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Fast-paced radio dramatisations of six of Dick Francis's classic racing thrillers, plus bonus documentary.

H. G. Wells wrote dozens of novels and short stories and is often called the 'father of science fiction'. Here we collect together the works of H. G. Wells as broadcast on BBC Radio. With full-cast dramatisations of novels including The Time Machine, The Island of Dr Moreau, The War of the Worlds, Ann Veronica, The First Men in the Moon and The Wonderful Visit; plus readings of The Invisible Man, Love and Mr Lewisham and several short stories including The Inexperienced Ghost and In the Abyss. 

Cameras roll, for the first time, on the Discworld when alchemists discover the excitement of the silver screen. But what is the dark secret of Holy Wood hill? As the clichés of Tinsel Town pour into the world, it's up to the Disc's first film stars to find out. Join Victor Tugelbend and Theda Withel as they battle the forces of evil and cinema advertising. They're about to discover that the magic of the silver screen might be powerful enough to put an end to, well, everything.

The Discworld is in danger, heading towards a seemingly inevitable collision with a malevolent red star, its magic fading. It needs a hero, and fast. What it doesn't need is Rincewind, an inept and cowardly wizard who is still recovering from the trauma of falling off the edge of the world. Or Twoflower, the well-meaning tourist whose luggage has a mind (and legs) of its own.

Eric is the Discworld's only demonology hacker. Pity he's not very good at it. All he wants is his three wishes granted. Nothing fancy—to be immortal, rule the world, have the most beautiful woman in the world fall madly in love with him, the usual stuff. But instead of a tractable demon, he calls up Rincewind, probably the most incompetent wizard in the universe, and the extremely intractable and hostile form of travel accessory known as the Luggage.

Death comes to us all. When he came to Mort, he offered him a job. Death is the Grim Reaper of the Discworld, a black-robed skeleton with a scythe who ushers souls into the next world. He is also fond of cats and endlessly baffled by humanity. Soon Death is yearning to experience what humanity really has to offer, but to do that, he'll need to hire some help. It's an offer Mort can't refuse. As Death's apprentice he'll have free board, use of the company horse—and being dead isn't compulsory. It's a dream job—until Mort falls in love with Death's daughter, Ysabell.

Written by a host of top radio writers and starring some of Britain's finest actors, these sparkling, beautifully crafted comedy dramas are centred around people with unconscious yearnings. From the serial seducer to the lonely mother's boy, each is looking for love - but will they find it?

The final two series of A. L. Kennedy's wry comic drama about love in later life. In their youth, John and Maggie had a tempestuous on/off affair that ended badly. Now in their 60s, they've decided to give their romance another chance - and discovered that love doesn't get any easier when you're older but no wiser. Having survived dating and moving in together, the duo face the next big test for their relationship: tying the knot.

A master of the psychological crime genre, Patricia Highsmith is most famous for her quintet of best-selling Ripley novels, and her groundbreaking thriller Strangers on a Train (notably adapted as a classic film by Alfred Hitchcock). This extensive collection encompasses her best-known works, as well as selected short stories and three programmes about the author herself and her greatest creation, charismatic anti-hero Tom Ripley.

The complete series 1-5 of the thrilling mystery series. On sabbatical from the Franciscan order, Father Paolo Baldi is working as a philosophy lecturer in Dublin when his life takes an unexpected turn and he finds himself helping the police to solve crimes. Along with Tina, Paolo uncovers the truth behind the killings of several rockabilly band members and a high-profile case of a police officer’s murder as well as delving into the highly competitive world of celebrity chefs.

In these final four series, Anna is trying to remain calm and centred in the midst of the familial chaos that surrounds her. Her sisters, Victoria and Charlotte, are more combative than ever, and when a row blows up between them, Anna is stuck in the middle. Having graduated from university, her niece Emily is preparing for marriage and motherhood. But her wedding plans cause ructions, as Victoria and Charlotte make her celebrations all about them. The baby's birth sends Victoria into competitive granny mode - while Anna receives a heart-warming surprise.

Sisters Anna, Victoria and Charlotte are back for four more series, in which relationships are forged, hearts are broken and family ties are strained - but not severed. Older sister Anna continues to live her life on her own terms, despite her sisters' insistence on being there for her. But when she suffers a couple of knocks to her confidence and needs a shoulder to cry on, they are too self-absorbed to be any use. Fortunately, niece Emily provides moral support and Anna reciprocates with some down-to-earth advice about Emily's love life.

After years of looking after her elderly parents, Anna finds herself able, for the first time, to live her own life. She's enjoying simply being herself, with no responsibilities and no obligations. But her two younger sisters, Victoria and Charlotte, are concerned about her. Surely poor, unfulfilled Anna can't be happy without a partner or a family around? Determined to make an effort, they decide to draw her into their lives - and Anna's peaceful, commitment-free lifestyle soon disappears. 

Locked down with his semi-detached wife, Frances, Charles has thrown himself into a new career as a handyman, becoming quite the DIY expert. He's developed muscles, stopped smoking and even cut back on the booze. Then his agent, Maurice, offers him the chance to get back on stage - and in a West End play, no less. The star, Justin Grover, asked for him specifically, but Charles has reservations. Grover was cocky enough when they were both young hopefuls; now, he's the star of a massive TV fantasy series, and the play - a verbatim piece set in a monastery - is dire.

This book, the second posthumous collection of his journalism, brings together pieces from near and far. He was ferociously well travelled, and once wrote that for all our ability to cross the world at will, 'abroad is as foreign and funny and strange and shocking as it ever was, and our need to know our neighbours every bit as great'. This is a book about meeting those neighbours. 

Both a portrait of a love triangle - between Tietjens, his beautiful and reckless wife, Sylvia, and the suffragette Valentine - and a depiction of life on the Western Front, Parade's End is one of the greatest fictional works of the 20th century. Ranging from the drawing rooms of England to the trenches of France, and moving between past and present, it is a haunting exploration of identity, loss and memory.

An 18-part serialisation of John Masters' chronicles of the Savage family, spanning the years 1825-1946 and set against the backdrop of British rule in India. Based on the hugely popular novels of John Masters, this landmark BBC Radio adaptation charts the history of the British in India through the perspective of one family over several generations. Ranging over more than 120 years, these thrilling tales of love, murder and espionage take us from the expansion of the East India Company to the last days of the Raj and the approach of Independence.

Bill Nighy, Barbara Shelley and Peter Sallis are among the cast in six classic BBC Radio dramatisations of stories by one of Britain's most popular science fiction authors. 'The Day of the Triffids', first broadcast in 1968, is set in a world in which most people have been left blind after a meteor shower, and lethal carnivorous triffids are roaming the land. 'The Kraken Wakes', dramatised for radio in 1998, is a gripping story of monsters from the deep, alien invasion and ecological disaster.

This is a dynamic, modern dramatisation of a classic book by John Wyndham. Bill Nighy ( Love Actually and many other films) and Sarah Parish ( Cutting It) play Richard and Janet, a couple caught up in the goings-on of a sleepy English village in which all the children have golden eyes, blond hair, and a sinister talent for telepathy and telekinesis. (Wyndham's novel was filmed as Village of the Damned in 1960 and 1995.)

The three tales that make up Edgar Allan Poe's The Dupin Mysteries introduce us to the cracking character of Chevalier Auguste Dupin. As a rationalist and practitioner of brilliant deduction, he was to become the template for most of the detective fiction that followed speedily in his wake. The first tale, "The Murders in the Rue Morgue", details a form of murder solving that was to become only too familiar.