検索キーワード： 著者 "Amelia Edwards" すべてのカテゴリー

Eerie old houses, wretched smiles, mausoleums, and banshees. Stories from masters of the horror genre, M.R. James, F. Marion Craword, Edgar Allan Poe, W.W. Jacobs, Amelia Edwards, Joseph Sheridan Le Fanu, and H.P. Loveraft, stories to make your body tingle and your mind play tricks.

A sparkling collection of short stories by leading female authors including “Miss Brill” by Katharine Mansfield, “The Lifted Veil” by George Eliot and “A Venetian Night's Entertainment” by Edith Wharton.

Un racconto giallo con evento soprannaturale che ben si sposa al fatto che il racconto è ambientato durante le festività natalizie alle quali stiamo andando incontro. Un avvocato scompare senza lasciare traccia mentre trasporta un'ingente somma di denaro che non gli appartiene. Tutti pensano a un furto, e lo scandalo è grande. Poi, a distanza di tempo, l'avvocato riappare sull'espresso delle quattro e un quarto (da cui il titolo dell'opera) e, come se niente fosse, intrattiene il protagonista del libro con una interminabile chiacchierata. Ma nulla quadra.

Lost on the moors on a snowy night, a gentleman boards a passing coach with relief. Then he takes a closer look at his fellow passengers. 'The Phantom Coach' is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known.

In this well-known classic, a school inspector travelling to the village of Pit End wonders whether the things he’s seeing are products of his imagination or something supernatural. There’s a rational answer, but is it the right one? Was It an Illusion is taken from the Victorian Anthologies series featuring short stories by classic writers of the spooky, the scary and the supernatural. Guaranteed to give you the shivers, each collection includes familiar and loved creepy tales as well as those less well-known. With music by Benedict Edwards.

A collection of six classic chilling horror stories including "The Three Strangers", "The Phantom Coach", "The Open Window", and "The Travellers Story of a Terribly Strange Bed".

Four spine-tingling short stories from masters of the genre, read by Michael Maloney, Eleanor Bron and Andrew Sachs: 'The Phantom Coach' by Amelia B. Edwards; 'The Judge’s House' by Bram Stoker; 'The Tapestried Chamber' by Sir Walter Scott; 'The Man of Science' by Jerome K. Jerome.

This choice collection of spine tingling tales runs the gamut from slightly spooky to "I'm sleeping with all the lights on tonight!" A splendid grouping of tales from the pens of some of the great writers of the past. Enjoy these classic stories alone or with a friend, whenever your ears are free.

A great collection of 12 classic stories about ghosts and the supernatural. Included are stories by Thomas Hardy, Fitz-James O'Brien, and Margaret Oliphant. Recommended for fans of classic ghost stories of yesteryear. - Summary by Phyllis Vincelli

Amelia B. Edwards Thousand Miles up the Nile, originally published in 1877, is a captivating historical and cultural exploration of Egypt that quickly became a bestseller, with reprints in 1888 both in England and internationally. At a time when most women were expected to stay at home, Edwards boldly journeyed through Egypt, establishing herself as a pioneering Egyptologist. She later founded the Edwards Chair of Egyptology, which was first held by the renowned Sir William Matthew Flinders Petrie. This seminal work not only laid the groundwork for future Egyptology but also significantly ...

Amelia B. Edwards first heard about the Dolomites in 1853, through sketches brought back to England from Italy. On 27 June 1872, she embarked on a trip through the mountains with her friend Lucy Renshaw. At the time of Edwards’s visit, the Dolomites were described as terra incognita and even educated persons had never heard of them. During the expedition, Edwards also sought works of Titian, finding a Madonna and Child in Serravalle (Vittorio Veneto) and two other paintings at a village church in Cadore.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your reading and listening pleasure.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

This collection of tales transports the listener to a time when staircases creaked in old manor houses, and a candle could be blown out by a gust of wind—or by a passing ghost. Penned by some of the greatest Victorian novelists and masters of the ghost story genre, each comes to life in this vivid rendition.

When William Langford boards the 4:15 express on a damp December evening, he expects nothing more than a quiet journey to his friend’s country estate. But his solitary compartment is unexpectedly intruded upon by a familiar traveler—a reserved, pale-faced gentleman carrying a heavy deed-box and an unsettling air. By the time the train slows into Blackwater station, the stranger disappears into the swirling mist. And then—he is gone. Not merely from sight, but from the world.

A train seems a very reliable mode to bring out the best in authors and sometimes the worst in their fictional characters. In this volume our narratives are usually set inside the carriage compartment where they are really up close and personal with each other. All our authors need to do is to light the touchpaper and stand well back.

Trains have always held a special place for most of us. We’re intrigued by the mere fact that we can sit down in one place and arrive in another and enjoy the adventure and time in between. In this volume we explore both the journeys and the workers who run and maintain the railway network.

For centuries England has always had a leading and admired reputation for its poets and poetry. In this volume we explore those born in the East of England who created such revered, enduring and respected verse.

In this series we explore the many facets of love through literary talents that span both time and country. Love is good. It’s positive, a source of joy, nourishment and all over goodness. But sometimes other more malevolent forces come to play. They infect that love, they see their form as better. Instinctively we would shy away but sometimes its pull is too powerful, almost attractive. We are drawn closer into the shadows.

Als sich an einem unbehaglichen Dezembertag des Jahres 1856 der Geschäftsmann und Reisende William Langford doch noch ärgerlicherweise ein schon für sich geglaubtes privates Abteil des Vier-Fünfzehn-Schnellzugs mit einem weitläufigen Bekannten teilen muss, ahnt er noch nicht, dass diese Begegnung ihn alsbald in ein unerklärliches Rätsel involvieren wird ... Ein Rätsel, an dem sich die englische Polizei bereits seit Monaten die Zähne ausbeißt.