検索キーワード： 著者 "Wilkie Collins" すべてのカテゴリー

"La donna in bianco" è il capolavoro di Wilkie Collins, amico e collaboratore di Charles Dickens. Quest'opera è uno dei romanzi più apprezzati nella letteratura inglese, ed è entrato a far parte dei migliori cento romanzi gialli di tutti i tempi, classifica della Crime Writers Association. La particolare forma narrativa, la caleidoscopica presentazione della vicenda, ripresa dai diversi punti di vista dei protagonisti e dei testimoni degli avvenimenti delittuosi, rappresenta un unicum nel suo genere.

Questo romanzo viene considerato il primo romanzo giallo della storia, oltre che il migliore, secondo T.S. Eliot. Nel 1987 il critico inglese Keating ha inserito "The Moonstone" nella lista dei 100 migliori gialli letterari. Scritto nel 1868 a puntate è un appassionante romanzo a più voci in cui si narra di un prezioso gioiello andato perso e dell'onore di una ragazza che rischia di essere macchiato.

Hier versammeln sich Geister jeder Art: geheimnisvolle Erscheinungen, furchteinflößende Gespenster, aber auch mitleiderregende Überbleibsel vergangener Zeiten. So erzählt Edgar Allan Poe gruselig von den unheimlichen Ereignissen im "Hause Usher". Ein mysteriöser "Horla" treibt Guy de Maupassants Protagonisten in den Wahnsinn. Ludwig Bechstein berichtet vom "Fliegenden Holländer", dessen Geisterschiff zum ewigen Umherirren auf den Meeren verdammt ist.

Isaac träumt von einer Frau: Sie steht am Fußende seines Bettes mit erhobenem Messer, um ihn zu erstechen. Jahre später heiratet er - doch die Ehe wird nicht glücklich. Eines Nachts erwacht er, und seine Frau droht ihn zu erstechen...

A collection of short stories from such favorites as Wilkie Collins, Sir Arthur Conan Doyle, and Rudyard Kipling are joined by others written anonymously in this anthology which will have you scratching your head and listening just a bit longer to discover the key to the mysteries.

“Wake up! Wake up, there! Murder!” A hostler spits out these vehement words while he turbulently sleeps. He is haunted by a phantasm. It is a phantasm with a droop in the left eye, long flaxen hair, and a long buckhorn clasp knife.

The world's greatest classics retold for children. Rachel opened the box and lifted out the diamond. She held it up in a ray of sunlight that poured through the window and cried out in amazement. When Rachel Verinder inherits the Moonstone from her uncle on her 18th birthday, the wonderful jewel is intended to make her rich and happy. So why is her mother so worried about this valuable gift? Rachel seems very fond of her cousin Franklin Blake. When trouble strikes, why does she refuse his help? What has he done to offend her?

A strange figure stood in front of him, dressed from head to foot in white clothing. The moonlight showed her pale, youthful face. When Walter Hartright meets the woman in white, it is the start of an exciting and dangerous adventure. Who is she and what does she want? At first Walter is happy at Limmeridge House, teaching painting and drawing to Laura Fairlie and Marian Halcombe, but a wicked plot soon threatens to destroy the woman he loves.

Mary and George love each other in early childhood, but George's father tears them apart, not believing that Mary, a bailiff's daughter, will be a fit match for his son. The family travel to America to pursue the father's dream of wealth. During George's absence, Mary moves to Scotland and, in order to survive, is forced into a marriage of convenience. George returns after 10 years to search for his promised bride and becomes obsessed and infatuated with a Mrs Van Brandt. Is the pursuit beginning to affect his sanity?

Mr. Reuben Wray, a retired actor who has had little public success, flees Stratford-upon-Avon fearing pursuit by the police. He arrives in Tidbury in the Marsh and sets up shop teaching elocution. Two local villains notice he carries a rather large cash box and attempt to steal the contents. When their plans come to naught and they exact their revenge Mr. Wray is left devastated and it takes Annie, his granddaughter, and her intended, Martin, to rectify the situation.

Richard Wardour leaves England on a voyage to the African coast under the impression he is engaged to delicate orphan Clara Burnham. Despite sending him a letter stating the contrary Clara is anxious for her honour. She is aware that he may not have received the missive and is now betrothed to another, Frank Aldersley. When Richard returns and is refused, he immediately sets sail on an expedition to the Arctic, unaware that in the same party is Clara's accepted lover.

Charles Dickens once again gathers his favourite storytellers around him and 'conducts' the story of 'The Wreck of the Golden Mary'. Dickens leads, Percy Fitzgerald, Harriet Parr, Adelaide Anne Procter, and others follow....

On Christmas Eve, a party of friends descends on a purportedly haunted country retreat, charged with the task of discovering evidence of the supernatural. Sequestered in their rooms for the holiday, the friends reconvene on Twelfth Night at a great feast and share their stories of spectral encounters.

Upon inheriting the Moonstone, a huge and priceless diamond, Rachel Verinder's delight turns to dismay when the gem suddenly disappears. But this is no ordinary theft. Sergeant Cuff of Scotland Yard is called in and immediately suspects an intricate plot. However, not even his powers of detection can penetrate fully the mysteries surrounding the diamond.

The human form is familiar to all of us. We like limbs connected to bodies. Writers of the dark and macabre are not too concerned if that remains the case. Indeed limbs, or rather pieces of the body, sometimes are best written about when not connected. It’s one of our greatest fears. It quite rightly riddles us with a very unsettling feeling. So why then do we turn the page? We’re about to find out.

We love control. The ability to predict and organise our lives as we want them. As we desire them. It’s quite a shock, then, when phantoms, ghouls and ghosts play their part, too. They don’t play by our rules. Our welfare is not their concern. They will do as they wish. And they have very vivid imaginations - way beyond the dictionary definition: Phantom. Noun. Something apparently seen, heard or sensed but having no physical reality. An image that appears only in the mind; an illusion. A model, especially a transparent one, of the human body or of any of its parts.

We sit. We lie. We wait. We are examined. We are left alone. Emotions fritter. The door reopens. The face. Is it tinged with sadness or reassuring and open? The words. Are they easy to comprehend? Is it good news or bad? We can answer that. It’s bad. Undeniably bad. None of our authors have good news for you. The diagnosis? You already know that. Death.

Our greatest fears are of the unknown. Usually we think those fears are in front of us...or behind us. But perhaps the human body itself holds the greatest horror. What happens after death? Do our bodies have a new existence either in whole...or part? Will others seek to claim them and do unspeakable things? We don’t know. But our authors do. And they have the talents and wits to make these diabolical stories vehicles for horror, for terror, for the unimaginable....

A series of BBC Radio short stories, comprised of classic and period dramas featuring four female sleuths to rival Sherlock Holmes himself. 'The Redhill Sisterhood' by Catherine Louisa Pirkis, 'Mr Bovey’s Unexpected Will' by L. T. Meade and Robert Eustace, 'The Golden Slipper' by Anna Katharine Green and 'The Law and the Lady' by Wilkie Collins. Starring Gayanne Potter as Loveday Brooke, Elizabeth Conboy as Florence Cusack, Teresa Gallagher as Violet Strange and Abigail Docherty as Valeria Woodville.

Published 10 years after Collins’s most popular novel The Woman in White, Man and Wife centres on the confused and inequitable marriage laws of 19th-century Britain, reflecting the author’s own antipathy toward the institution. The plot follows the fortunes of a woman who, committed to marriage with one man, comes to believe that she may have inadvertently married his friend, according to the archaic laws of Scotland and Ireland.