検索キーワード： ナレーター "Mitchley Richard" すべてのカテゴリー

Fear affects us all in some way, shape or form. Whilst we would rather shy away from it in real life, when it comes to stories, we tend to move towards it. In this volume of short stories our malevolent authors, including the talents of H P Lovecraft, Edgar Alan Poe, Charles Dickens, M R James, Victor Hugo, E T A Hoffman and many, many others, seem to take great delight in assaulting our senses with heart stopping narratives designed to put the fear of God, the Devil and just about every other form of disturbed terror into our eager hearts and minds.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Louisa MacDonald was born in 1845, one of eleven children of part Scottish descent. Together with three of her sisters they were known as the ‘MacDonald sisters’ primarily because of their marriages to well-known men. Her writing career of novels, short stories and poetry is often overlooked, as was the case with so many women, yet her works reveal many talents and a gift for melding odd and weird circumstances into seemingly everyday life.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Arnold Bennett was born in 1867 in Hanley one of the six towns that formed the Potteries that later joined together to become Stoke on Trent; the area in which most of his works are located. For a short time he worked for his solicitor father before realising that to advance his life he would need to become his own man. Moving to London at twenty-one he obtained work as a solicitor’s clerk and gradually moved into a career of journalism. At the turn of the century he turned full time to writing. Clayhanger and The Old Wives Tale are perhaps his greatest and most lauded novels.

In life’s kitbag of essentials food and drink are right at the top. Their variety and ways to consume are a wonder, both of nature’s offerings and human creativity. For our classic poets ranging from Ancient Romans to Elinor Wylie and Rainer Maria Rilke, their recipes for verse using the simple ingredients of words and imagination are a wonderful and enduring example of their craft and art applied to the one thing mankind looks forward to each and every day.

Joseph Conrad was born on 3rd December 1857 in Berdychiv in the Ukraine, then part of the Russian Empire. His birthplace had been part of Poland which its neighbours dismembered into their own Empires. Conrad brought to English Literature both narrative mastery, compelling prose and fully formed characters as well as a deeper examination of the human psyche in a wealth of work. He wrote many novels, short stories, nonfiction, and memoirs which are rightly regarded today as some of the finest in English literature.

Joseph Conrad was born on 3rd December 1857 in Berdychiv in the Ukraine, then part of the Russian Empire. His birthplace had been part of Poland which its neighbours dismembered into their own Empires. Conrad brought to English Literature both narrative mastery, compelling prose and fully formed characters as well as a deeper examination of the human psyche in a wealth of work. He wrote many novels, short stories, nonfiction, and memoirs which are rightly regarded today as some of the finest in English literature.

Love. Perhaps the one word solution for everything. An emotion, a state of mind that we strive for, search for. A wondrous force that binds, inspires, and a force that can spin out of control; unbalanced and fragile. Love reflects, changes and embraces us all. In this series we explore the many facets of love through literary talents that span both time and country.

Love has many forms, many needs. Some fall into the dark, into the shadows. Forbidden love has connotations of desire, of possession but also of matters far more unsavoury. It’s a delicate facet of love that our classic authors explain with careful words and superbly crafted narratives.

Is it really true that working longer hours makes you more successful? Do you really need to hide your emotions in order to gain respect as a manager? Does higher pay really always lead to higher performance? The world of management is blighted by fads, fiction and falsehoods. In Myths of Management, Cary Cooper and Stefan Stern take you on an entertaining journey through the most famous myths surrounding the much-written about topic of management. They debunk false assumptions, inject truth into over-simplifications and tackle damaging habits head-on.

Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

Mental illness though can still carry a stigma. A case of ‘you’re not trying hard enough’, ‘or knuckling down and getting on with it’. But in more recent decades mental issues have come to be recognised as an illness, a disease rather than an affliction. We all remember horror stories of lobotomy’s and electric shock being used to ‘cure’ what society viewed as anti-social behaviour but illness, mental or physical is very real. Depression, schizophrenia, breakdown, psychosis are alarming events to have or to witness.

Francis Bret Harte was born on 25th August 1836 in Albany New York. As a young boy Harte developed an early love of books and reading. He first published at the tender age of 11, his satirical poem ‘Autumn Musings’. Expecting praise he received anything but and later wrote "Such a shock was their ridicule to me that I wonder that I ever wrote another line of verse." By age 13 his formal education was at an end and four years later the family moved to California. It was here that he found the stories and inspiration for the works that would seal his fame across the literary world.

In this volume our authors explore the terrors of the mind rather than the horrors of reality, although with their pens the difference makes little difference. We twist this way and that as their talents shape our path towards endings of the nerve-shredding kind.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that are difficult to achieve elsewhere. The City of Lights may be one of the glories of the world but for those whose three score and ten have passed it is the final resting place for some of the very finest of literary talents.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your reading and listening pleasure.

The Modern Age is one of information overload. Bombarded, surrounded, and battered by facts, figures, opinions and seemingly whatever else comes out of anyone’s head from all directions at all hours of the day and night. It’s exhausting. In the pens of such luminaries as Henry James, E M Delafield, C E Montague, Charlotte Perkins Gilman and many others we connect with old fashioned media from publishing and advertising to telegrams and radio and everything in between in ways that are surprising, enlightening but always entertaining.