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An epic collection of fantasy stories from true masters of the genre, including a never-before-published Song of Ice and Fire novella by George R. R. Martin. Fantasy fiction has produced some of the most unforgettable heroes ever: Robert E. Howard's Conan the Barbarian, Michael Moorcock's Elric of Melniboné, Fritz Leiber's Fafhrd and the Gray Mouser. Classic characters like these made sword and sorcery a cornerstone of fantasy fiction and an inspiration for a new generation of writers spinning their own magical adventures.

Two years ago, I chose him over me. Just because I was stuck in this small town, living a small-town life, didn't mean he had to be stuck, too. He had so much talent, and he was destined to do big things, but I knew he'd never leave without me. Not unless I made him. I knew it would break his heart, but it was the price I'd have to pay for his freedom.

Everyone fears the King of the Fae. Kyven is known as a fierce and powerful ruler, and now he desires to take me as his queen. Humans and Fae have been enemies for centuries. So when King Kyven asks my brother--the King--for my hand, to create an alliance, I can hardly refuse. Kyven claims I'm his Fated One--his A'lyra. He does not just want my hand, he wants my heart.

When I’m captured by the dark elves and taken before their king, my first thought is of escape. The moment our eyes meet, King Varys claims I am his fated one—his Khio’ri. Humans and elves have been enemies for centuries, but his people believe that a soulbond woven by fate cannot be undone.

Everyone fears the dragons that live in the ice mountains, beyond the edge of our kingdom. Fierce creatures that can either take the shape of a man, or that of a terrifying beast. Accused of practicing witchcraft, I’m sentenced to death by my Uncle—the King. Tied to a stake and sentenced to burn, he offers me as sacrifice to the fierce Dragon King.

As an old house is demolished in a gentrifying section of London, a workman discovers a tiny skeleton, buried for years. For journalist Kate Waters, it's a story that deserves attention. She cobbles together a piece for her newspaper, but at a loss for answers, she can only pose a question: Who is the Building Site Baby? As Kate investigates, she unearths connections to a crime that rocked the city decades earlier: A newborn baby was stolen from the maternity ward in a local hospital and was never found.

In 1581, Emilia Bassano is allowed no voice of her own. But as the Lord Chamberlain’s mistress she has access to the theatre, and finds a way to bring her work to the stage secretly. And yet, creating some of the world’s greatest dramatic masterpieces comes at a great cost: by paying a man for the use of his name, she will write her own out of history. In modern day New York, playwright Melina Green is determined to see one of her shows make the stage. After years of struggle to be recognised she has finally written again, inspired by the life of her Elizabethan ancestor.

When Selly and Leander began their treacherous voyage to the Isles of the Gods, the captain’s daughter and the playboy prince were strangers. But amid talk of war and a deadly attack on their ship, the unthinkable happened. They fell in love. Leander’s ritual at the island temple was meant to prevent a war between the gods. Instead, it nearly cost him his life, and drew the goddess Barrica back from exile. Now, as her Messenger, Leander is imbued with her deadly magic, and only Selly’s presence can stop it from consuming him.

Help! I've inherited my aunt's historic house in small-town Oregon, and I need to fix it up and sell it fast before I move on to my big-city dreams. I'm one of the navy's best investigators, but twenty years of living in base housing means DIY isn't part of my extensive skill set.

Prince Leander of Alinor boarded a ship to make his family’s traditional pilgrimage to the Isles of the Gods, to strengthen the goddess Barrica. The Mellaceans had other ideas. Only Selly, the prince and I survived from that ship. We fled from Laskia and her crew, were chased across the Crescent Sea, and arrived at the Isles with only moments to spare. There, at the Isle of the Mother, we believed we witnessed Laskia’s death. We were wrong.

He Never Came Home is a collection of 22 personal essays written by girls and women who have been separated from their fathers by way of divorce, abandonment, or death. The contributors to this collection come from a wide range of different backgrounds in terms of race, socioeconomic status, religion, and geographic location. Their essays offer deep insights into the emotions related to losing one’s father, including sadness, indifference, anger, acceptance—and everything in between.

Young playwright Melina Green has just written a new work inspired by the life of her Elizabethan ancestor Emilia Bassano. But seeing it performed is unlikely, in a theater world where the playing field isn’t level for women. As Melina wonders if she dares risk failure again, her best friend takes the decision out of her hands and submits the play to a festival under a male pseudonym.