検索キーワード： 制作 "Audible Studios" 映画・テレビ

Veteran actor Titus Welliver (Lost, The Good Wife) talks about what it’s like to play the iconic Detective Harry Bosch. From becoming a leading man to the dramatic journey Bosch takes in season one, Titus opens up about bringing this much-beloved character to the screen.

Jon Landau, the Academy Award–winning film producer behind Titanic, Avatar, Alita: Battle Angel, Honey, I Shrunk the Kids, and Dick Tracy, knew two things well: how to tell an unforgettable story, and how to find solutions. So, when he found himself confronting his fate, a diagnosis of improbable odds, he began to problem solve, ensuring that everything he learned behind the camera would live on after he was gone.

From age 11, in 1974, until she left the show, in 1981, Melissa Anderson literally grew up before the viewers of Little House on the Prairie. Melissa, as Mary, is remembered by many as the blind sister - and she was the only actor in the series to be nominated for an Emmy. In The Way I See It, she takes listeners onto the set and inside the world of the iconic series created by Michael Landon, who, Melissa discovered, was not perfect, as much as he tried to be. In this memoir she also shares her memories of working with guest stars like Todd Bridges, Mariette Hartley, Sean Penn, Patricia Neal, and Johnny Cash.

Gordy LaSure's passionate about film. He eats film, he drinks film, and sometimes he'll even watch a film. But most of all, he loves talking about film, and how they'd be a shit-ton better if only people would pull their asses out of their ears and listen to Gordy LaSure. Why are some films bad and some films terrible? How come just a handful of films (Titanic, Porky's, Dirty Harry) are any good at all? Gordy'll tell you How and Why, and he'll give you a shot of Wherefore on the side. And he doesn't shoot from the hip; he shoots from the gut.

Charlotte Stewart is known by millions of fans worldwide for her role as the beloved schoolteacher, Miss Beadle, on the iconic TV show, Little House on the Prairie, currently broadcast in syndication in more than 100 countries around the world. Here for the first time an adult cast member writes about the experience of making the show - the challenges, the joys, and the sometimes-turbulent behind-the-scenes relationships.

The never-before-published edition of Francis Ford Coppola's notes and annotations on The Godfather novel by Mario Puzo reveals the story behind one of the world's most iconic films. In this one-of-a-kind audio production, Coppola provides listeners with unfiltered access to his creative process in his own voice. Featuring notes from eight scenes - handpicked by Coppola himself - The Godfather Notebook is a must-listen for fans of the 1972 film.

最近はシェアハウスに住んでいる人が多くなったので、今日はシェアハウスを舞台にした作品を紹介しますね。 　映画を観ていて、ああ、青春時代が懐かしいな、ちょっとだけでいいからあの時代に戻りたいな、と思うことがあります。フランスのセドリック・クラピッシュが監督と脚本を手掛けた2002年の『スパニッシュ・アパートメント』はまさにそんな思いを強く抱かせてくれる作品です。 　主人公のグザヴィエ（ロマン・デュリス）はパリで暮らす25歳の大学生。卒業を間近に控えた彼の一大関心事は就職。幼い頃は作家に憧れていましたが、今は安定性を重視し、父親の友人である高級官僚の勧めに従って、スペイン語を習い、外交官を目指すことを決意。恋人と別れ、バルセロナの語学学校へ留学します。（本文より） ロバート・ハリス　運命のダイスを転がせ！ はこちらから→http://yakan-hiko.com/robert.html

劇中、主人公である人間の少年・九太にとって剣の師匠となる「バケモノ」の熊徹が、卵かけごはんを豪快に食べるシーンがある。 だが九太は、生で卵を食した事がない。「うえっ」となりながらも、そこを生理的に乗り越える事で、彼は人間でありながら「バケモノ」の弟子になるという事を、自らの固い意志として受け入れていく。 アニメーションだから、絵に描かれた黄色い卵かけご飯は、実においしそうに見える。だが九太はそれを、吐き気と戦いながら食べ続けるのである。 ここは監督・細田守による、「アニメの嘘」に対する自覚的な姿勢があるのではないかと思った。（本文より)切通理作の「映画の友よ」はこちらから→http://yakan-hiko.com/risaku.html

Carl Radke’s path from reality TV’s party-loving star to a life centered around recovery has been anything but straightforward. Famous for his role on Summer House, Carl’s journey in the spotlight has forced him to confront personal battles under public scrutiny. Beyond the cameras, he’s faced struggles with addiction, the weight of toxic masculinity, the heartbreaking loss of his brother and a quest to find real joy in a world that equates fun with alcohol.

