins cross space, seas, and skies to haunt their live-cousin, wife to a storm chaser.

When cosmetics mogul Billie rolls down her town car window and offers Lily a ride home from a glitzy Manhattan gala, Lily figures this could be a useful professional connection. She’s heard of Billie’s storied rise as a business titan, the product of white New England privilege and one of the few queer women in a corner suite. Billie could be just the jolt Lily needs to manifest her next step.

The Demon Gods have risen. Skies’ End has fallen to the colonizers. And Lan and Zen have chosen sides. But they will not fight together. Though Lan inherited the power of the Silver Dragon, she understands the path she must take. She believes the Demon Gods to be the cause of war, conflict, and turmoil, and that the future of the Last Kingdom depends on their being eliminated forever. Worse, she knows that if the Elantians manage to bind one of the legendary beings, their army will be unstoppable. 

For the past five decades Ms. has been the nation’s most influential source of feminist ideas, and it remains at the forefront of feminism today, affecting thought and culture with a younger-than-ever readership (ages 16-20!). Here are essays, profiles, conversations with and features by: Alice Walker, Cynthia Enloe, Pauli Murray, Nancy Pelosi, bell hooks, Eleanor Holmes Norton, Brittney Cooper, and Joy Harjo, as well as fiction and poetry by Toni Morrison, Joyce Carol Oates, Adrienne Rich, Rita Dove, and Sharon Olds, and many others.

Best friends Anita and Rainie find refuge by an old sycamore tree with its neighboring lot of stray dogs who have a mysterious ability to communicate with humans. The girls learn that they are preceded by generations of dog-headed women and woman-headed dogs whose bloodlines bind them together. Anita convinces Rainie to become a dog with her, tying a collar of red string around each of their necks to preserve their kinship forever. But when the two girls are separated, Anita sinks into a dreamworld that only Rainie knows how to rescue her from.

From first breakups and romantic vampire encounters to last band performances and the deadly end of a friendship, Firsts and Lasts is an anthology that is just as unpredictable as being a teenager. While each of these stories span different genres and styles, they all perfectly capture the big emotions—confusion, joy, uneasiness, and anticipation—that many teens experience as they grow up.

Zeus, Athena, Apollo, Aphrodite, and the other denizens of Mount Olympus feel almost as present and larger than life today as they did when they were worshipped as gods. Humanity has been telling and retelling stories about the characters from Greek and Roman myth for centuries—heck, the Romans liked the Hellenic originals so much, they remade them faster than Marvel remakes Spider-Man movies. And from Virgil's Aeneid to Xena: Warrior Princess to Percy Jackson to The Song of Achilles, the obsession has never waned.

Clifford Island. When Willow Stone finds these words written on the floor of her deceased son’s bedroom, she’s perplexed. She’s never heard of it before, but soon learns it’s a tiny island off Wisconsin’s Door County peninsula, 200 miles from Willow’s home. Why would her son write this on his floor? Determined to find answers, Willow sets out for the island. After a few days on Clifford, Willow realizes: This place is not normal. Everyone seems to be stuck in a particular day in 1994.

Kathleen Cheng has blown up her life. She’s gone through a humiliating breakup, dropped out of her graduate program, and left everything behind. Now she’s back in her childhood home in Oakland, wondering what’s next. To her surprise, her mother isn’t the same person Kathleen remembers. No longer depressed or desperate to return to China, the new Marissa Cheng is sporty, perky, and has been transformed by love. Kathleen thought she’d be planning her own wedding, but instead finds herself helping her mother plan hers—to a Silicon Valley tech entrepreneur.

As shamans, Winnie Zeng and her archnemesis, David Zuo, have accepted their roles in guarding the world from evil spirits. But with Halloween around the corner, the balance between realms grows fragile—and so yet another shaman is assigned to help Winnie and David protect the town of Groton, Michigan. The catch? The new shaman is just the worst.

Once, Lan had a different name. Now, she goes by the one the Elantian colonizers gave her when they invaded her kingdom, killed her mother, and outlawed her people’s magic. She spends her nights as a songgirl in Haak’gong, a city transformed by the conquerors, and spends her days scavenging for remnants of the past. For anything that might help her understand the strange mark burned into her arm by her mother, in her last act before she died.

Lan spends her nights as a songgirl in Haak’gong, a city transformed by the Elantian colonizers. Her days are consumed by the search for knowledge about the strange mark—an untranslatable Hin character—burned into her arm by her mother in her last act before she died. Zen is a practitioner—one of the fabled magicians of the Last Kingdom. He’s never seen anything like Lan’s mark, but he knows that if there are answers, they lie deep in the pine forests and misty mountains of the Last Kingdom, with an order of practitioning masters planning to overthrow the Elantian regime.

Nan was all the family Mo ever needed. But suddenly she’s gone, and Mo finds herself in foster care after her uncle decides she’s not worth sticking around for. Nan left her a notebook and advised her to get a hobby, like ferret racing or palm reading. But how could a hobby fix anything in her newly topsy-turvy life? Then Mo finds a handmade cookbook filled with someone else’s family recipes. Even though Nan never cooked, Mo can’t tear her eyes away. Not so much from the recipes, but the stories attached to them.

In the room beneath a stage's trapdoor, Shakespeare’s dead teenage girls compare their experiences and retell the stories of their lives, their loves, and their fates in their own words. Bestselling author Joy McCullough offers a brilliant testament to how young women can support each other and reclaim their stories in the aftermath of trauma.