検索キーワード： ナレーター "David Shaw-Parker" すべてのカテゴリー

Ryūnosuke Niihara was born in Kyōbashi, Tokyo in Japan on the 1st March 1892. Sadly, his mother suffered severe mental illness after his birth and so, at only eight months old, he was sent to be raised by his maternal uncle and aunt, from whom he received the Akutagawa family name. Akutagawa published "Rashōmon" in 1915 and whilst it was disliked by his friends everyone else knew better. As other short stories followed so did his growing literary reputation as the father of the Japanese short story.

The Politics Book makes government and politics easy to understand by explaining the big ideas simply. The key events in political history are outlined from the origins of political thinking by Confucius and Aristotle to modern-day activists such as Martin Luther King and Nelson Mandela. This audiobook breaks down their important concepts into bite-size chunks to make the subject accessible to students of politics and anyone with an interest in how government works.

In this series we explore the many facets of love through literary talents that span both time and country. Love is good. It’s positive, a source of joy, nourishment and all over goodness. But sometimes other more malevolent forces come to play. They infect that love, they see their form as better. Instinctively we would shy away but sometimes its pull is too powerful, almost attractive. We are drawn closer into the shadows.

When Hedda Hellberg fails to return from a retreat in Italy where she has recently been grieving for her dead father, her husband discovers that her life is tangled in mystery. Hedda never left Oslo, the retreat has no record of her and, what's more, she appears to be connected to the murder of an old man gunned down on the first day of the hunting season in the depths of the Swedish forests....

The Way We Live Now is a complex and compulsive tale that traces the career of Augustus Melmotte, a strange and mysterious financier who bursts into London society like a guided missile. In setting up a dubious scheme based on speculative money and stock market gambles, Melmotte manages to lure in several members of the English aristocracy, for whom money is the summum bonum. The world is at his feet - until the corruption catches up with him.

Shamela is a bawdy, spirited, and hilarious response to Samuel Richardson's hugely popular 1740 novel, Pamela. In this pointed satire, Shamela (which transpires to be the real name of Richardson's Pamela) reveals the ulterior motives behind the events that took place in Pamela. Shamela is unlike the virtuous young lady portrayed in Richardson's novel and she takes command of her master, Squire Booby. Our heroine has planned it all out from the start and she is determined to entrap her master into marriage.

An ordinary lad from Teeside becomes an actor by pure chance, is given a fabricated name, experiences inexplicable success and uncertain recognition, only to suffer a lifetime of chronic imposter syndrome.

In this series we listen to short stories that are NOT by perhaps the most well-known author of this type. But the many other rich talents in the volume may have treated the subject matter a little differently, or were perhaps just overlooked in the stampede to applaud the winner, but these authors are of equal merit.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents whose time has now come again.

In modern society writing a letter, on paper, is almost unheard of. We all scribble notes and reminders but very rarely compose our thoughts in lengthy prose for another person to read. In this volume our talented authors bring us a plethora of narratives that centre themselves on how vital a few lines are to characters navigating through the twists and turns of a story.

In this series we listen to short stories that are NOT by perhaps the most well-known author of this type. But the many other rich talents in the volume may have treated the subject matter a little differently, or were perhaps just overlooked in the stampede to applaud the winner, but these authors are of equal merit.

Each and every one of us has attempted the feat—to express our feelings on love is one of the joys, or heartaches, of life. In this volume 10 poets add their immortal words on love. Some are tender, some are strident, some beguile with unknown words and play but always, always in tones of love. Genius in every name.

In this volume the English language reveals itself in a scale and depth that few others can compare with. It seems to be an advantage to be able to choose from over a million words and yet, it is not the words but the way in which they are used that resonate with us all. Is there some bond between the English and writing poetry? Maybe, maybe not, but let us celebrate these poems down the ages, not as one nation’s hoard but humanity’s gift.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of the 18th Century and its male authors whose time has now come again.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of 1800 to 1849 and its male authors whose time has now come again.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of Continental Europe and its male authors whose time has now come again.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of the Russian male author whose time has now come again.

The Russian novel has a reputation that is immense, both in narrative and in length. Unquestionably though the ideas, themes and characters make many novels rightly revered as world class, as icons of literature. The Russian short story is, in many respects, in a genre of its own. It is at its captivating best whether it’s an exploration of real-life experiences, through fantasy and fables and on to total absurdity.

Alfred Lichtenstein was born on the 23rd August 1889, in Berlin-Wilmersdorf, the son of a Jewish manufacturer. He grew up in Berlin before studying law at Erlangen in Bavaria. A writer in the Expressionist style his poems and stories are short but beautifully honed works. His tragically curtailed life allowed only a small part of his talents to rest with us. Undoubtedly a full life would have given the world a very gifted literary force.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. In the vast Empire of the Russians literature was a way to exchange ideas, values and cultures. Yet each author, each story, each character is an individual example of a journey that, story by story, has transformed the glimmering arc of its literature.