検索キーワード： 著者 "Katherine Mansfield" すべてのカテゴリー

The Voyage is a 1921 short story by Katherine Mansfield. It was first published in The Sphere on 24 December 1921, and later reprinted in The Garden Party and Other Stories. At the harbour Fenella and her grandmother say goodbye to Fenella's father and board the Picton boat; a number of everyday situations are described during the journey, which highlight a degree of tension between the rather religious grandmother and staff on the boat. At Picton they are met by Mr Penreddy with a carriage. They arrive at the grandparents's house and meet Fenella's grandfather.

A collection of short stories by Katherine Mansfield, widely recognized as one of the greatest writers of her period, that capture with accuracy those emotionally-charged moments when an individual is most revealing. Prelude / Je ne Parle pas Français / Bliss / The Wind Blows / Psychology / Pictures / The Man without a Temperament / Mr. Reginald Peacock’s Day / Sun and Moon / Feuille d’Album / A Dill Pickle / The Little Governess / Revelations / The Escape.

The Garden Party is a 1922 short story by Katherine Mansfield. It was first published (as The Garden-Party) in three parts in the Saturday Westminster Gazette on 4 and 11 February 1922, and the Weekly Westminster Gazette on 18 February 1922. It later appeared in The Garden Party: and Other Stories. Its luxurious setting is based on Mansfield's childhood home at 133 Tinakori Road (originally numbered 75), the second of three houses in Thorndon, Wellington that her family lived in.

In a world that has moved on, two men sit in the shadows of the past. One, frail and forgetful, speaks of things best left unsaid. The other, powerful yet unknowingly adrift, listens—and feels something crack beneath his carefully preserved sense of control. The war took their sons, but time has taken something else, something harder to name. In the quiet of an office where authority once meant everything, grief lingers like dust on old furniture. A casual visit, a few words spoken in passing, and suddenly, the weight of loss is too heavy to ignore.

"In a German Pension" is a collection of short stories by Katherine Mansfield, a New Zealand writer and critic who was an important figure in the modernist movement and widely considered one of the greatest short story writers of all time. Focusing on the lives and interactions of a diverse group of guests staying at a German spa-town pension, where the narrative explores themes of social norms, cultural differences, and the complexities of human relationships.

Je ne parle pas français is a short story by Katherine Mansfield. She began it at the end of January 1918, and finished it by February 10. It was first published by the Heron Press in early 1920, and an excised version was published in Bliss and Other Stories later that year. A French writer describes his encounter with an English writer, and the consequences thereof.

Mr Reginald Peacock's Day is a 1920 short story by Katherine Mansfield. It was first published in the New Age on 14 June 1917, and later reprinted in Bliss and Other Stories. Reginald is woken up by his wife for breakfast. He is irritated by his wife who is very polite with him. He has a bath, sings for a bit and fathoms he could be an opera singer.

Sun and Moon is a 1920 short story by Katherine Mansfield. It was first published in the Athenaeum on 1 October 1920, and later reprinted in Bliss and Other Stories. The children, Sun and Moon, are hanging around the house while a party is being prepared. They play games, then are sent off to bed.

The Wind Blows is a short story by Katherine Mansfield. It was first published in the magazine Signature (4 October 1915) as Autumns: II under the pseudonym Matilda Berry. It was published in revised form in the Athenaeum on 27 August 1920, and subsequently reprinted in Bliss and Other Stories. Matilda is woken up by the wind; she looks out the window; her neighbour, Marie, is fetching flowers from the garden and then Matilda’s mother is called for the telephone by Bogey, Matilda’s brother.

Bliss is a modernist short story by Katherine Mansfield first published in 1918. It was published in the English Review in August 1918 and later reprinted in Bliss and Other Stories. The story follows a dinner party given by Bertha Young and her husband Harry.

Feuille d'Album is a 1917 short story by Katherine Mansfield. It was first published in the New Age on 20 September 1917, under the title of An Album Leaf. A revised version later appeared in Bliss and Other Stories. Ian French is a young artist who lives alone in Paris. He is very reserved and rarely talks to anyone. He is particularly shy around women and rejects their advances. One day he sees a girl his own age on the balcony of the building opposite his and becomes infatuated with her.

