検索キーワード： 著者 "G. K. Chesterton" すべてのカテゴリー

"And the young woman of the house," asked Dr. Hood, with huge and silent amusement, "what does she want?" "Why, she wants to marry him," cried Father Brown, sitting up eagerly. "That is just the awful complication." "It is indeed a hideous enigma," said Dr. Hood. "This young James Todhunter," continued the cleric, "is a very decent man so far as I know; but then nobody knows very much. He is a bright, brownish little fellow, agile like a monkey, clean-shaven like an actor, and obliging like a born courtier. He seems to have quite a pocketful of money, but nobody knows what his trade is. Mrs.

Father Brown is an eccentric priest with his own particular ways of dealing with crime. David Timson, having completed the whole of Arthur Conan Doyle's Sherlock Holmes canon, a remarkable achievement, turns his hand to the genial but certainly not innocent priest! This collection contains a group of stories from the Innocence of Father Brown, told unabridged.

Diminutive, bespectacled, and endearing, Father Brown only appears unworldly. But the cherubic parish priest is privy to the inner workings of the most surprising of sinners. And as an amateur sleuth, he intuits motives for Essex's unsolvable crimes. One of the most beloved characters in 20th-century detective fiction, the kindly cleric leverages his unrivaled insights into human nature to decipher 12 ingenious mysteries from the witty and clever mind of G. K. Chesterton.

Poet Gabriel Syme believes in the beauty of order and, as such, is recruited by Scotland Yard to an anti-anarchist police corp. While undercover, Syme meets fellow poet Lucian Gregory, a verse writer devoted to disorder, who introduces him to London’s anarchist underworld. Just as Gregory is to be elected to the central council, Syme’s cover is revealed and he is forced to make a decision that sends the cabal into chaos. Is anyone in this underground faction who or what they seem? Syme suddenly realizes he doesn’t have all the answers.

A fictional priest and amateur detective named Father Brown had a face once described “as round and dull as a Norfolk dumpling”. This made him appear somewhat clumsy and naïve, but that didn’t take into account his keen understanding of human nature and exceptional intuition. Stories include: “The Blue Cross”, “The Secret Garden”, “The Queer Feet”, “The Flying Stars”, “The Invisible Man”, and more.

Shabby and lumbering, with a face like a Norfolk dumpling, Father Brown makes for an improbable super-sleuth. But his innocence is the secret of his success: refusing the scientific method of detection, he adopts instead an approach of simple sympathy, interpreting each crime as a work of art, and each criminal as a man no worse than himself… Here you will find the complete Father Brown stories in the chronological order of their original publication. The Innocence of Father Brown Starts at Chapter 1, The Wisdom of Father Brown Starts at Chapter 13.

Esteemed writer G. K. Chesterton offers a compelling critique of the works of Charles Dickens, sharing his profound admiration and unique insights into Dickens literary genius in his distinct and engaging style. (Summary by Karen Merline)

Discover a world of heroes and villains, suspense and intrigue. This riveting and comprehensive collection brings together some of the best crime writing of all time. Ruth Rendell and Frances Hegarty spearhead the modern genre, moving through the popular and rarely recorded Graham Greene, to Edgar Wallace and G.K. Chesterton and his master detective Father Brown. And that's not all.

Written in his signature style – full of paradox, wit and poetic insight – Chesterton outlines an intellectually rigorous defence of the Christian faith. Part autobiography, part theology, Orthodoxy traces Chesterton's personal journey from a crisis of doubt to belief, arguing that Christianity uniquely satisfies the long-established human need for truth, imagination and joy. Rather than religious doctrine being dry or dogmatic in any way, Chesterton relays it as adventurous and romantic – and the only worldview that allows enough room to make sense of the world's wonders and contradictions.

Eine spannende Reise in die Ursprünge des Kriminalromans: Diese Sammlung von zehn klassischen Geschichten vereint die größten Meister der klassischen Spannungsliteratur. Von Edgar Allan Poes düsteren Visionen über Sherlock Holmes' messerscharfe Logik bis zu Chestertons moralphilosophischen Detektivrätseln – hier begegnen sich Wahnsinn, Mord, Mysterien und meisterhafte Erzählkunst.

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" -- "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor.

The Definitive Detective Collection brings together the finest deductive minds in fiction. Join Edgar Allan Poe's Auguste Dupin as he invents the detective genre in the mid-1800s, and follow the logical clues to the most famous detective ever committed to paper, Sherlock Holmes, in Victorian London. Along the way you'll also meet Josephine Tey's formiddable Inspector Alan Grant, as-well as G. K. Chesterton's beloved Father Brown, as they solve crimes in wondorously inventive and ingenious ways.

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" - "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor.

Every story of Chesterton's unassuming little priest detective, from the first four published collections: The Innocence of Father Brown (1911), The Wisdom of Father Brown (1914), The Incredulity of Father Brown (1926), and The Secret of Father Brown (1927).

In this 1905 collection of essays, G. K. Chesterton contests the growing intolerance for religious thinking and theological debate. He calls out friends and contemporaries - George Bernard Shaw, Rudyard Kipling, and H. G. Wells, among others - who hold divided views on art, literature, and politics but universally dismiss orthodox opinions on God and the cosmos.

After the success of Heretics, G. K. Chesterton was challenged and compelled to share the story of his pilgrimage to faith. The result is this bracing, watershed religious autobiography in which he follows the doctrines determined in the Apostle’s Creed to deliver a personal, yet universal, defense of Christianity. Ultimately, the literary giant answers the question - not of whether divinity can be believed - but rather, how he himself came to believe it.

This podcast delves into the intriguing friendship and intellectual sparring between George Bernard Shaw and G.K. Chesterton. Despite their contrasting beliefs, the two maintained a mutual respect and fascination for each others ideas. The podcast explores how Shaw, a prominent figure in the emerging school of thought known as humanism, championed progress for its own sake, even if it meant redefining the nature of humanity. Chesterton, in contrast, was more inclined towards religious thought, with his views leaning more and more towards the Church. This podcast offers a fascinating insight ...

During the first three decades of the 20th century, eugenics, the scientific control of human breeding, was a popular cause within enlightened and progressive segments of the English-speaking world. This prophetic volume counters the intellectual nihilism of Nietzsche, while simultaneously rebuking Western notions of progress - biological or otherwise. Chesterton expands his criticism of eugenics into what he calls "a more general criticism of the modern craze for scientific officialism and strict social organization."

Mystery, intrigue and fantasy lead us on a scary adventure.

Chesterton takes us on a merry ride of mystery, intrigue, and above all, fantasy in this tale of anarchism. Sometimes it is referred to as a metaphysical thriller, and Chesterton himself referred to it as "a nightmare".

Lord Mounteagle verwahrt in seinem Privatmuseum zahlreiche asiatische Talismane und Glücksbringer. Als der Exzentriker das rote Juwel seinen Besuchern zeigt, ist die Gelegenheit zum Diebstahl günstig. Und prompt ist der Stein verschwunden. Genommen von einem zwielichtigen Wahrsager, dem "Meister vom Berge".