検索キーワード： ナレーター "Mark Young" すべてのカテゴリー

The Bell-Tower appeared in 1855 in Putnam's Monthly Magazine no. 32 (August). In the south of Europe, nigh a once frescoed capital, now with dank mould cankering its bloom, central in a plain, stands what, at distance, seems the black mossed stump of some immeasurable pine, fallen, in forgotten days, with Anak and the Titan.

"The Lightning-Rod Man" appeared in 1854, in Putnam's Monthly Magazine no. 20 (August). What grand irregular thunder, thought I, standing on my hearthstone among the Acroceraunian hills, as the scattered bolts boomed overhead and crashed down among the valleys, every bolt followed by zigzag irradiations, and swift slants of sharp rain, which audibly rang, like a charge of spear-points, on my low shingled roof. I suppose, though, that the mountains hereabouts break and churn up the thunder, so that it is far more glorious here than on the plain. Hark! - some one at the door.

"The Encantadas, or Enchanted Isles" is a novella by American author Herman Melville. First published in Putnam's Magazine in 1854, it consists of ten philosophical "Sketches" on the Encantadas, or Galápagos Islands. An anonymous narrator unites the ten disparate "Sketches", each of which begin with a few lines of poetry, mostly taken from Edmund Spenser's The Faerie Queene. All of the stories are replete with symbolism reinforcing the cruelty of life on the Encantadas.

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The Escape is a short story by Katherine Mansfield. It was published in Bliss and Other Stories. It was his fault, wholly and solely his fault, that they had missed the train. What if the idiotic hotel people had refused to produce the bill? Wasn’t that simply because he hadn’t impressed upon the waiter at lunch that they must have it by two o’clock? Any other man would have sat there and refused to move until they handed it over.

"Bartleby, the Scrivener: A Story of Wall Street" is a short story by the American writer Herman Melville, first serialized anonymously in two parts in the November and December 1853 issues of Putnam's Magazine.

The Piazza published by Herman Melville in 1856. The sketch describes Melville's farmhouse, called Arrowhead, in Pittsfield, Mass. Supposedly, the other tales in the collection, including Bartleby the Scrivener and Benito Cereno, were narrated on the piazza of the farmhouse.

The Piazza Tales is a collection of six short stories by American writer Herman Melville, published by Dix & Edwards in the United States in May 1856 and in Britain in June. Except for the newly written title story, "The Piazza," all of the stories had appeared in Putnam's Monthly between 1853 and 1855. The collection includes what has long been regarded as three of Melville's most important achievements in the genre of short fiction, "Bartleby, the Scrivener," "Benito Cereno," and "The Encantadas," his sketches of the Galápagos Islands.

In this book, Dr. Mark Young takes you through the complexities of neuroscience and consumer response to demonstrate how they are applied in common scenarios with real examples from the advertising world. HYPNO-TI$ING is a blend of hypnosis and advertising that explains how you can improve the outcomes of your advertising campaigns and change the playing field to your advantage.

Sherlock Holmes is handed a blackmail case shortly before Christmas. Usurer Jacob Marley must pay 10,000 pounds if he wishes to avoid any damages. Holmes and Watson get to work on the investigation.

This is the first collection of strange stories by contemporary writer Mark Samuels. The themes that thread through these nine accomplished stories are drawn from the great tradition of the twentieth-century weird tale, and they are suffused with a distinctly cosmopolitan European feel. Mark Samuels writes about the fundamental fears of modern life, especially the effects of isolation and the dislocation that city dwellers can experience in their inhospitable, man-made environment.

Samuel Miller discovered the photograph tucked away in the back of his father's wallet. The hospital had given it to him along with the other items the old man had been carrying when he had been admitted.

'I think that love is best left to the young,' Donna said. 'I expect that one day it will be viewed by psychiatrists as a mental health problem rather than anything wonderful or spiritual.

Most people seem to consider Nina Monkman to be a self-assured, confident young woman, but I have known her long enough to realise that this is not quite the truth.

Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality modern editions that are true to the original work.

The themes that thread through these nine accomplished stories are drawn from the great tradition of the twentieth-century weird tale, and they are suffused with a distinctly cosmopolitan European feel. Vrolyck: I had been living in a cramped apartment out in the suburbs to the south of the city. The apartment overlooked a dingy street, invariably strewn with rubbish due to its preponderance of fast food outlets. Amongst these shabby establishments was a café which remained open for twenty-four hours a day, seven days a week.

The themes that thread through these nine accomplished stories are drawn from the great tradition of the twentieth-century weird tale, and they are suffused with a distinctly cosmopolitan European feel. The White Hands: You may recall Alfred Muswell, he whom devotees of the weird tale will know as the author of numerous articles on the subject of literary ghost stories but who died in relative obscurity just over a year ago.

Mankind in the Making (1903) is H.G. Wells's sequel to Anticipations (1901). Mankind in the Making analyzes the "process" of "man's making," i.e. "the great complex of circumstances which mould the vague possibilities of the average child into the reality of the citizen of the modern state." Taking an aggressive tone in criticizing many aspects of contemporary institutions, Wells proposed a doctrine he called "New Republicanism," which "tests all things by their effect upon the evolution of man.

The tape came off the first reel, threaded its way through the guides and heads, and flapped uselessly, rhythmically, as the full spool continued to turn.

The five stories that made up R.B. Russell's debut collection, Putting the Pieces in Place, were described on first publication as demonstrating 'a subtle mastery of the macabre. Enigmatic and enticing, they combine a pleasing respect for the great tradition of supernatural fiction with a chilling contemporary European resonance.'