検索キーワード： 劇場

The Risk Theatre Model of Tragedy presents a profoundly original theory of drama that speaks to modern audiences living in an increasingly volatile world driven by artificial intelligence, gene editing, globalization, and mutual-assured destruction ideologies. Tragedy, according to risk theatre, puts us face to face with the unexpected implications of our actions by simulating the profound impact of highly improbable events.

Esta comedia se sitúa en el París del siglo XVII en el seno de una familia bien situada, en la que sin embargo nuestro protagonista, Harpagón, que es el prototipo del avaro miserable, ama el dinero por encima de cualquier otra cosa.Harpagón es hasta tal punto un miserable avaro, que hace que sus hijos sufran toda clase de privaciones tanto afectivas como de carácter económico.

Argán es un viejo hipocondriaco y egoísta, siempre rodeado de medicinas y médicos, que está dispuesto a sacrificar a su hija, casándola con un médico a quien ella no quiere, para asegurarse así, que siempre tiene un médico en casa. Belina, la segunda esposa de Argán finge estar enamoradísima de el, pero lo que espera es heredar cuanto antes mejor. Lo que no se puede ni imaginar es la prueba a la que Antoñita, la simpática criada de Argán, la va a someter para desenmascararla delante de su marido.

Dinero, amistad, matrimonio, raza, justicia, venganza, perdón amor...aparecen y se entrelazan constantemente en el mercader de VeneciaSe utiliza el dinero para diferenciar las clases sociales, los tipos de persona y en especial las aspiraciones de los personajes, tan dependientes de la frivolidad de la fortuna.El sentimiento de amistad de Basanio es más que evidente cuando dice: "A ti Antonio te lo debo todo en el dinero y en el amor".

In 1998 Mark died of AIDS, cared for in the end by his lover John and their friend (and nurse) Marcia. Twenty years later, John and Marcia reflect on what they survived that Mark didn't. In December, 2018 Gay City: Seattle's LGBTQ Center invited a variety of artists who had been present during the AIDS crisis to contribute to a show.

Sie wünschen sich die Menschen und die Liebsten besser verstehen zu können? Ihre eigen Körpersprache zu verbessern, um auch selbst besser verstanden zu werden? Sie wünschen sich wiederum Ihre eigene Ausstrahlung zu verbessern, um auch von anderem Personen besser wahrgenommen zu werden? Sie möchten nicht missverstanden werden wegen Ihrer Körpersprache? Sie möchten sich in Haltung, Sprache und Ausdruck verbessern? Sie möchten mit einer überzeugenden Körpersprache, positiver Ausstrahlung und gutem Smalltalk überzeugen und gekonnt auftreten?

A poignant true story of a woman who turned her tale of foster care and adoption by a Jewish family into a heart-rending play. A courageous and energetic storyteller, she brings life’s complex issues of identity, strength, character, and charm to the stage. We experience what it must have been like to grow up adopted. The listener is taken on a beautiful journey that explores self-identity, the importance of family, and the search for self. We follow her path and realize we are all in a constant search despite our experiences.

Choephori, or The Libation Bearers, is the second in the Oresteian trilogy on the House of Atreus, written by Aeschylus. It deals with the reunion of Agamemnon‘s children, Electra and Orestes, and their revenge upon their mother Clytemnestra for the murder of Agamemnon, which takes place in the first play, Agamemnon. The title refers to the chorus of libation bearers who supports and encourages Electra and Orestes in their quest for justice. The Oresteia is the only extant example of an ancient Greek theatre trilogy.

Debra Wanger knows how difficult it can be to pursue your dream of acting without compromising your health or your sanity. She drew wisdom from decades of working as an actor, talent manager, and wellness coach to write The Resilient Actor and give emerging and experienced actors a holistic approach to their profession that marries mind, body, spirit, and craft. Sustaining a healthy and satisfying career requires more than just talent - go beyond the skills you learned in your BFA program.

Yvonne De Carlo, Michael B. Druxman’s one-woman play, is set in 1974 when the actress is at an emotional crossroads. As she contemplates divorcing her husband of 18 years, she remembers the events that have brought her to this point in her life, beginning with a fatherless childhood in Vancouver, BC, and a destitute mother intent on making her daughter a ballet star. She further reminisces about the many men who have passed through her life, including romances with the likes of Howard Hughes and Aly Khan.

