検索キーワード： 著者 "G. K. Chesterton" すべてのカテゴリー

‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears.

In this collection of 39 short stories, you will find the full force of his brilliant storytelling abilities encapsulated in an anthology that popped into his curious mind over the years as he reflected on everyday life, and why we do the things we do.

Anthology of Christmas Stories is a unique collection of Christmas tales, reflections, and poems from beloved authors across the centuries and makes the perfect gift for the reader in your life. This beautiful treasury will take you back to firesides, simple gifts, and warm family moments of Christmases past as you cherish the timeless truths and joys of the season.

In this series we look at some of our leading classic authors across two genres: the short story and the poem. In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything. But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle. Our authors are masters of many literary forms, perhaps known for one but themselves favouring another.

The Man Who Was Thursday: A Nightmare is a mind-bending thriller blending espionage, philosophy, and satire. When Gabriel Syme infiltrates a secret anarchist organization, he finds himself caught in a surreal game of deception and identity. A brilliant mix of detective fiction and metaphysical mystery.

The Queer Feet" deals with Flambeau wanting to steal the silverware of the members of the Twelve True Fishermen having their annual club dinner at Vernon Hotel. The Vernon Hotel is an exclusive hotel and a "topsy-turvy product" (Chesterton 1994, p. 51).

"The Blue Cross" is a short story by G. K. Chesterton. It was the first Father Brown short story and also introduces the characters Flambeau and Valentin. It is unique among the Father Brown mysteries in that it does not follow the actions of the Father himself, but rather those of Valentin. It was first published on 23 July 1910, under the title "Valentin Follows a Curious Trail", in the Saturday Evening Post, Philadelphia. Re-titled as "The Blue Cross", publication in London followed, in The Story-Teller magazine of September 1910.

A stormy evening of olive and silver was closing in, as Father Brown, wrapped in a grey Scotch plaid, came to the end of a grey Scotch valley and beheld the strange castle of Glengyle. It stopped one end of the glen or hollow like a blind alley; and it looked like the end of the world. Rising in steep roofs and spires of seagreen slate in the manner of the old French-Scotch chateaux, it reminded an Englishman of the sinister steeple-hats of witches in fairy tales; and the pine woods that rocked round the green turrets looked, by comparison, as black as numberless flocks of ravens.

The tenth story in The Innocence of Father Brown is entitled The Eye of Apollo. At the beginning of this short story, Flambeau has just opened his detective agency in a new building located near Westminster Abbey. The other tenants in the building are a religious charlatan named Kalon, who claims to be "the New Priest of Apollo," and two sisters, who are typists. Flambeau and Father Brown instinctively distrust Kalon, who has installed a huge eye of Apollo outside his office.

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary.

Certain of the great roads going north out of London continue far into the country a sort of attenuated and interrupted spectre of a street, with great gaps in the building, but preserving the line. Here will be a group of shops, followed by a fenced field or paddock, and then a famous public-house, and then perhaps a market garden or a nursery garden, and then one large private house, and then another field and another inn, and so on.

The Sign of the Broken Sword is a short story by G. K. Chesterton featuring his famous characters Father Brown and former criminal Flambeau. At the centre of the story is the mysterious death of General Sir Arthur St. Clare, who was hanged on a tree with his broken sword hung round his neck. It is a detective story and throughout it Father Brown reveals the mystery of General St. Clare.

The Reverend Wilfred Bohun could no longer stand the scandalous behavior of his alcoholic brother Norman, who blasphemed God and humiliated the Reverend Bohun in the eyes of his parishioners. Chesterton states that Wilfred and Norman Bohun belong to an old noble family whose descendants are now mostly "drunkards and dandy degenerates." Rumor has it that there has been "a whisper of insanity" in the Bohun family.

"The Invisible Man" is a detective story written by G. K. Chesterton which concerns the nature of the crimes committed by one James Welkin, who had been harassing Laura Hope and menacing his romantic rival, Isidore Smythe (whom he would later murder), all without ever being seen.

The story takes place at an English manor home on Boxing Day. A young lady and the young man who lives next door are present, as is the girl's father, Colonel Adams, a newly arrived uncle and a quite rich godfather. Also present, in addition to the servants, simply because the Colonel likes his company is the local priest, Father Brown. The godfather has brought a gift for the young lady, a set of three gorgeous, large diamonds, which he has tucked away in his coat pocket.

Father Brown (Chesterton's sharp-witted detective priest) and Flambeau (the reformed master-thief and Brown's constant companion) are on a little vacation in Norfolk, invited to visit the mysterious Prince Saradine. It doesn't go well. Sure, Flambeau gets some good fishing in, but there's also a duel with rapiers, a couple murders, a hanging, a case of mistaken identity, an awkward family reunion, and a gang of surly Sicilians.

Set in the steep northern heights of London, where the streets climb skywards like a towering mountain range, Manalive tells the story of a desolate terrace of tall grey houses. At the end of this terrace lies Beacon House, a boarding establishment that stands tall and imposing like an abandoned ships prow against the setting sun. This intriguing tale was masterfully penned by the renowned writer, Gilbert Keith Chesterton.

Dive into the world of The Innocence of Father Brown, a collection of riveting mystery tales penned by G.K. Chesterton. Unveil the truth behind each enigma with the unassuming yet astoundingly sharp Roman Catholic priest, Father Brown. Despite his unremarkable exterior, Father Browns insightful deductions consistently outdo the so-called experts, often caught off-guard due to their prejudgments about Christianity. This 1911 classic weaves together enthralling narratives and thought-provoking commentary, making it an irresistible read. (Summary by Brian Roberg)

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" -- "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor.

Step into the vivid, paradoxical world of G. K. Chesterton—where saints dance with skeptics, riddles reveal truth, and the ordinary becomes extraordinary. Best known for his wit and philosophical insight, Chesterton’s poetry is a rich blend of humor, faith, social commentary, and fierce imagination. From the rousing rhythms of “Lepanto” to the introspective depth of “The Ballad of the White Horse”, this curated selection showcases Chesterton’s signature style: playful yet profound, grounded yet soaring.