検索キーワード： ナレーター "Andy Harrington" すべてのカテゴリー

Do you actually want to make money playing poker? This is your road map. You will get two different viewpoints: playing the player (Tyler Nals) and playing the technical game (Douchebag Dave). Tyler and Dave banter back and forth throughout the book. You will likely take a side in your mind. Unlike any other poker strategy book, this ending might surprise you. Hope you enjoy!

In the not-too-distant future, 2185 AD, anti-gerisone is the new drug that stops ageing. People are now living into their hundreds until it's time to take their own big trip up yonder, and in the case of the Ford family and Gramps, the notable patriarch, families are living and fighting together in one home for much longer. Eventually there are no prisons, slums, asylums, poverty, wars, or disease. and 200 years later the population of the US is set at 40 million people. But since no one gets any older, someone must volunteer to die if a baby is born.

In January 1817, Jane Austen began work on Sanditon, but died a few months later, leaving it unfinished. The surviving fragment begins the story of Charlotte Heywood, a sheltered young woman who is invited to the up-and-coming resort town of Sanditon. While there, she meets a host of memorable characters, drawn with Austen's classic wit and insight, including a fortune-hunting fop, a domineering dowager, and a hoard of hypochondriacs.

Hero and Leander is a Greek myth concerning the tragic story of two lovers. One was a priestess of Aphrodite who lived in a tower in Sestos, and the other a young man from Abydos on the opposite side of the strait. Leander fell in love with Hero and would swim every night across the Hellespont to spend time with her, with Hero's lamp at the top of her tower as his guiding light, and they shared a warm summer of love.

Richard Dudgeon, who has become an outcast from his puritanical family due to his religious apostasy, returns home on the death of his father. Much to everyone’s surprise, it is revealed that the father changed his will shortly before his death and has left the bulk of the estate to Richard. Now that he is lord of the manor, Richard asserts himself and declares his opposition to the colonial British authorities. Later, he is arrested by the British and sentenced to death but is rescued in the nick of time by a local militia commanded by Anthony Anderson, who, ironically, is a pastor.

This short story is one of those things that literally took a village to accomplish. From bouncing around ideas to coming up with the characters to listening to me ramble on and on and on about it. In itself, it is a fun little piece that the author fell in love with while trying to flesh out a few of the main characters of his fLUX Runners series.

In compiling this collection of humorous short stories by both well known and more obscure authors, Alexander Jessup applied a broad interpretation of humour; the stories span the period between 1839 and the beginning of the first World War.

In this religious tract published in 1917, H. G. Wells (who achieved fame as a pioneer in the science fiction genre of writing) details his beliefs in a "modern religion", which involves the eschewing of rites and dogmatic beliefs for a more universal theology. He rejects certain aspects of dominant Christian dogmas such as the idea of the Holy Trinity and the omniscience and omnipresence of God and outlines his vision of an all-encompassing, all-inclusive society guided by devotion to serving God.

Anatol, one of Arthur Schnitzler's earliest works, concerns the life of a shallow and immature playboy, who has multiple dalliances with various women but suffers from a crippling fear of commitment underneath his womanising facade. The play offers sharp social commentary on the themes of toxic masculinity and fidelity, and has been adapted in English to two different musicals: The Game of Love and The Gay Life.

Carlo Collodi's whimsical recasting of the myth of Pygmalion and Galatea was first published in 1883 and has since become an established classic of children's literature. Geppetto, a poor wood carver, receives a piece of wood from which he carves a marionette. Much to his surprise, the puppet springs to life and embarks on a wild series of adventures.

Alice Gerstenberg (1885-1972) was an American playwright, actress, and activist. She is best known for her many feminist plays, which often feature female lead characters and all-female casts (a rare occurrence at the time). This is a collection of ten one-act plays, which cover a wide range of topics -highlights include a lighthearted farce involving gossiping women, a satire about dinner parties, and a comedy about the pretensions of conventional theater, but some plays also touch on more serious themes such as death, war, and the effects of an unhappy marriage.

Ten years after a tragic incident on the lake, an AA meeting in a small, religious town in the deep south of the USA descends into bitterness and chaos when a flood hits. Trapped within the local church, tempers escalate and well-buried secrets begin to emerge. Personalities clash, reputations are dissected and questioned, and everybody's demons are laid bare.

Cutting Room is set in the "Town Welfare Department" of a town in the Midlands, Burtonwood, during public sector cuts. Four characters (David, Lucy, Ian, and an intern, Anne) have to take calls from members of the public complaining about the loss of public services, with the boss Harry coming in occasionally to offer cheerful but often useless encouragement. As the cuts continue, tensions run high, with Ian in particular taking his anger and frustration out on the secretary, Tilly. At the play's conclusion there is a surprising twist.

Scorned by her 17th century New England Puritan village, Hester Prynne struggles to raise her precocious daughter, Pearl, who is the result of an affair and whose father is unknown. Despite being forced to wear a scarlet letter A as a brand for her adultery, Hester tries to live a life of repentance and dignity. Pearl's father comes forward as he is struggling under the weight of his own shame and sin.

Floyd Dell has been called "one of the most flamboyant, versatile, and influential American Men of Letters of the first third of the 20th century". Though he was primarily a newspaper and magazine editor, most prominently of the radical left-wing magazine The Masses, he also published many best-selling feminist works. As a staunch advocate of feminism, socialism, psychoanalysis, and progressive education, his writing greatly shocked the American bourgeoisie at the time, to the point where it became so controversial, he was put on trial twice for his subversive literature.

After the battle of Threnody, the Seraphim and her crew are broken. Months of relentless war by the Children, a race of genocidal artificially intelligent life forms bent on taking revenge on their creators, strains every resource available to the Planetary Alliance. The fight runs the spectrum from open combat to countless subtle plots by the Children, and it's all the Alliance can do to stave off utter catastrophe.

Spring Awakening (German: Frühlings Erwachen) was the first major play by Frank Wedekind. It was written in the early 1890s but, due to opposition from censorship authorities, was not presented on stage until 1906. The play explores two contentious themes: the development of adolescent sexuality and the repressive nature of the German education system.

Published in 1871, Little Men is a sequel to the novel, Little Women. It tells the continuing story of Jo March, who has married Professor Bhaer, with whom she now runs a small school.

New York-born John Kendrick Bangs was associate editor and then editor of Life and Harper magazines, eventually finding his way into the Humour department. Here, he began to write his own satire and humour. Ghosts I Have Met and Some Others is a delightful humorous collection of short tales relating encounters with ghosts, including "The Mystery of My Grandmother's Hair Sofa", "The Exorcism That Failed", and more.

This play forms part of a tetralogy which focuses on one of Wedekind's obsessive themes: the destructive interplay between primal sexual urges and social convention. Each play revolves around a powerful young female character, who has the power to control and captivate men, but who in turn is destroyed by the exercise of that power. In Castle Wetterstein, that role is represented by Effie, the young daughter of a bourgeois widow, who is being courted by the man who killed her late husband in a duel.