Prelude is a short story by Katherine Mansfield. It was first published by the Hogarth Press in July 1918, after Virginia Woolf encouraged her to finish the story. Mansfield had begun writing Prelude in the midst of a love affair she had in Paris in 1915. It was reprinted in Bliss and Other Stories (1920). The story was a compressed and subtler version of a longer work The Aloe, which was later published posthumously in full. The story is based on the Beauchamps' move to Karori, a country suburb of Wellington, in 1893.

Psychology is a 1920 short story by Katherine Mansfield. It was first published in Bliss and Other Stories. A man visits a woman for tea. He tells her this is the only place he pays attention to in terms of its furniture and so on. He also loves her 'little boy'. They then talk about the state of the novel as a literary genre - coming to the conclusion that the psycho-novel is shoddy. She feels anguished about possibly having failed in not following suit with that genre however, and he leaves...

The Man Without a Temperament is a 1920 short story by Katherine Mansfield. It was first published in Arts and Letters in Spring 1920, and later reprinted in Bliss and Other Stories. Mrs Jinnie Salesby has tea with her husband, Robert. She receives a letter from Lottie, who is suffering from neuritis. In her letter, she explains it is snowing in London. Then The Honeymoon Couple come back from fishing. The Salesbys go for a turn; she stops and sits while he goes on for a longer walk.

Pictures is a 1917 short story by Katherine Mansfield. It was first published under the title of The Common Round in the New Age on 31 May 1917 and later as The Pictures in Art and Letters in Autumn 1919. It was then reprinted as Pictures in Bliss and Other Stories. Miss Moss wakes up in the morning and she is hungry because she didn't have dinner the night before, nor is she going to have breakfast: she cannot afford it. Then her landlady turns up and gives her a letter hoping that it would be the rent, but it is note from an employment agency, saying they will get back to her.

Diplomacy by other means may, at times, sound heroic. A fight for principles and ideals carried out by young men armed to the teeth and directed by older men in pursuit of their own version of glory for themselves and their Nations. Right will triumph over wrong. But war can be an illusion, stirred up by schemers and opportunists to take something from other nations that may or may not be right. As blood and limb are sacrificed the true cost is seen but often set to one side as the dispute becomes embedded in emotions and reason falls away.

In this series we explore the many facets of love through literary talents that span both time and country. Love in its fiery form may last but a moment―or forever. The need and want are obvious to both. Its all-consuming, if feels like it will always endure and never end. But passion and desire can burn bright and then burn themselves out. Our very devoted authors have much to share.

This anthology features a wide array of thought-provoking, genre-defining works from the 1900s, showcasing the range of modern storytelling—from existential musings to dark humour and intricate social commentary. These are the stories that have shaped modern literature, offering timeless insights into human nature and society. This collection brings together the finest modernist narratives, political reflections, and social commentaries that have shaped literature as we know it.

Contes du quotidien, les quatorze histoires réunies dans cet écrin conjuguent reviviscences d'enfance en Nouvelle-Zélande, échappées oniriques, portraits saisissants, émotions brutes et découverte de la mort et de ses avatars. Dans "Prélude", "Félicité", ou encore "Je ne parle pas français", le ressenti prend le pas sur l'action et se mettent à nu d'inquiétants rapports de force au sein même des relations les plus familières. Ce recueil a assis la réputation de Katherine Mansfield comme la plus grande virtuose de la nouvelle moderniste.

What does it mean to escape when love, obligation, and habit quietly close in? In “The Escape” by Katherine Mansfield, a quiet domestic moment becomes the stage for an unspoken emotional reckoning between a husband and wife. As they prepare for an evening out, small gestures, clipped remarks, and inner reflections reveal the tensions beneath their long-standing marriage. What appears outwardly calm is charged with resentment, fatigue, and the desire—felt by both—for freedom from roles that no longer bring comfort.