検索キーワード： 著者 "Charlotte Perkins Gilman" すべてのカテゴリー

A woman and her husband rent a summer house, but what should be a restful getaway turns into a suffocating psychological battle. This chilling account of postpartum depression and a husband's controlling behaviour in the guise of treatment will leave you breathless.

The Yellow Wallpaper by Charlotte Perkins Gilman is a haunting psychological short story that explores isolation, mental health, and the constraints placed on women in the 19th century. Through the unsettling diary of a woman confined to a room with disturbing yellow wallpaper, Gilman crafts a chilling descent into obsession that remains one of the most powerful feminist works in American literature.

Contents: - Washington Irving. The Legend of Sleepy Hollow - Edgar Allan Poe. The Gold Bug - Herman Melville. Bartleby, the Scrivener - Bret Harte. The Luck of Roaring Camp - Leo Tolstoy. The Death of Ivan Ilyich - Fyodor Dostoevsky. The Dream of a Ridiculous Man - Rudyard Kipling. Rikki-Tikki-Tavi - Charlotte Perkins Gilman. The Yellow Wallpaper - Anton Chekhov. The Lady with the Dog - D.H. Lawrence. The Prussian Officer - James Joyce. Araby - Ivan Turgenev. First Love.

Charlotte Perkins Gilman (1860–1935) è stata una scrittrice, saggista e attivista statunitense, figura di spicco del femminismo americano.Critica nei confronti delle strutture patriarcali, sosteneva l'indipendenza economica delle donne, la riforma della famiglia tradizionale e una visione sociale più equa. I suoi racconti spesso uniscono satira, critica sociale ed elementi fantastici o psicologici.

In Herland, Charlotte Perkins Gilman imagines a hidden utopia untouched by men for over two thousand years—an all-female society flourishing in peace, cooperation, and innovation. When three curious male explorers—Vandyck Jennings, Terry Nicholson, and Jeff Margrave—stumble upon this mysterious land, their expectations are upended by a civilization that thrives without war, dominance, or patriarchy.

The Ultimate Classics Collection: Volume Four is the fourth instalment of our wide-ranging classic collections. Volume Four features 12 timeless works that largely focuses on the greats of American and British literature, with novels from Charles Dickens, Edith Wharton, Thomas Hardy, Victor Hugo, and others. Read by a cast of incredible narrators including Miranda Raison, Pearl Mackie, Adam Sims, David Rintoul, and more, this is a chance to expand your listening with some of the greatest authors of all time.

The American Classics Collection: Volume II is a century-spanning collection of 15 classic novels, short stories, essay, and poetry by American authors, read by a cast of incredible narrators including Adam Sims; Nathan Osgood; Robert G. Slade; Jonathan Keeble, Katherine Fenton; and more. Included here are stories by some of the greatest writers of all time, including Herman Melville; Upton Sinclair; Mark Twain; Walt Whitman; F. Scott Fitzgerald; Thornton Wilder; Edith Wharton; Jack London; amongst a host of others.

In What Diantha Did, Charlotte Perkins Gilman invites us to explore a pivotal moment in history, shedding light on the tireless efforts of women to improve their circumstances in the early 20th century. Diantha Bell is an ordinary young woman with aspirations for marriage and a cozy home, yet she also yearns for a groundbreaking career in a new frontier that raises eyebrows and stirs gossip. Her mission to elevate housework and cooking into a regulated and even scientific enterprise aims to ease the burdens of homemakers, reflecting the late 19th-century movement towards Domestic Science, or ...

In the thrilling conclusion of the feminist trilogy that began with Moving the Mountain and Herland, we delve deeper into the captivating world created by Charlotte Perkins Gilman. Originally published serially in her periodical, The Forerunner, this story picks up as Vandyck Jennings and his wife, Ellador, return to America after their eye-opening experiences in the all-female utopia of Herland. In this new chapter, we explore the challenges and revelations they face as they reintegrate into a society that starkly contrasts with the harmonious world they left behind. Join us as we witness ...

This story is primarily crafted for young women, followed by young men, and ultimately for anyone who seeks to understand its message. Those who question its facts and figures are encouraged to consult Social Diseases and Marriage by Dr. Prince Morrow or Hygiene and Morality by Miss Lavinia Dock, a seasoned nurse with extensive experience. While some may argue that the challenging truths revealed are unsuitable for young girls, it is precisely these young women who must be informed to safeguard themselves and future generations. Awareness of danger is vital before it becomes too late to act. ...

