検索キーワード： 著者 "Katherine Mansfield" すべてのカテゴリー

Dive into the exquisite world of Katherine Mansfield, a leading Modernist writer known for her captivating short fiction. In this immersive ninety-minute story from her celebrated collection, The Garden Party, experience the intricate dynamics of life at the bay, where emotions and relationships intertwine beautifully.

Dive into a captivating collection of short stories that explore a myriad of themes, crafted by one of New Zealands most celebrated female writers. Each tale invites you to experience the beauty and complexity of life through her unique lens.

In this captivating collection, Katherine Mansfield explores the complex tapestry of human emotions and relationships. A critic once noted that while these stories are far from cheerful, they lack the pervasive trivial discomfort found in much of modern fiction. With a diverse array of forms and themes, Mansfields work serves as a bold precursor to the literary territory later claimed by her contemporary Virginia Woolf. The male characters often come across as frustratingly rigid, while the central female figures teeter between moments of ecstatic joy and stark neurosis. Throughout, children ...

Explore the enchanting world of Katherine Mansfields Prelude, one of the inaugural releases from Leonard and Virginia Woolfs Hogarth Press. This exquisite story draws inspiration from Mansfields own childhood in New Zealand, showcasing her remarkable storytelling prowess. Join us for an introduction by iremonger that delves into the essence of this literary gem.

In this extraordinary collection, the final set of stories published during Katherine Mansfields lifetime, we glimpse a mind where creativity dances on the edge of existence. With the authors health wavering, these narratives reflect a profound engagement with the complexities of life and the whisper of death. Yet, amid the shadows, there lies a remarkable sense of hope and upliftment. These stories invite you to explore the beauty of fleeting moments and the resilience of the human spirit. (Summary by Peter Dann)

Katherine Mansfield was just 22 when these captivating stories first came to life in book form. Despite her later reluctance to see them republished—deeming them mere juvenilia—these tales offer a fascinating glimpse into the early stirrings of a remarkable literary talent. While only a handful of the stories are set in a German boarding house, reminiscent of the place where Mansfield navigated the complexities of an unwelcome pregnancy that tragically ended in miscarriage, they resonate with wit and insight. Throughout the collection, Mansfields sharp humor and palpable discontent with ...

Discover the captivating world of New Zealand modernist Katherine Mansfield in her first collection of short stories. Drawing inspiration from her travels, Mansfield skillfully captures the essence of German life on the eve of World War I, weaving a tapestry of tales that reflect the complexities of human experience. (Introduction by S. Kovalchik)

The Garden Party and Other Stories was published in 1922. A collection of fifteen short stories, it explores themes including life and death, gender and family roles, relationships and duty.

Skyboat Media presents The Best of Katherine Mansfield, an original compilation of stories from one of the defining writers of modernist fiction. Katherine Mansfield’s stories shine a light on the duality and the overpowering nature of psychology through her delicate, nuanced, and often stream-of-consciousness narration style. None of her stories seem to settle on just one theme; like life they encompass the intersectional nature of all moments, from the most minute and mundane to the most terrific and tragic.

Katherine Mansfield verlässt mit zwanzig Jahren ihre neuseeländische Heimat, um in London Schriftstellerin zu werden. Doch erst einmal landet sie schwanger in der Pension eines bayerischen Kurorts. Dort kann sie ihre Beobachtungsgabe literarisch ausleben, vor allem wenn sie auf Menschen trifft, die während der Kur das enge Korsett gesellschaftlicher Zwänge ablegen. Entstanden sind messerscharfe und sehr amüsante Erzählungen. Über scheinbare Banalitäten verdeutlichen sie tief verankerte Verhaltensmuster, Vorurteile und Klischees im beginnenden 20. Jahrhunderts. Nina Hoss leiht der Pionierin der modernen Short Story ihre Stimme.

Loss in any form seems to burden us with more weight than anything that can possibly be gained or learnt from. The loss of a person, a loved one, is often overwhelming. Lives so interwoven that the severing or loss of one life leaves the other weakened, unable to function for some time. Recovery comes in a myriad of forms but is usually debilitating, slow and, in the end, we are not as whole as we once were.It is a subject that authors return to again and again.

