検索キーワード： 著者 "G-K Chesterton" すべてのカテゴリー

"And the young woman of the house," asked Dr. Hood, with huge and silent amusement, "what does she want?" "Why, she wants to marry him," cried Father Brown, sitting up eagerly. "That is just the awful complication." "It is indeed a hideous enigma," said Dr. Hood. "This young James Todhunter," continued the cleric, "is a very decent man so far as I know; but then nobody knows very much. He is a bright, brownish little fellow, agile like a monkey, clean-shaven like an actor, and obliging like a born courtier. He seems to have quite a pocketful of money, but nobody knows what his trade is. Mrs.

During the first three decades of the 20th century, eugenics, the scientific control of human breeding, was a popular cause within enlightened and progressive segments of the English-speaking world. This prophetic volume counters the intellectual nihilism of Nietzsche, while simultaneously rebuking Western notions of progress - biological or otherwise. Chesterton expands his criticism of eugenics into what he calls "a more general criticism of the modern craze for scientific officialism and strict social organization."

Mystery, intrigue and fantasy lead us on a scary adventure.

Chesterton takes us on a merry ride of mystery, intrigue, and above all, fantasy in this tale of anarchism. Sometimes it is referred to as a metaphysical thriller, and Chesterton himself referred to it as "a nightmare".

This podcast delves into the intriguing friendship and intellectual sparring between George Bernard Shaw and G.K. Chesterton. Despite their contrasting beliefs, the two maintained a mutual respect and fascination for each others ideas. The podcast explores how Shaw, a prominent figure in the emerging school of thought known as humanism, championed progress for its own sake, even if it meant redefining the nature of humanity. Chesterton, in contrast, was more inclined towards religious thought, with his views leaning more and more towards the Church. This podcast offers a fascinating insight ...

Lord Mounteagle verwahrt in seinem Privatmuseum zahlreiche asiatische Talismane und Glücksbringer. Als der Exzentriker das rote Juwel seinen Besuchern zeigt, ist die Gelegenheit zum Diebstahl günstig. Und prompt ist der Stein verschwunden. Genommen von einem zwielichtigen Wahrsager, dem "Meister vom Berge".

Dive into the captivating world of G. K. Chesterton’s fictional detective, Father Brown, in this second of five collections of short stories. Father Brown may appear to be an ordinary Catholic Priest with his loose clothing and ever-present umbrella, but his extraordinary insight into the depths of human wickedness sets him apart. His detective methods, though rooted in careful observation, lean more towards intuition than deduction. A devout and educated clergyman, Father Brown never lets his faith compromise his rationality. His deductions always lead to a logical, earthbound solution ...

Delve into the mystery of the Peacock trees, feared by peasants as the source of a deadly fever. Squire Vane, a non-believer of this folklore, dares to challenge the superstition by spending a night amongst the trees. When dawn breaks, he is nowhere to be found. Has he fallen victim to the curse or is there a more sinister play at work? Could the poet, the lawyer, the woodsman or even the trees themselves be responsible for his disappearance? Join us as we unravel this enigma.

"The Queer Feet" deals with Flambeau wanting to steal the silverware of the members of the Twelve True Fishermen having their annual club dinner at Vernon Hotel. The Vernon Hotel is an exclusive hotel and a "topsy-turvy product" (Chesterton 1994, p. 51).

The tenth story in The Innocence of Father Brown is entitled "The Eye of Apollo." At the beginning of this short story, Flambeau has just opened his detective agency in a new building located near Westminster Abbey. The other tenants in the building are a religious charlatan named Kalon, who claims to be "the New Priest of Apollo," and two sisters, who are typists. Flambeau and Father Brown instinctively distrust Kalon, who has installed a huge eye of Apollo outside his office.

"The Secret Garden" is a short story by G. K. Chesterton. It was originally published in The Story-Teller in October, 1910. It is the second story in the collection The Innocence of Father Brown. It is the second story about the French detective Valentin and completes his plot arch, begun in The Blue Cross.

"The Hammer of God," readers are surprised to learn from Father Brown that the murderer is not a violent madman but rather a very respected member of the community. The Reverend Wilfred Bohun could no longer stand the scandalous behavior of his alcoholic brother Norman, who blasphemed God and humiliated the Reverend Bohun in the eyes of his parishioners. Chesterton states that Wilfred and Norman Bohun belong to an old noble family whose descendants are now mostly "drunkards and dandy degenerates." Rumor has it that there has been "a whisper of insanity" in the Bohun family.

Certain of the great roads going north out of London continue far into the country a sort of attenuated and interrupted spectre of a street, with great gaps in the building, but preserving the line. Here will be a group of shops, followed by a fenced field or paddock, and then a famous public-house, and then perhaps a market garden or a nursery garden, and then one large private house, and then another field and another inn, and so on.

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary.

In a London of the future, the drudgery of capitalism and bureaucracy have worn the human spirit down to the point where it can barely stand. When a pint-sized clerk named Auberon Quinn is randomly selected as head of state, he decides to turn London into a medieval carnival for his own amusement. One man, Adam Wayne, takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighborhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results.

In a London of the future, the drudgery of capitalism and bureaucracy have worn the human spirit down to the point where it can barely stand. When a pint-sized clerk named Auberon Quinn is randomly selected as head of state, he decides to turn London into a medieval carnival for his own amusement. One man, Adam Wayne, takes the new order of things seriously, organizing a Notting Hill army to fight invaders from other neighborhoods. At first his project baffles everyone, but eventually his dedication proves infectious, with delightful results.

"The Secret Garden" is a short story by G. K. Chesterton. It was originally published in The Story-Teller in October, 1910. It is the second story in the collection The Innocence of Father Brown. It is the second story about the French detective Valentin and completes his plot arch, begun in The Blue Cross.

A stormy evening of olive and silver was closing in, as Father Brown, wrapped in a grey Scotch plaid, came to the end of a grey Scotch valley and beheld the strange castle of Glengyle. It stopped one end of the glen or hollow like a blind alley; and it looked like the end of the world. Rising in steep roofs and spires of seagreen slate in the manner of the old French-Scotch chateaux, it reminded an Englishman of the sinister steeple-hats of witches in fairy tales; and the pine woods that rocked round the green turrets looked, by comparison, as black as numberless flocks of ravens.

The tenth story in The Innocence of Father Brown is entitled The Eye of Apollo. At the beginning of this short story, Flambeau has just opened his detective agency in a new building located near Westminster Abbey. The other tenants in the building are a religious charlatan named Kalon, who claims to be "the New Priest of Apollo," and two sisters, who are typists. Flambeau and Father Brown instinctively distrust Kalon, who has installed a huge eye of Apollo outside his office.

Both by calling and conviction Father Brown knew better than most of us, that every man is dignified when he is dead. But even he felt a pang of incongruity when he was knocked up at daybreak and told that Sir Aaron Armstrong had been murdered. There was something absurd and unseemly about secret violence in connection with so entirely entertaining and popular a figure. For Sir Aaron Armstrong was entertaining to the point of being comic; and popular in such a manner as to be almost legendary.

Certain of the great roads going north out of London continue far into the country a sort of attenuated and interrupted spectre of a street, with great gaps in the building, but preserving the line. Here will be a group of shops, followed by a fenced field or paddock, and then a famous public-house, and then perhaps a market garden or a nursery garden, and then one large private house, and then another field and another inn, and so on.