検索キーワード： 歴史・批評

In this definitive history of New Girl, entertainment reporter Thea Glassman lifts the curtain on one of the most beloved comedies of the 2010s, going inside the writers’ room and onto the set with exclusive interviews from the show’s creator, cast, writers, directors and crew.

The concept of motherhood, often idealized as the epitome of unconditional love and nurturing, has been twisted and perverted in various cinematic works to explore darker, more complex human dynamics. Led by Bram Stoker, Shirley Jackson Award, and two-time World Fantasy Award winning editor and acclaimed film professor Danel Olson, the essayists introduce listeners to traditional portrayals of mothers in film and literature, establishing a baseline for understanding how diabolical motherhood deviates from the norm.

More than fifteen years after Parks and Recreation premiered, it has become a streaming and pop culture staple. It’s beloved for its jokes, characters, and expressions—the show even created a now widely observed holiday, Galentine’s Day. How did it all happen and how did the show transform from a ratings disappointment into a cult classic? Listeners will find out all this and more in the definitive history of the show, which is as full of humor, optimism, and heart as Parks and Recreation itself.

This comprehensive and creepy guide explores the dark and eerie landscapes of horror down the centuries and across the world – from prehistoric death rituals and early monster myths to modern manifestations of the subject in art, literature, and film. Delve into the folklore that gave birth to iconic creatures of the night – from vampires and werewolves to the Japanese Kappa water demon and the cannibalistic Wendigo of Indigenous American lore.

From the creator of the highly popular Kardashian Kolloquium comes a New Media manifesto for the TikTok age, blending theory and cultural analysis to explain the meteoric rise of the Kardashians and explore what their fame can teach us about the way media functions today.

From its start, when studio executives drafted a plan to recoup costs after what they predicted would be the series' inevitable failure, to the 1992 prequel movie that elicited boos at Cannes, to its unexpected and acclaimed return some twenty-five years later, Twin Peaks garnered millions of devoted fans who refused to let it die. In A Place Both Wonderful and Strange, entertainment reporter Scott Meslow takes listeners behind the curtain of Lynch’s and Frost’s dedication to finishing what they started.

Professor of Classics Peter Meineck traces Marvel’s lineage back to its earliest roots at the dawn of human culture. Using Marvel’s most beloved heroes (and antiheroes), such as Spider-Man and Deadpool, Meineck demonstrates how ancient themes continue to appear in our stories today and reintroduces characters like Achilles and Odysseus from Homer’s Iliad and Odyssey.

This unique biography traces the many lives and crimes of Hannibal Lecter: his disturbing debut in Thomas Harris’s 1981 novel Red Dragon; his rise to infamy in beloved films like Michael Mann’s Manhunter and Jonathan Demme’s Academy Award–winning The Silence of the Lambs; and his unexpected comeback in the cult-hit TV series Hannibal. It also dives into the untold life and career of Harris, the secretive bestselling author whose passion for reporting, eye for grisly detail, and connections to the FBI helped birth not only Lecter, but also the modern true-crime genre.

This engaging book by Jeff Rauseo blends film history with a modern guide to streaming, helping you navigate the complex history of movie making and ultimately how to know what to watch in the vast ocean of content. From the golden age of Hollywood to the best new movies to stream, Rauseo breaks down the ever-evolving movie watching experience to help us understand the good, the bad, and the ugly of streaming.

In a house designed for manipulation, paranoia, and power plays, sixteen strangers are cut off from the outside world—watched every second by cameras, judged by millions. Welcome to Big Brother. A show ahead of its time, it was once dismissed as fluff television. Now this voyeuristic reality show has quietly become a cultural juggernaut. But what are the costs of turning human lives into entertainment? What kind of psychological toll does it take to be put in isolation, under constant surveillance, in a perpetual state of suspicion?

Joan Crawford burst out of her poverty-stricken youth to become a bright young movie star in the 1920’s, drawing the admiration of F. Scott Fitzgerald and the attention of audiences worldwide. She flourished for decades, working for multiple studios in every genre from romance to westerns (Mildred Pierce, Johnny Guitar), musicals to noir (Torch Song, A Woman’s Face), and being directed by a young Steven Spielberg in one of her last appearances. Along the way she accumulated four husbands, an Academy Award for Best Actress, and the undeniable status of a legend.

In thirteen iconoclastic essays, Slavoj Žižek disrupts the death-grip that neoliberalists, Trumpian populists, toxic self-improvement industries and accelerationists alike have established on the idea of progress. Anatomizing what is lost when opponents of the future are allowed to define it, Žižek ruthlessly exposes what different visions of progress exclude or sacrifice and the dynamics of desire, denial and disavowal at work in Hollywood blockbusters, Buddhist economics, decolonization movements and other engines of vision.

Making Mary Poppins reveals the extraordinary true story behind the creation of one of the most beloved films of all time―and the two little-known songwriters who helped make it possible.

How to Score in Hollywood reveals the secrets to a movie’s success and profitability. Entertainment research expert Kevin Goetz, founder and CEO of Screen Engine, draws on almost four decades of experience to show how strategic decisions—from development to release—help minimize risks and maximize returns. Armed with audience insights and data-driven strategies, Goetz demonstrates how every film should make money when made and marketed for the right price.

When a story resonates with audiences generation after generation, it reaches “classic” status. Francis Ford Coppola saw that potential in S. E. Hinton’s novel about two rival groups in 1960s Tulsa and knew it was meant for the silver screen. Now, in this definitive oral history, we’re given a rare glimpse into the filmmaking process: How Coppola’s team recruited unknown actors destined to become household names. How a film that could have easily been shot in a Hollywood studio was instead produced on location where the original novel was set.

With unparalleled freedom in the Golden Age of Hollywood, movies produced during the “pre-Code” era between 1930 and 1934 dealt with a wide range of social issues, including sexual freedom, incarceration, organized crime, race, and class. Films of the period include beloved classics like King Kong (1933) but also lesser-known penetrating cinema like I Am a Fugitive from a Chain Gang (1932) and Wild Boys of the Road (1933). These films, produced at the height of the Great Depression, boast work by women directors, featured diverse leads, and pushed the limits of contemporary social norms.

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Much has been written about the work of David Lynch and existential fear in relation to Americana and the American Dream-as-American Nightmare in terms that are circular and artistically self-referential—or Lynchian. With reference to the 1983 television phenomenon The Day After, Lynch's work is newly situated in a resurgence of works reassessing the legacy of Trinity. With David Lynch's Part 8, a cultural circuit is completed, from the idiosyncratic and personal—or Lynchian—to the shared space of what theorist Paul Virilio describes as "cosmic fear"—or an emergency of social media.

ヌーヴェル・ヴァーグ（Ｎ・Ｖ＝新しい波）は、ジャン＝リュック・ゴダール、フランソワ・トリュフォーらを中心に1950年代末のフランスで生起した映画の革新運動だが…

There are few stars in Hollywood today that can boast the kind of resume Emmy award-winning actor Tim Curry has built over the past five decades. From his breakout role as Dr. Frank-N-Furter in The Rocky Horror Picture Show to his iconic depiction as the sadistic clown Pennywise in It to his critically acclaimed role as the original King Arthur in both the Broadway and West End versions of Spamalot, Curry redefined what it meant to be a “character actor,” potraying heroes and villains alike with complexity, nuance, and a genuine understanding of human darkness.