検索キーワード： ナレーター "Scott Richards" すべてのカテゴリー

Miles beneath the ocean's surface, a decaying redoubt barely protects Ryan and his companions from a watery death. Battling vicious assaults from cyborgs programmed by artificial intelligence to kill them, they're desperate to escape this underwater trap. But above the waves, a new threat awaits: a massive predark super ship banished to the seas of Deathlands. Decades of madness have led to civil war between the citizens of the upper and lower decks. Now pawns in a bloody game, Ryan and the other survivors must destroy the ship or face their certain end at sea.

New Hampshire is rich with big game, more than enough to feed Ryan and his hungry companions. But claims to a fallen elk get ugly and Ryan is forced to kill another hunter, the self-proclaimed king of the Granite Highlands, over the meat. Soon the hunters become the hunted as the dead man's widow gives chase, armed with predark tanks and heavy artillery. As the kill zone widens across cannibal-ridden lava fields, Ryan and his group search for leverage in the merciless landscape.

Hiring on as crew to a merchant's wag-train, Ryan and his companions anticipate trouble as they head west toward what was once Montana. The terrain is treacherous, but the company is worse as anger, jealousy, and male rivalry erupt into chaos and death. But as they get closer to their destination, the true nature of the journey unfolds. There's a map to a mysterious valley rich with predark stockpiles. But is it the promised land they've been seeking...or the dead end they never saw coming?

Steeped in beauty and mysticism, the canyons of Mesa Verde, Colorado, survived the blast that altered the American west. Hired to track a group of missing children, Ryan Cawdor and his band follow the trail to a legendary city carved in stone, older and stronger than the nukecaust. The inhabitants of the palaces of light are more than warriors and survivors; they are masters of mind games that prey on illusion. And true believers in a metaphysical end game poised to push the companions over the edge of reality…into certain death.

The brutality of post-nuclear America has spawned a dark frontier where the harsh and unforgiving new rules of existence cannot obliterate the decency and determination that drive the true human spirit. It's tested and tormented but never destroyed. A lust for power and a strong sec-force are the basic requirements of any Deathlands baron. But brilliant, charismatic Baron Eugene Arcadian has bigger visions than simply a monopoly on jack and trade. He wants the future.

18 biographical dramas based on the lives and loves of celebrated writers.

Hiram Taine is a handyman who can fix anything. When he isn't fiddling with his tools, he is roaming through the woods with his dog, Towser, as he has done for as long as he can remember. He likes things that he can understand. But when a new ceiling appears in his basement - a ceiling that appears to have the ability to repair television sets so they're better than before - he knows he has come up against a mystery that no man can solve.

Hank is walking home from the bar when the Model T pulls alongside him. It's been decades since he saw a car this old, and the sound of it takes him right back to his 20s. The door is open, and when he climbs in, the car takes off - without a driver. Before he knows what's happened, Hank is right back at Big Spring Pavilion, where he spent his youth drinking bootleg whiskey and chasing pretty girls. He will find the past is not quite as he remembered it, but still a lovely place to go for a drive.

Audible brings to life through dramatic performance the 1945-1946 radio broadcast reports covering the greatest courtroom drama of the 20th century - the Nuremberg trials. The original broadcasts have been lost forever, but the verbatim text - written by Harold Burson, founding chairman of one of the world’s leading public relations firms, Burson Marsteller, who at the time was a reporter for the Armed Forces Network - has been newly interpreted by an ensemble of some of our fine actors.

In a post-apocalyptic America, Jamie Teague helps a group of travelers make their way past the murderous Bushwhackers. Jamie comes to find that the strangers are Mormons headed for Utah to avoid being massacred. Knowing that they will die without his help, he agrees to take them as far as his cabin.

This story is included in Orson Scott Card's collection The Folk of the Fringe.

Only a few nuclear weapons fell. But in the chaos of famine and plague, there existed a few pockets of order. The strongest of them was the state of Deseret. The climate has changed, and the lake has filled up. There, on the fringes, brave, hardworking pioneers are making the desert bloom again.

The Fae spirit felt the great ship above it. There was so much love there, so much kinship. All who breathed on the ship had someone in their life that mattered. All, but one. That must be the one that the summoner meant. The spirit swam around the ship and gathered the heartbreak and sorrow from those who had lost. Then, it drew the sadness and pain away, as requested. It swam off, making a vacuum that would be filled with the caring it could sense was there.

A Rocky Start feels like a potential classic: an authentic treatise on the state of America's mental health establishment and the help or damage it metes out to people who desperately need its services, written by someone who knows that world intimately, from inside both its real and perceived walls. Fisher describes A Rocky Start as "a candid and rare look into one particularly complex life." It is that and more. Fisher's natural intelligence drives the narrative.

Keagen was tall, muscular, and stronger than most men were, although he wasn't exactly a man. His genes were human DNA with a hint of animal, courtesy of Solgen Laboratories. It wasn't common knowledge what the company did, and their labs were all in secret locations. Only their financial backers knew where they were. Who supported them was unclear. Possibly the government, private military organizations, or even wealthy dictators; no one knew.

Arkos, a reclusive artisan, bides the long age of peace carving animal bones and remembering his days of adventure. In the ancient city of Tierrion where he dwells, no one suspects he is one of the legenders - those forces of nature clad in human form who spoke with the elements and shaped them into mighty beasts.

Maximus never thought his life would change so dramatically. Orphaned from a horrible accident caused by unicorns, the youngster is adopted by the Royal family who just lost their own son the same night. The love Maximus receives from the ruler of Forestrial, King Drummond, is exactly what he needs the most. Queen Zelebeth, on the other hand, has a closed heart and wants nothing to do with Maximus. She despises him.

This is the story of a drug deal gone bad. Having committed the crime of selling a potent poison to a desperate youth, a destitute apothecary must decide how to spend his ill-gained fortune. Resolving to start his career afresh, he flees to the city of Verona to set up a new shop of medicinal healing and alchemical discovery. Plans go awry when he finds himself in the middle of a woeful tragedy he had unwittingly helped to cause.

Taya has risen from humble roots to become a fire seer in the Coalition of Mages. Eager to prove herself, she arrives in the town of Hrappa to locate a "jackal" - a mage operating outside the Coalition's authority - who has murdered three people.

Sir Christian Brandon was raised in a household where he was hated for his unusual beauty and for his parentage. Being smaller than his six brutish half-brothers, he learned to survive by using his wits and his gift for strategy, earning him the nickname the Crow.

One for the Trouble: Book Slam, Volume One is the first release from the UK’s premier literary event. Eighteen Book Slam alumni, from household names like Irvine Welsh and William Boyd to newcomers like Kate Tempest and Sophie Woolley, were approached to take a song title for inspiration for a new short story or poem. Some took this literally (Jon McGregor’s moving reimagining of A House’s 'Endless Art', for example); others suggestively....