検索キーワード： ナレーター "Peter Joyce" すべてのカテゴリー

Set 20 years after the events of the Riftwar, Prince of the Blood follows the adventures of Prince Arutha's sons in the dangerously unstable Great Empire of Kesh. Twenty years have passed since the end of the Riftwar. Prince Borric con Doin and his twin brother Erland have been summoned back to their father's court in Krondor. Prince Arutha has decided he needs to tame his spirited progeny and teach them statecraft and responsibility.

The vile sorcerer Sidi plans to strike the kingdom a fatal blow, setting the murderous pirate Bear upon the high seas in pursuit of the vessel that is transporting Midkemia's most holy object: the Tear of the Gods. From this miraculous stone all magic power is believed to flow. And if the Tear becomes the mage's trinket, the future will hold only terror, death, and unending night.

The RiftWar is done. But a fearsome army of trolls and renegade humans, emboldened by the drug of destruction, has risen in strength from the ashes of defeat. There is one, however, who defies the call to battle....

A collection of short... stories by W W Jacobs. Serpents, skinflints, skivers, suitors and sundry sailors take the foreground in these stories about the East End of London and the mythical village of Claybury at the turn of the century.

David Herbert... Lawrence was born into a mining family in Nottinghamshire in 1885. He created his finest work shortly after the finish of the First World War. Two of the themes in his writing are the gradual disintegration of the class system and the customs and sexual mores of people across class divisions. What made Lawrence unusual was the combination of this subject matter with the style of his direct, modern prose.

It is 1919 shortly after the termination of the 1st European holocaust. Henry Earlforward, a middle aged North London Bookseller, courts and marries Violet Arb, a widow who has inherited the confectioners shop opposite his own premises in Riceyman Square. Henry and Violet engage the services of Elsie as ‘charwoman’.

This is Volume one of the greatest romantic narrative novel of the early 19th Century. John Halifax, Gentleman, tells the story of an orphan boy whose first words in the story are “Sir, I want work; may I earn a penny?” By hard work, diligent study and an unshakeable faith in his God John attains wealth and happiness, despite much hardship and heartbreak throughout his life.

This is Volume Five of the greatest romantic narrative novel of the early 19th century. John Halifax, Gentleman, tells the story of an orphan boy whose first words in the story are “Sir, I want work; may I earn a penny?” By hard work, diligent study and an unshakeable faith in his God John attains wealth and happiness, despite much hardship and heartbreak throughout his life. The story chronicles the class movement of the time and gives us a remarkable description of social, political, and industrial change.

Once upon a... time there was a marvellous land of Snergs. Miss Watkyns, a teacher who loved children, lived there. Just over the river lived Golithos, a not so friendly giant, who also loved children – with a lot of salt! He had a friend called Mother Meldrum, the wickedest witch that ever lived. When Sylvia and Joe run away for a big adventure their lives are in deadly peril when they fall into the clutches of these two evil characters.

This is Volume Two of the greatest romantic narrative novel of the early 19th century. John Halifax, Gentleman, tells the story of an orphan boy whose first words in the story are “Sir, I want work; may I earn a penny?” By hard work, diligent study and an unshakeable faith in his God, John attains wealth and happiness, despite much hardship and heartbreak throughout his life. The story chronicles the class movement of the time and gives us a remarkable description of social, political, and industrial change.

Ludwig Horace Holly, a Cambridge professor, travels to Africa with his adopted son Leo to investigate the death of Kallicrates, Leo’s ancestor, who was murdered by an unknown woman centuries before.They encounter the Amahagger, a fierce tribe of cannibals who live in the caves of Kôr, a huge burial ground of an ancient civilisation decimated by plague

This is Volume Four of the greatest romantic narrative novel of the early 19th century. John Halifax, Gentleman, tells the story of an orphan boy whose first words in the story are “Sir, I want work; may I earn a penny?” By hard work, diligent study and an unshakeable faith in his God John attains wealth and happiness, despite much hardship and heartbreak throughout his life. The story chronicles the class movement of the time and gives us a remarkable description of social, political, and industrial change.

Dr. Wortle's School... is Trollope's most merciless attack on the false moralising and hypocrisy of the Victorian age. When Dr. Wortle, in good faith, hires a couple as teacher and matron at his school, scandal about their marriage is subsequently brought to light. Will the doctor submit to the social pressures brought to bear on him by the gossip, the local newspaper and the bishop or hold true to his humanism, perhaps losing his respect, school and livelihood as a result?

Arthur Morrison... grew up in the East End of London and was familiar with life on the dockside. He tells the story of ‘The Hole in the Wall’ through the eyes of young Stephen Kemp, taken to live with his grandfather after the death of his mother. Nat Kemp is determined to keep his grandson apart from the seamier side of the Docklands but Stephen has a natural inquisitiveness that will not be quelled.

An exciting... adventure indeed as the Seagrave family, en route to Australia, are shipwrecked and become castaways on a desert tropical island. Thankfully Masterman Ready, a good man to have in a crisis, is on hand to build shelter and solve the many problems they encounter- to build a fish pool, catch turtles and how to cultivate the available resources .

Timothy, at just over 100 years of age, is the last survivor of the 10 siblings of Superior Dosset Forsyte. In this latest volume we are introduced to the grandchildren of those Forsytes who first began the Saga. Soames’s daughter Fleur is 20 at the start of the 1920s, a bright, wilful and independent spirit who can twist her father around her little finger. There is also Jon, the offspring of Jolyon and Irene, a sensitive and intelligent, though slightly naïve, young man of the same age.

In a fit of drunken bitterness, a young hay trusser, Michael Henchard, sells his wife, Susan, to Mr. Newson, a sailor, at a country fair. The transaction also includes their daughter, Elizabeth Jane. When sober the next day, he regrets his action but looks for them in vain and is eventually told they may have emigrated. Eighteen years later Henchard is the Mayor of Casterbridge, and the people of the town believe him to be a widower.

John Buchan's hero Edward Leithen chances upon a worldwide plan for domination. With his own life (and the lives of his friends) depending on the outcome of his struggle, he engages in combat with the anarchic brain behind The Power-House. The author, despite being very busy in public service, wrote over 50 books during his life, but his particular talent was for writing fast-moving adventure stories. The Power-House, a good example of this genre, was first published in 1916.

No woman shall succeed in Salique land. Louis X is dead, poisoned, murdered, by the hand of Mahaut d'Artois. Her plan is simple - to clear the path to the throne for her son-in-law, Philippe. However, there is the small matter of Queen Clemence and her unborn child. As the country is thrown into turmoil, Philippe of Poitiers must use any means necessary to save his country from anarchy. However, how far is he willing to go to clear his path to the throne and become King in his own right?

This is a sensible book. I want you to understand that. This is a book to improve your mind. In this book, I tell you all about Germany – at all events all I know about Germany – and the Ober-Ammorgau Passion Play. I also tell you about other things. I do not tell you all I know about all these other things because I do not want to swamp you with knowledge. I wish to teach you gradually. I should only be defeating my own object that I, by making you think too much at first, give you a perhaps lasting dislike to the exercise.