検索キーワード： 著者 "Katherine Mansfield" すべてのカテゴリー

This is a story from the Classic Women's Short Stories collection.

Oh, how delightful it is to fall in love for the first time! How exciting to go to your first dance when you are a girl of 18! But life can also be hard and cruel, if you are young and inexperienced and travelling alone across Europe . . . or if you are a child from the wrong social class . . . or a singer without work and the rent to be paid. Set in Europe and New Zealand, these nine stories by Katherine Mansfield dig deep beneath the appearances of life to show us the causes of human happiness and despair.

Widely anthologized, The Garden Party is considered Katherine Mansfield's finest piece of short fiction. First published in 1922, it immediately became a classic example of the short story form.

Skyboat Media presents The Best of Katherine Mansfield, an original compilation of stories from one of the defining writers of modernist fiction. Katherine Mansfield’s stories shine a light on the duality and the overpowering nature of psychology through her delicate, nuanced, and often stream-of-consciousness narration style. None of her stories seem to settle on just one theme; like life they encompass the intersectional nature of all moments, from the most minute and mundane to the most terrific and tragic.

Katherine Mansfield is remembered as one of the great modernist short-story writers, who managed to pack a huge amount of creative work into her 34 years before she died of TB in 1923. This impressive collection includes brand-new full-cast BBC dramatisations of 'Bliss', 'Something Childish but Very Natural', 'Marriage a la Mode', 'Daughters of the Late Colonel', 'The Garden Party', 'Life of Ma Parker and Her First Ball', plus many more readings brought to life by a wealth of narrators.

One of Katherine Mansfield's finest short stories, "Bliss" introduces us to Bertha, who experiences a sense of rapture as she reflects on her life. On her walk home one day, she is overwhelmed by a sense of bliss and contentment. However, her joy later turns to disappointment as she discovers her husband is having an affair with her new friend Pearl.

In the realm of the short story, Katherine Mansfield established a highly original style. Undramatic, poetic and lyrical, her writing is exquisitely subtle in its treatment of human behaviour. When these 14 short stories were published in 1920, she had already effected a transformation in this form of fiction, and her influence has been deeply felt by subsequent writers.

This anthology features a wide array of thought-provoking, genre-defining works from the 1900s, showcasing the range of modern storytelling—from existential musings to dark humour and intricate social commentary. These are the stories that have shaped modern literature, offering timeless insights into human nature and society. This collection brings together the finest modernist narratives, political reflections, and social commentaries that have shaped literature as we know it.

"Miss Brill" is a short story by Katherine Mansfield (1888-1923). It was first published in Athenaeum on 26 November 1920, and later reprinted in The Garden Party and Other Stories. Miss Brill is an English teacher living near the Public Gardens in a French town. The narrative follows her on a regular Sunday afternoon, which she spends walking about and sitting in the park.

Innovative, startlingly perceptive and aglow with colour, these 15 stories were written towards the end of Katherine Mansfield's tragically short life. Many are set in the author's native New Zealand, others in England and the French Riviera. All are revelations of the unspoken, half-understood emotions that make up everyday experience - from the blackly comic 'The Daughters of the Late Colonel' and the short, sharp sketch 'Miss Brill', in which a lonely woman's precarious sense of self is brutally destroyed, to the vivid impressionistic evocation of family life in 'At the Bay'.

A thoroughly engaging collection of classic short stories from some of the greatest writers who lived.

Contes du quotidien, les quatorze histoires réunies dans cet écrin conjuguent reviviscences d'enfance en Nouvelle-Zélande, échappées oniriques, portraits saisissants, émotions brutes et découverte de la mort et de ses avatars. Dans "Prélude", "Félicité", ou encore "Je ne parle pas français", le ressenti prend le pas sur l'action et se mettent à nu d'inquiétants rapports de force au sein même des relations les plus familières. Ce recueil a assis la réputation de Katherine Mansfield comme la plus grande virtuose de la nouvelle moderniste.

In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.

ലോകസാഹിത്യത്തിലെ ഏറ്റവും മികച്ച കഥാകൃത്തുക്കളിലൊരാളാണ് കാതറിന്‍ മാന്‍സ്ഫില്‍ഡ്. ഹ്രസ്വമായ തന്റെ ജീവിതയാത്രയില്‍ കാലത്തെ അതിജീവിക്കുന്ന കഥകള്‍ വായനക്കാര്‍ക്കായി അവര്‍ സമ്മാനിച്ചു. അതുല്യമായ വായനാനുഭവം പകരുന്ന കഥകളുടെ മനോഹരമായ വിവര്‍ത്തനം. വിവര്‍ത്തനം:വി. രാധാമണിക്കുഞ്ഞമ്മ

Her First Ball is a 1921 short story by Katherine Mansfield. It was first published in The Sphere on 28 November 1921, and later reprinted in The Garden Party and Other Stories. A young girl called Leila has come to the city to stay with her cousins. They are going to a ball. Leila is very excited: this is her first ball. Once there, she is both excited and terrified. After dancing with several young boys her own age, she dances with a wrinkly balding man who has been coming to balls for a while.

The Singing Lesson, written by Katherine Mansfield, is all about a surprising day of a music teacher’s life. Taken from Katherine’s The Garden Party and Other Stories collection, it’s a short story written in third person from an unknown narrator’s perspective. - Miss Meadows, a music teacher, receives a letter from her fiancé which states quite plainly that Basil, her fiancé, isn’t ready to marry her and feels that the marriage would fill him with disgust. The word “disgust” is scratched lightly and written above it is the word “regret”. Naturally she’s filled with despair, anger & sadness.

The Little Governess is a 1915 short story by Katherine Mansfield. It was first published in Signature on 18 October 1915 under the pen name of Matilda Berry, and later reprinted in Bliss and Other Stories. The text is written in the modernist mode, without a set structure, and with many shifts in the narrative. After receiving advice from the lady at the Governess Bureau, a young and naive English governess (referred to throughout as "the little governess") is off on the train from France to Munich, from where she will go to a new house for work.

The Young Girl is a 1920 short story written by Katherine Mansfield. Mrs. Raddick’s and her beautiful daughter waited on the steps of the casino. The daughter was incredibly beautiful with flushed cheeks, blue eyes, and golden curls. She “might have just dropped from this radiant heaven” (79), and Mrs. Raddick seemed to think so too - if her appreciative glances were any indication. The girl; however, appeared only bored as if heaven had been full of casinos and they no longer held any interest for her.

The Stranger is a 1921 short story by Katherine Mansfield. It was first published in the London Mercury in January 1921, and later reprinted in The Garden Party and Other Stories. In Auckland, Mr. Hammond is waiting for his wife, back from Europe. After talking to some other people waiting at the harbour, she lands in but takes her time, leading him to wonder if she was sick during the voyage - she was not.

The Daughters of the Late Colonel is a 1920 short story by Katherine Mansfield. It was first published in the London Mercury in May 1921. In bed, Constantia suggests giving her late father's top hat to the porter, but her sister Josephine disagrees. After thinking about letters to be sent to Ceylon, they hear a noise coming from a mouse. Constantia thinks how sad it must be for the mouse with no crumbs around. The last time the sisters saw their father, Nurse Andrews was stationed by the bedside; the Colonel opened only one eye, glaring at his daughters before dying.