その８割近くが失われてしまっているという戦前のものを中心に、「映画探偵」とも称されるコレクターたちによって奇跡的に発掘された日本映画が、断片しか見つかっていないものも含め、ミニシアターのラピタ阿佐谷で企画上映された。題して「映画探偵の映画たち」。 私はその内、３日間の上映、計10本を見に行った。 １月17日 『播州皿屋敷（ばんしゅうさらやしき）』1929年（昭和4年） 監督：賀古残夢（かこ・ざんむ） 『武士道』1925年（大正14年） 監督：ハインツ・カール・ハイラント、賀古残夢（かこ・ざんむ） 『吉良の仁吉（きらのじんきち）』1937年（昭和12年） 監督：児井英男（こい・ひでお） 『電車が軌道を走る迄（まで）』1929年（昭和4年） 監督：荻野茂二（おぎの・しげじ） 『曼珠沙華（まんじゅしゃげ）』1945年（昭和20年） 監督：柿本久夫（かきもと・ひさお）(本文より）切通理作の「映画の友よ」はこちらから→http://yakan-hiko.com/risaku.html

2019年7月27日に行われた公演【Voice-Stage「本番です！」】を完全収録！！

Splatter Capital shows how a subgenre of cinematic horror has developed a unique perspective on the cycles of capitalism. It argues that the messy brand of horror mobilized in gore or "splatter" films is extremely responsive to the internal contradictions that threaten the future sustainability of capitalist accumulation. And, while responding to the prospect of that end, splatter promotes an extant truth: capitalist accumulation is and always has been a nightmare of systematized bloodshed.

If the West had its Swinging Sixties, Hindi cinema had its Seventies. Everything that journalists today call 'retro' when referring to Bollywood is a product of the 1970s. But to refer to the decade as 'swinging' and 'retro' is missing the wood for the trees. The 1970s is the most influential decade of Hindi cinema. Not the 1950s, not the 1960s which unapologetic nostalgists hark back to.

Wawrczeck zeichnet ein subjektives Porträt eines der größten Künstler des 20. Jahrhunderts. Man sitzt mit ihm vor dem Fernseher, wenn er den ersten Hitchcock-Film sieht, begleitet ihn ins Tonstudio zu den Aufnahmen der "Drei ???" und zieht mit ihm durch die Welt: Von Hamburg über New York, von Bodega Bay nach London, immer auf der Spur von Hitchcocks Meisterwerken. Er erzählt, wie ihm Hitchcocks Filme bei der Suche nach der eigenen Identität halfen und ihm zeigten, dass die Beantwortung der Frage "Bin ich verrückt oder sind es die anderen?" immer vom Standpunkt abhängt.

"Cinema speculation" è la storia di un bambino innamorato del cinema che passa le serate con i genitori nelle sale di Los Angeles. Quello spettatore vorace, che preferisce ai giochi l’incanto del grande schermo, cresce affascinato da una nuova generazione di attori e registi – come Steve McQueen, Burt Reynolds, Clint Eastwood, Sam Peckinpah, Don Siegel, Brian De Palma, Martin Scorsese – che dalla fine degli anni Sessanta spazza via la vecchia Hollywood.

«Creía que los arqueólogos eran unos graciosos hombrecillos que buscaban momios». Así describe Willie la profesión de su compañero de aventuras Indiana Jones en la película Indiana Jones y el templo maldito. El cine de aventuras siempre fue muy popular y exitoso, basado en un voluntario afán por el entretenimiento más que por la refl exión profunda sobre la condición humana. Dentro de este género, existe un conjunto de filmes cuyo eje central es la búsqueda de un tesoro y que forma un subgénero muy específico que es el cine de Arqueología. Indiana Jones, Lara Croft, Tadeo Jones...

Audacioso e surpreendente, o filme Psicose, de 1960, provocou uma verdadeira comoção junto ao público e se tornou uma das obras mais queridas do mestre do suspense Alfred Hitchcock. A história por trás das câmeras é igualmente fascinante, como narra Stephen Rebello no audiolivro Alfred Hitchcock e os bastidores de Psicose.

Nel 1933 viene lanciato nei cinema USA "I tre porcellini" di Walt Disney. Questo piccolo avvenimento segna l'inizio della parabola della cultura mainstream promossa dai film delle majors hollywoodiane, raccolta e amplificata dalla radio e dalla tv. Questo tipo di cultura, basata su un'idea consolatoria dell'intrattenimento, fondata su una visione manichea del bene contro il male e sul must del lieto fine, prende forma allora e mette radici nell'immaginario collettivo dell'Occidente.

Jerry Seinfeld revisita suas quase cinco décadas na comédia stand-up e oferece neste audiolivro uma seleção com os melhores textos de sua carreira.

Susie Bright, “The Pauline Kael of Porn” (SF Chronicle), rips open the history of erotic cinema before the internet— from the Golden Age of lavish 35mm hardcore, to the video-inspired “Porno Spring”, initiated by none other than punk, feminist, and lesbian video-makers.