検索キーワード： 制作 "--Tyson Hanks" アジア系アメリカ人・太平洋諸島系

Set in 1944 Chicago, Edgar Award-winner Naomi Hirahara’s eye-opening and poignant new mystery, the story of a young woman searching for the truth about her revered older sister's death, brings to focus the struggles of one Japanese-American family released from mass incarceration at Manzanar during World War II.

Yunjae was born with a brain condition called alexithymia that makes it hard for him to feel emotions like fear or anger. He does not have friends - the two almond-shaped neurons located deep in his brain have seen to that - but his devoted mother and grandmother aren’t fazed by his condition. Their little home above his mother’s used bookstore is decorated with colorful Post-it notes that remind him when to smile, when to say "thank you", and when to laugh. Yunjae grows up content, even happy, with his small family in this quiet, peaceful space.

You can always count on a crowd outside Heads by Harry, the Yagyuu family's taxidermy shop in Hilo, where the regulars gather every day to drink beer, eat smoked meat, and pontificate into the pau hana hours. But above the shop, where the family lives, life isn't so predictable. Toni Yagyuu, the middle child, has enough on her hands dealing with her budding diva of a little sister. But it is the men in her life that really have her running in circles

East Long Beach. The LAPD is barely keeping up with the high crime rate. Murders go unsolved, OAPs are getting hoodwinked, children are missing. But word has spread: if you've got a case the police can't or won't touch, Isaiah Quintabe will help you out. They call him IQ. He's a loner and a high school dropout, his unassuming nature disguising a relentless determination and a fierce intelligence. He charges his clients whatever they can afford. But now he needs a client who can pay.

Claudia is used to disregarding her fractious family’s model-minority expectations: she has no interest in finding either a conventional career or a nice Chinese boy. She’s also used to keeping secrets from them, such as that she prefers girls—and that she's just been stealth-recruited by Veracity, a referrals-only online-dating detective agency.

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family's history that began before he was born - a history whose epicentre is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class and masculinity.

Rei Shimura, a California girl living in Tokyo, has an antiques business that's only slightly more successful than her love life. When her aunt enrolls her in the Kayama School of Ikebana to learn how to arrange flowers, disaster strikes. A mean teacher is found with scissors in her neck, and Takeo Kayama, the sexy billionaire heir to the school, considers Rei's aunt the main suspect.

Life in modern Tokyo is a blast for Rei Shimura, a young Japanese-American woman who enjoys busy days as an antiques dealer and steamy nights with a devoted new boyfriend. But things come to a standstill when Rei overpays for a rare old chest of drawers for a wealthy client, the owner of a famous Zen temple in Kamakura. The exquisite tansu turns out to be a fake: the worst deal Rei has ever made. When the temple family turns on Rei - and the con man who sold the tansu is murdered - she realizes she's opened a Pandora's box of deception and death.

Athena Liu is a literary darling and June Hayward is literally nobody. When Athena dies in a freak accident, June steals her unpublished manuscript and publishes it as her own under the ambiguous name Juniper Song. But as evidence threatens June’s stolen success, she will discover exactly how far she will go to keep what she thinks she deserves. What happens next is entirely everyone else’s fault.

This is the story of an artist as an aging man, struggling through the wreckage of Japan's World War II experience. Ishiguro's first novel.

On a sunny day in Berkeley, California, in 1942, a woman sees a sign in a post office window, returns to her house, and matter-of-factly begins to pack her family's possessions. Like thousands of other Japanese Americans, they have been reclassified virtually overnight as enemy aliens, and they are about to be uprooted from their home and sent to a dusty internment camp in the Utah desert.

Vera Wong is a lonely little old lady—ah, lady of a certain age—who lives above her forgotten tea shop in the middle of San Francisco’s Chinatown. Despite living alone, Vera is not needy, oh no. She likes nothing more than sipping on a good cup of Wulong and doing some healthy detective work on the Internet about what her Gen-Z son is up to. Then one morning, Vera trudges downstairs to find a curious thing—a dead man in the middle of her tea shop.

One evening, ten-year-old Louisa and her father take a walk out on the breakwater. They are spending the summer in a coastal Japanese town while her father Serk, a Korean émigré, completes an academic secondment from his American university. When Louisa wakes hours later, she has washed up on the beach and her father is missing, probably drowned. The disappearance of Louisa’s father shatters their small family unit. As Louisa and her American mother Anne return to the US, this traumatic event reverberates across time and space, and the mystery of what really happened to Serk slowly unravels.

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother's death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We're Briefly Gorgeous, Vuong contends with personal loss, the meaning of family and the cost of being the product of an American war in America. At once vivid, brave and propulsive, Vuong's poems circle fragmented lives to find both restoration as well as the epicentre of the break.

Willa Chen has never quite fit in. Growing up as a biracial Chinese American girl in New Jersey, Willa felt both hypervisible and unseen, too Asian to fit in at her mostly White school, and too White to speak to the few Asian kids around. After her parents’ early divorce, they both remarried and started new families, and Willa grew up feeling outside of their new lives, too.

A long-married couple is forced to confront their friend's painful past when a church revival comes to a nearby town ... A woman in an arranged marriage struggles to connect with the son she hid from her husband for years ... A well-meaning sister unwittingly reunites an abuser with his victims. Through an indelible array of lives, Yoon Choi explores where first and second generations either clash or find common ground,

When his mother dies after a lifetime of struggle, Sebastien is obsessed with finding the father he's never met—the commanding officer of a luxury liner. Posing as a member of the ship's crew, Sebastien becomes entangled in a revolt, leading him to uncover a disturbing secret about his identity.

Years after her Chinese half-sister assails her with ghost stories set in the mysterious world of Yin, Olivia — a young woman from San Francisco — finds herself in China. Looking for a way to reconcile her past with dreams for her future, Olivia's American assumptions are shaken by Chinese ghosts, but she also finds reasons to hope.

Opal Chen reunites with her Chinese sisters after forty years; newly cosmopolitan Lulu Koo wonders why Americans “like to walk around in the woods with the mosquitoes”; Hong Kong parents go to extreme lengths to reestablish contact with their “number-one daughter” in New York; and Betty Koo, brought up on “no politics, just make money,” finds she must reassess her mother’s philosophy. With their profound compassion and equally profound humor, these eleven linked stories trace the intimate ways in which humans make and are made by history.

Twelve American tourists join an art expedition that begins in the Himalayan foothills of China - dubbed the true Shangri-La - and heads south into the jungles of Burma. But after the mysterious death of their tour leader, the carefully laid plans fall apart, and disharmony breaks out among the pleasure-seekers.