When we read or listen, words can have a transforming effect. Our mood can alter in the space of a few sentences from joy to sadness. And not just our mood. These words can affect us physically, they can engage our emotions and even in their sadness bring a lump to our throat and tears to our eyes. Sometimes the relief can be palpable. Our authors, from Anton Chekhov, Stephen Crane, Willa Cather, Katherine Mansfield and a wealth of others, are well aware of what their talents will evoke. Genius has many names.

Katherine was born on the 14th October 1888 into a prominent family in Wellington, New Zealand, the middle child of five. At 19 Katherine left for England, where she met and befriended the modernist writers D.H. Lawrence and Virginia Woolf, amongst others. She then travelled to Europe before returning to New Zealand. There she began to write the short stories that she would later become so famous for. But there was another less-heralded side to Katherine’s writings; that of poetry. Her verse certainly reflects much of the themes of her life and interests.

Figura clave del modernismo anglosajón, Katherine Mansfield perdura como una de las grandes maestras del cuento moderno. El presente volumen incluye una cuidada selección de sus mejores relatos, desde las sátiras de juventud hasta las comedias de madurez, caracterizadas por la franqueza y la melancolía.

La Pereza Ediciones decidió agrupar siete relatos de la gran escritora neozelandesa Katherine Mansfield. En una cuidada reedición con la que la casa de publicaciones ha querido estrenar su sello Bovarismos, dedicado a la literatura femenina clásica y contemporánea, se encuentra desde el conocido cuento "La fiesta en el jardín", hasta el que lleva el título del libro, "El desconocido", uno de los relatos menos compilados en la obra narrativa de Mansfield, pero tan encantador como todos los de esta genial autora, inconmovible al paso de los tiempos.

"È un aloe, Kezia" disse Linda. "Non fa mai fiori?" "Sì, bambina mia" disse la madre. Chinò la testa verso Kezia e, socchiudendo gli occhi, le sorrise: "Una volta ogni cento anni". È dal desiderio di dar voce alla terra natale, la Nuova Zelanda, "una terra sconosciuta da far guizzare per un istante davanti agli occhi del Vecchio Mondo", che tra il 1915 e il 1916 nasce "L'aloe", che Katherine Mansfield chiamava "il mio romanzo" e dal quale avrebbe poi tratto uno dei suoi racconti più intensi, "Preludio".

Il titolo di questo libro è il titolo di una poesia di Coleridge che è il tema del più lungo dei racconti, pubblicati postumi, scritti dal 1908 al 1921, a solo due anni dalla morte prematura della scrittrice, di cui Virginia Woolf ha detto: "E' l'unica scrittura che io abbia mai invidiato". Il filo conduttore dei racconti, e forse della vita, dell'autrice, è il passaggio continuo dalla vita al sogno, o meglio da un mondo ad un altro, legati da fili sottilissimi, sempre sul punto di rompersi.

¡Qué bello es enamorarse por primera vez! ¡Qué emocionante ir a tu primer baile con dieciocho años! Pero la vida puede ser cruel cuando eres joven e inexperto. Como un retrato en mosaico de su propia vida de amores y desamores, opulencia y miserias, de ambiciones y censuras, la extraordinaria escritora neozelandesa Katherine Mansfield condensa el espíritu modernista de los locos años veinte y la bohemia en esta recopilación de relatos.

"The Lady's Maid" is a story by Katherine Mansfield: Eleven o'clock. A knock at the door... I hope I haven't disturbed you, madam. You weren't asleep - were you? But I've just given my lady her tea, and there was such a nice cup over, I thought, perhaps...

The Garden Party is a 1922 short story by Katherine Mansfield. It was first published (as "The Garden-Party") in three parts in the Saturday Westminster Gazette on 4 and 11 February 1922, and the Weekly Westminster Gazette on 18 February 1922. It later appeared in The Garden Party: and Other Stories. Its luxurious setting is based on Mansfield's childhood home at 133 Tinakori Road (originally numbered 75), the second of three houses in Thorndon, Wellington that her family lived in. The wealthy Sheridan family prepares to host a garden party.