How to avoid feedback and other surprises when setting up PA systems. This easy to read guide is aimed at small groups using PA systems for podium and stage microphone, like churches and self-help groups, and makes concepts clear. Topics include how to avoid feedback by understanding what it is, with details covering speaker placement, microphones, mixing boards, and active and passive speakers.

Unique insights into Shakespeare, from one of the world’s most revered theatre directors. Who was the man who wrote Shakespeare’s plays? Why does Shakespeare never go out of date? How should actors approach Shakespeare’s verse? In this short but immensely wise book, visionary theatre director Peter Brook debates the questions that are central to our understanding of Shakespeare, and revisits the plays he has directed with notable brilliance, including King Lear, Titus Andronicus, and, of course, A Midsummer Night’s Dream.

Gabacho is the true tale of youthful angst, crime, misunderstandings, love, friendship, and redemption. Over Christmas break of his senior year, a University of Utah theater student, disenchanted with his conservative Mormon upbringing, took off for Mexico with a college friend seeking a wild adventure. If the adventure hadn’t included smuggling drugs it might have been another college road trip. To survive, Jewkes starts a theater group with a rag-tag bunch of Mexican convicts.

Alice Gerstenberg (1885-1972) was an American playwright, actress, and activist. She is best known for her many feminist plays, which often feature female lead characters and all-female casts (a rare occurrence at the time). This is a collection of ten one-act plays, which cover a wide range of topics -highlights include a lighthearted farce involving gossiping women, a satire about dinner parties, and a comedy about the pretensions of conventional theater, but some plays also touch on more serious themes such as death, war, and the effects of an unhappy marriage.

A humorous radio play dealing with the appalling psychological consequences of war without moral or political judgement. Dora and her son, James, visit James’ grandfather in a psychiatric hospital. What ensues confounds them both. High-powered drama set against the backdrop of the Afghanistan War.

The inside story of San Francisco's burgeoning gay history and Hollywood's trials and tribulations. Marc Huestis' showbiz memoir is an entertaining and personal retelling of his coming out in the streets of San Francisco in the early ’70s, his relationship with Harvey Milk, his award-winning early AIDS documentary work, and 20 years of memorable experiences and behind the scenes secrets of screen icons - including Debbie Reynolds, John Waters, Patty Duke, and Tony Curtis - honored at his grand singular extravaganzas at the world-renowned Castro Theater.

Alle Kinder haben den gleichen Wunsch: Sie wollen eine Gute-Nacht-Geschichte von dem kleinen Fuchs Fu hören, am liebsten vorgelesen von Mama und Papa. Schön ist es dann, wenn Mama und Papa dieses Hörbuch haben, dessen Geschichten unterschiedliche Längen an Vorlesezeit bieten. Gemeinsam mit dem kleinen Fuchs Fu erzählen hier die Tiere des Waldes ihre Geschichten. Aber nicht nur die Tiere dürfen ihre Geschichten im Gutenachtbuch erzählen, auch die Kinder kommen zu Wort.

Dick Powell made a career of reinventing himself. Born in Arkansas, the young tenor played horn and banjo, and sang with various dance bands and orchestras in Pittsburgh and elsewhere before he was brought to Hollywood, where he sang opposite Ruby Keeler and others in such classic Busby Berkeley musicals as 42nd Street, Footlight Parade, Gold Diggers of 1935, and the Al Jolson film, Wonder Bar.

Imagine living with a fear so visceral each day that simply walking down the street draws terror to one’s core. That’s the best case scenario for a woman on the streets of Juárez, Mexico. Kate del Castillo (La Reina del Sur) delivers a stunning one-woman performance that transports listeners from a New York stage to the treacherous streets of Juárez, Mexico, where thousands of women have been murdered in an ongoing epidemic of violence.

what if it's not the beginning or the end that is the key to a successful book? What if, amazing as it may seem, the place to begin writing your novel is in the very middle of the story? According to writing teacher James Scott Bell, that's exactly where you'll find your story's heart and heat. Bell's "Mirror Moment" is the secret, and its power is available to any writer, at any stage of the writing process...Bell presents a truly unique approach to writing a novel, one that will stand the test of time and serve you all your writing life.