検索キーワード： 著者 "Simon Brett" すべてのカテゴリー

In these final four series, Anna is trying to remain calm and centred in the midst of the familial chaos that surrounds her. Her sisters, Victoria and Charlotte, are more combative than ever, and when a row blows up between them, Anna is stuck in the middle. Having graduated from university, her niece Emily is preparing for marriage and motherhood. But her wedding plans cause ructions, as Victoria and Charlotte make her celebrations all about them. The baby's birth sends Victoria into competitive granny mode - while Anna receives a heart-warming surprise.

Sisters Anna, Victoria and Charlotte are back for four more series, in which relationships are forged, hearts are broken and family ties are strained - but not severed. Older sister Anna continues to live her life on her own terms, despite her sisters' insistence on being there for her. But when she suffers a couple of knocks to her confidence and needs a shoulder to cry on, they are too self-absorbed to be any use. Fortunately, niece Emily provides moral support and Anna reciprocates with some down-to-earth advice about Emily's love life.

After years of looking after her elderly parents, Anna finds herself able, for the first time, to live her own life. She's enjoying simply being herself, with no responsibilities and no obligations. But her two younger sisters, Victoria and Charlotte, are concerned about her. Surely poor, unfulfilled Anna can't be happy without a partner or a family around? Determined to make an effort, they decide to draw her into their lives - and Anna's peaceful, commitment-free lifestyle soon disappears.

Events manager Rosie Burns is used to coping with the unexpected, at work and at home. When her daughter, Kate, accidentally became a teenage mum, Rosie stepped in, raising her granddaughter, Jo, so that Kate could pursue her career in international banking. Now Jo works in the family firm alongside accountant Bob (who's nursing an unrequited love for Rosie) and Tess (whose love life never ceases to amaze). Things are ticking along nicely, until Rosie gets a phone call out of the blue - after 15 years working abroad, Kate's lost her job and is coming home....

Chaired by Simon Brett (author of the hugely popular Charles Paris series), this intriguing, interactive panel show challenges professional crime novelists to put their experience and expertise to the test as they try to unravel various mind-bending mysteries. Each episode features a death and a denouement - with various red herrings and misdirections along the way. As the murder scenario is described and the clues laid out, our writer-detectives take turns cross-examining the suspects.

Helen and Ben are an upwardly mobile couple climbing the social ladder in suburbia. They have just moved into a semi-detached house but discover that their taste for restoring their home to its original character is not shared by the neighbours....

After the death of her GP husband, widow Sarah is battling to bring up her strong-willed 18-year-old daughter, Clare, hindered by her meddling mother, Eleanor. Living on the middle floor of the family home, with Clare downstairs and Eleanor upstairs, Sarah finds herself besieged from above and below as she tries to cope with the demands of both her mum and her daughter. Luckily, she finds solace at work, where her best friend and boss at Bygone Books, Russell, provides a sympathetic ear.

Charles Paris has landed a dual role in a lavish West End musical: onstage as a bit player, offstage as an undercover sleuth. The production's nervous backers fear that someone is trying to kill the play. The ultimate showstopper would be to eliminate the star.

"I want you all out, gone, dead, exterminated!" high strung Alex Household had cried out when, after a lifetime of struggle, he lost the starring role in a new play called The Hooded Owl to an actor who couldn't remember his lines. But did that mean that it was Alex who had shot the leading man dead during his climactic speech? Charles Paris, for one, could see many logical suspects: from the devious producer, to the gullible playwright, to the young starlet's overprotective mother.

Charles Paris, middle-aged actor turned amateur sleuth, is vacationing at a small English seaside town. Irresistibly drawn to anything theatrical, Charles seeks entertainment at the local music hall and endures a series of not-so-wonderful vaudeville acts in the hope that the man given star billing will be worth watching. This performer, Bill Peaky, comes on stage with his electric guitar, grasps the microphone, and drops dead, due to faulty wiring of the stage equipment.

A quick trip to the capital goes horribly wrong when Blotto and Twinks get accidentally involved in London's criminal underworld. It starts innocently enough at the intimate review 'absolutely everyone is talking about', Light and Frothy, where its glamorous star, Frou Frou Gavotte, has rather taken the fancy of Blotto's school friend Giles 'Whiffler' Trumpington. But while Blotto and Whiffler wait for the star outside the theatre to take her to dinner, Whiffler is seized and manhandled into the back of a cab which then drives off into the night.

Territory is the theme that unites these four humorous plays - whether that means fighting over an allotment plot, dealing with the sudden partition of a country, guarding the privacy of a garden or battling with the council over school catchment areas.

Charles Paris’ acting career plumbs new depths when he takes the part of a possible murder victim in ‘Public Enemies’, a true-crime television series. Finding himself in a bizarre world somewhere between police procedure and showbiz, Charles is inexorably drawn into the investigation... especially after the dismembered limbs start turning up. The viewers of ‘Public Enemies’ get caught up in the macabre jigsaw puzzle of death; it is ghastly, of course, but it does make good television.

A three-month run of the new farce, 'Not On Your Wife!', is not to be sniffed at by a jobbing actor. Especially when there’s the distinct possibility of a West End run. Which is why Charles Paris is standing on stage with his trousers round his ankles. Rehearsals have gone well, the laughs are coming and there’s always the attractions of Cookie Stone. But by the time the troupe reaches Bath a darker mood has set in and Charles’ old friend Mark has a drink problem that amounts to a death wish.

When Andrea Gower’s body is discovered in an editing suite, with gashes in her wrists and two razor blades nearby, the cause of death seems obvious, with the words she spoke only hours before taking on a completely different meaning... Working as a radio actor for the BBC was all new to Charles Paris: a new kind of work, a new jargon, and a lot of new faces - some of them quite pretty.

Charles Paris returns again, in a fringe show at the Edinburgh Festival, with another nubile girl to provoke him, his accommodating wife to console him and a gory murder to challenge him. Edinburgh and the Festival are both background and foreground with Charles flitting between a production of A Midsummer Night’s Dream, a ‘mixed-media’ satire, a late-night revue and his own one-man show on Thomas Hood. Then a fading pop star is murdered, there’s a bomb scare in Holyrood Palace and someone makes a suicide leap from the top of the Rock….

Christopher Milton is one of TV’s brightest stars and the natural choice to play the lead in Lumpkin!, the musical version of She Stoops to Conquer. His is a ruthless, egomaniacal talent, guaranteed to turn his co-cast’s rehearsals into nail-biting hell. Charles Paris suspects him of harbouring at least one dark secret from years past. And then the ‘accidents’ begin. Soon it is plain that someone will stop at nothing in order to sabotage the show for their own ends.

Charles Paris is, as ever, waiting for a phone call from his agent, and is driven to painting and decorating to make ends meet. A rare evening out at a high-profile restaurant among stars of stage and screen promises a break in the depressing routine. But when the restaurant’s handsome, temperamental chef is brutally murdered, Charles finds himself drawn into the ensuing investigation. At first it seems an open and shut case: the chef’s

Charles Paris is on his way up again, career-wise. No longer ‘resting’ or playing a corpse in a cupboard, he finds himself doubling almost every role in a provincial production of the play dreaded by superstitious theatrefolk: Macbeth.

A rising young stage comedian, who is about to receive his profession's award as ‘Most Promising Newcomer’, dies sensationally on stage at the start of his act; as he picks up the mike, he is electrocuted. Faulty wiring seems to be the cause; no one person is to blame; a verdict of death by misadventure is returned at the inquest.