Moving the Mountain is a groundbreaking feminist utopian novel by Charlotte Perkins Gilman, first published in her periodical The Forerunner and later as a book in 1911. This work is a significant contribution to the wave of utopian and dystopian literature that emerged in the late nineteenth and early twentieth centuries. As the first entry in Gilmans utopian trilogy, it sets the stage for her subsequent works, including the renowned Herland (1915) and its sequel, With Her in Ourland (1916). The story follows John Robertson, who, after being lost in Tibet for thirty years, returns to a ...

Herland is a captivating utopian novel from 1915, crafted by the visionary feminist Charlotte Perkins Gilman. This intriguing narrative unfolds in a secluded society composed exclusively of women who reproduce through parthenogenesis, leading to an idyllic social order devoid of war, conflict, and oppression. Originally serialized in Gilmans own magazine, Forerunner, this thought-provoking tale invites readers to explore a world where harmony reigns supreme.

Este maravilloso relato, escrito por la autora norteamericana Charlotte Perkins, nos cuenta, a través de la forma del diario de una mujer, la historia de su matrimonio, la maternidad y la recuperación de una enfermedad que adolece en una peculiar casa de campo, donde día a día ingresará en otra realidad. El simbolismo y los sucesos de corte psiquiátrico son precisos para conectar la obra con un lado de la realidad que no debe ser ignorado.

Art and life. Each the mirror of the other. This then is the classic definition of what ‘Realism’ as a writing form really is. Some might call it a fancy term for the mundane day to day pursuits but in the hands of an author it comes alive. We are drawn into characters and landscapes that we can empathize with, we can, metaphorically speaking, help shoulder their burden, be on the long trail with them whatever the landscapes, the hurdles, incidents and other people may place in their literary way.

Mental illness though can still carry a stigma. A case of ‘you’re not trying hard enough’, ‘or knuckling down and getting on with it’. But in more recent decades mental issues have come to be recognised as an illness, a disease rather than an affliction. We all remember horror stories of lobotomy’s and electric shock being used to ‘cure’ what society viewed as anti-social behaviour but illness, mental or physical is very real. Depression, schizophrenia, breakdown, psychosis are alarming events to have or to witness.

With Her in Ourland: Sequel to Herland is a feminist novel and sociological commentary written by Charlotte Perkins Gilman. The novel is a follow-up and sequel to Herland (1915), and picks up immediately following the events of Herland, with Terry, Van, and Ellador traveling from Herland to "Ourland" (the contemporary 1915-16 world). The majority of the novel follows Van and Ellador's travels throughout the world, and particularly the United States, with Van curating their explorations through the then-modern world, while Ellador offers her commentary and "prescriptions".

On the eve of the First World War, sociology student Vandyck Jennings goes on an expedition with two of his friends to search for a society rumored to consist only of women. On the way to what they will name “Herland,” Van and his friends ponder the type of women they hope or expect to see when they get there … but they find no fantasies when they arrive. Herland is an all-female, community-driven utopia. Van and his friends are skeptical of a society that doesn’t even need men to procreate, but women and girls who live there have been raised in a world removed the patriarchy of the world.

Presented here are three of the most important feminist novels ever written: Mrs. Dalloway by Virginia Woolf, The Yellow Wallpaper by Charlotte Perkins Gilman, and The Awakening by Kate Chopin. Each of these works is an early groundbreaking piece of fiction from some of literature's finest female writers as they explore life, love, and the struggle of women to find their voices in a time where they were too often silenced and suppressed.

The Crux is the story of group of women who move from New England to Colorado in order to run a boardinghouse for men. One of these women, the young Vivian Lane, falls in love with a man who has both gonorrhea and syphilis. It then falls to Vivian, when she learns of his illnesses, to decide whether she should marry and have children with this man. She is torn between her own heart and the “duty” of motherhood, as one doctor in the novel puts it, to have children with a healthy father.

The Yellow Wallpaper is a short story of extraordinary power, exploring issues of mental health, the role of women in society, and the oppressive nature of the patriarchy. Told in the first person, the story follows the plight of a woman confined by her husband in a small room in an old mansion—ostensibly for her own good. As her boredom increases and her sanity deteriorates, she becomes fixated on the wallpaper in the room, the yellow design of which includes an image of a trapped woman.